Suspense / Thriller

(checks calender) “my goodness its been a few days...time to review another Michael Madsen film”

Michael Madsen goes WAY outside of his normal acting niche and plays a badass killer. Really different from his previous roles (please refer to my two month old review of Madsen's Brazen Bull to reveal just how sarcastic this opening paragraph is https://upcomingdiscs.com/2011/02/23/the-brazen-bull/#more-15588).

Roger Corman has never let an exploitable opportunity slip by. A case in point is what we have here. In the wake of the first two Godfather films came this rise-and-fall tale. And because the Godfather movies were handsome, expensive and classy, then this Corman-produced effort is also a nice-looking piece of cinema, even if the budget-conscious element shows through with the use of leftover footage from The St. Valentine's Day Massacre.

Hammer has risen from the grave. A group of investors have resurrected the film brand and intend to honor the tradition of the once-defunct horror giant. President Simon Oakes is a self-proclaimed fan since he was a kid. He has no interest in trying to fit Hammer into the new mold of torture porn or slashers. He acknowledges that there is plenty of room for those kinds of films in the horror genre. He hopes to bring back more than just the Hammer name. He intends to bring back the gothic spirit that was Hammer Films

"Sherlock Holmes, the immortal character of fiction. Created by Sir Arthur Conan Doyle, he's ageless, invincible and unchanging. In solving significant problems of the present day, he remains -- as ever -- the supreme master of deductive reasoning."

In 1887, readers of the popular periodical Beeton's Christmas Annual were to receive quite a special treat. There wasn't much fanfare or hype to the event. Inside the pages of the magazine was a story called A Study In Scarlet. It was a detective story, perhaps like many published before, except for the detective himself, a certain Mr. Sherlock Holmes.

Three years after her unsettling turn in Dario Argento's Four Flies on Grey Velvet (1971), Mimsy Farmer headlined this giallo-related effort by director/co-writer Francesco Barilli. She plays a successful chemist on the verge of a psychotic break. She has been haunted since her childhood by the death of her father, and she has recurring memories (or are they fantasies?) of her mother in the arms of a sinister man. Her sense of reality crumbles as objects and people from her past appear and vanish.

The cover of this DVD is, depending on which signals you pick up on, either misleading or perfectly accurate. If all you see is George Clooney running with a gun, and you therefore come to the conclusion that this is going to be some action-packed thriller, and that is what you're hoping for, then you're going to be disappointed. If, on the other hand, the orange colour and the rather retro look to Cloney's image, not to mention the rather uninformative title, makes you think of the 1970s, then you're on the right track.

A young couple are drawn into a deadly game of cat and mouse when they investigate a piece of real estate and a psychopath starts to trail them. Brazen Bull is the title of the film and the killer's mantra, which means he acts as if he has nothing to lose, when in fact he's already lost everything.

An ex-con trying to pull one last heist is sucked into a booby trapped house and must face against a madman who is torturing the family within. The makers of 3 SAW films (and not the first three) have ventured into familiar territory of nonsense gore, whisper thin plot, and then even more nonsense gore.

8 corporate hopefuls gather at a mysterious location and are instructed to take one final exam as a final test to see which one will walk away with a prestigious job at a major company. The trouble is their exam papers are blank, and it would seem that there is not even a question to answer. For 80 minutes each must solve the puzzle without being disqualified by breaking one of the few rules, all of which double as a riddle/clue to solving the exam question and answer.

In Macao, a trio of gunmen butcher a family. Only the mother survives (barely), and her father (aging French rocker Johnny Hallyday, looking as hardboiled and grotesque as Mickey Rourke), a restaurateur who knows altogether too much about how to get by in the violent underworld, comes to town and sets out on a mission of vengeance. He hires a trio of hit men, and works with them in tracking down his enemies. They have to do so quickly, though, because Hallyday has been shot before, and the bullet lodged in his brain is gradually stealing his memory away. He wants his revenge while he can still remember why it is necessary.