Posted in: Disc Reviews by J C on June 20th, 2012
When I saw that Nicolas Cage and January Jones were headlining a little-seen/straight-to-DVD-caliber title, part of me was perversely excited. This had the potential to be a historic summit of bad acting! To be fair, I generally enjoy the — shall we say — avant garde stylings of Cage's performances, but I'm much less impressed by the relentless joylessness Jones bring to her work (even on the excellent Mad Men). In short, I was prepared to laugh and I was prepared to wince. However, I was not prepared to enjoy this entertaining, preposterous thriller as much as I did.
Cage and Jones star as Will and Laura Gerard, a happily married New Orleans couple. You know they're the perfect little cultured pair because she's an orchestra cellist, and he's a high school English teacher who plays hyper-competitive chess games with a co-worker (Harold Perrineau). Their world is shattered one night when Laura is brutally attacked after leaving work. While an emotionally distraught Will is in the hospital, he is approached by a stranger named Simon (Guy Pearce). Simon claims to represent an organization that is fed up with the shortcomings of the criminal justice system. He offers to exact vengeance on Laura's attacker in exchange for a favor from Will somewhere down the line.
Posted in: No Huddle Reviews by Michael Durr on June 4th, 2012
People tend to place blame on the parents when their children do something wrong. Sometimes this practice is perfectly legit, especially when the behavior is a constant minor disruption or something that is obviously linked to bad parenting. But when the child creates a massive infraction which could include taking a life (or lives), it shouldn’t always fall back on the parents. But yet, the parent will almost always suffer as such the case here with We Need to Talk About Kevin.
Two years ago, Eva (played by Tilda Swinton) had a pretty decent life. She was a successful travel writer, had a loving husband, Franklin (played by John C. Reily) and a peppy daughter, Celia (played by Ashley Gerasimovich). Eva also had a son too named Kevin (played as an adult by Ezra Miller) but Eva’s tranquil life went away the day Kevin created a misdeed too gruesome to ever forget.
Posted in: Disc Reviews by Michael Durr on May 29th, 2012
Often in columns, writers are basically forced to do enough research on their own to qualify as experts. But that is not always enough. Sometimes, we are a lot better off if we just consult an expert from the get-go and ask them all of the pertinent questions we need answered. My wife happened to be that expert I needed for the latest season of True Blood, Season Four. Without her, Sookie Stackhouse might just be another girl from the Jersey Shore. Wait, which show am I reviewing again?
What do we need to remember from Season 3, well only two things really. One, Sookie Stackhouse is in Fairyland and two, Bill Compton is the King of Louisiana. Outside of that, we should be able to explain the rest. Let us rejoin the cast of True Blood, shall we?
Posted in: Disc Reviews by J C on April 15th, 2012
I was flipping through the latest issue of Sad Trombone magazine the other day, and it contained an article revealing — through entirely unscientific research — that the general consensus appears to be, "People suck." As a result, I was already in the proper mindset when I sat down to watch The Divide, probably the most pessimistic movie of the past year.
After a nuclear attack, a group of nine survivors huddle in the basement of their apartment building. They are initially led by Mickey (Michael Biehn, looking like his Aliens co-star Lance Henriksen these days), the building's profane, racist, anti-social superintendent. With absolutely zero communication with the outside world, the days go by and the secluded group — which is afraid to go outside because of the potential for radiation poisoning — gets hungrier, crankier and more desperate. (Oddly enough, that's exactly how I got the last time I went camping overnight in a tiny tent.)
Posted in: Disc Reviews by David Annandale on April 6th, 2012
Roman Polanski's seminal neo-noir finally makes it to Blu-ray. Gino has already handled the previous DVD release, so I'm going to turn the reins over to him for a while, then jump back in.
"Jake Gittes is a Chandler style detective with all of the trappings. From the office to the secretary and the cop friend, Gittes is a cliché. He appears to specialize in tracking down extramarital affairs. When he’s hired to keep an eye on a rich millionaire, the subject turns up dead, and maybe it wasn’t his wife at all who hired him. Gittes now must investigate to save his own hide. His investigation leads him to a corrupt water department taking advantage of a manufactured drought. His client has a dark secret that only complicates Gittes’ efforts.
Posted in: Disc Reviews by J C on March 31st, 2012
I think most of us can agree that being buried alive would be a horrible way to go. Several movies — Kill Bill: Vol. 2, The Vanishing (not the soft American remake) and, of course, Buried — have exploited that terror to varying degrees of success. Though the action in A Lonely Place to Die centers around a girl found buried in the Scottish Highlands, the camera frequently pulls way back to show us the desolate beauty (and danger) of the mountainous setting. I really wish director Julian Gilbey had kept the action on those mountains.
A group of climbers, led by Melissa George (The Amityville Horror, TV's Alias), discover an Eastern European girl named Anna buried in an underground chamber. Anna is unable to explain what happened because she can't speak English, but the group correctly surmises that the girl was kidnapped and being kept alive by the breathing pipe sticking out of the ground. Eventually, the group has to deal with the vicious pair of kidnappers, as well as the mercenaries hired by the girl's war criminal father to get her back.
Posted in: Disc Reviews by J C on March 20th, 2012
After watching Tinker Tailor Soldier Spy, my mind wandered over to Inception of all places. Remember how Ellen Page's character pretty much only existed so other people could explain to her — and, by extension, us in the audience — the rules of the movie's universe and what the hell was happening? Well, watching Tinker Tailor Soldier Spy for the first time felt a lot like what I imagine Inception would look like if Page's novice architect hadn't been in the script: words and items have dual meanings, characters have double (and triple) motivations, and good luck figuring out everything that's going on in this complex world!
The plot, however, is deceptively simple: veteran spy George Smiley (Gary Oldman) is called out of retirement to uncover a Soviet agent in the highest ranks of MI-6, the British intelligence service. (I'll refrain from further discussing the plot so that I don't give anything away, but also because there's a decent chance I haven't comprehended everything that happened. That being said, my second viewing of this movie went considerably smoother than the first.)
Posted in: No Huddle Reviews by Archive Authors on February 29th, 2012
I am back! For now. Here to review Insight. Dun dun dun! A psychological thriller type that my husband thought I would like to take a look at. And then he bat his eyes and asked me to review it. Since I am a sucker for him and his gorgeous eyes, I agreed. Was this movie worth the look? Let's take a look, shall we?
So, we start the movie with an ambulance bringing in a stab victim. It is your typical scene of someone being wheeled in on a stretcher, down a hospital corridor. We learn that the stab victims name is Allison Parks (Angeline-Rose Troy) and she has been stabbed over a dozen times. They get to the operating room and start the usual medical jargon and run around the room acting like they are doing something important. They begin to fire up the heart zappers (Yes, I know there is a technical, fancy schmancy, medical name for them, but I like heart zappers, it sounds more festive) but before they can get them to full charge, the victim opens her eyes wide and looks at the nurse by her side. She tells her “He loved me”, the nurse grabs her, and ZAP! Nurse falls to the floor (You need to know that its not a good idea to grab someone who is about to be jolted with electricity, it does pass through one person to another).
Posted in: Disc Reviews by Gino Sassani on February 29th, 2012
To Catch A Thief is not typical Alfred Hitchcock territory, but then again, it really is. It’s not a terribly suspenseful film coming from the acclaimed “Master of Suspense”, nor is it at all a frightening film even though it was directed by one of horror’s genius minds. What really is scary, however, is how close to a different film this almost was. Cary Grant had exiled himself into retirement. If you can believe his statements at the time, he was concerned that the moviegoing public was pretty much sick of seeing him and preferred the younger actors just then coming of age. He turned Hitchcock down for the role at least twice, before Hitch made a personal visit and appeal to the Hollywood legend. Grace Kelly was also reluctant to do the part. She did it because she loved working for Hitch. Unfortunately, Paramount had other plans. They were troubled that Grant was nearly twice Kelly’s age, and worried that either the public or the standards censors would not accept the situation. They were half right. While the film was one of Hitch’s toughest battles with the Standards folks, the public flocked to see Grant and Kelly on the screen together. Grant would continue his return to acting for over a decade longer. Not so Grace Kelly. The Philadelphia native would have her fateful meeting with Prince Rainier of Monaco and would spend nearly 30 years portraying the larger-than-life, but real nonetheless, Princess Grace of Monaco, before a tragic automobile accident would end her life. All the same, To Catch A Thief would remain one of her last films. Hitch almost lured her out of retirement some years later, but she declined, saying that if she were to do a film, Hitchcock was about the only man she would have done it for.
John Robie (Grant) is a renowned jewel thief and cat burglar. While he’s been retired for fifteen years, he’s still the prime suspect when a rash of burglaries occurs on the French Riviera. The MO is the same as Robie’s, and before long the police are blaming him for the work of France’s newest celebrity thief, The Cat. Robie sees only one chance to get himself out from under the mess. He has to go to the area and catch the real thief. Once there he hooks up with insurance agent Hughson (Williams) who cooperates on the off chance his company can be spared these high payouts. Robie also meets young and attractive socialite Frances Stevens (Kelly), who sets her sights on catching this thief for her own. She constantly tries to seduce Robie, knowing who he is and suspecting him of being The Cat. When her own family jewels turn up missing, she begins to rethink the dangerous game she was playing. That only gives Robie even more incentive to catch the real crook. Will Robie catch The Cat? Will Frances catch Robie? Only Hitch knew for sure, and in 1955 audiences found out in the film classic, To Catch A Thief.
Posted in: Disc Reviews by J C on February 16th, 2012
Despite their pop culture ubiquity these days, zombies are getting somewhat of a raw deal. To be clear, I'm talking about the old-school, George Romero-style creatures that slowly lumbered toward their victims and whose only ambition in life was to snack on human flesh. Nowadays, a lot of filmmakers seem to be more interested in making zombie movies that don't technically have "zombies" in them ("infected" is a popular alternative term) and who are almost fast enough to earn a spot on their country's track and field squad for this summer's Olympic games. Even The Walking Dead — fresh off setting a new ratings record for basic cable viewership earlier this week — has conspicuously avoided having any of its characters refer to the living dead as "zombies" over its two seasons. (Instead, they're "walkers" or, most recently, "lame-brains.")
The Dead strives to be a return to Romero-esque horror. Billing itself as “the first zombie road movie set against the spectacular scenery of Africa,” the film follows American Air Force Engineer Brian Murphy (Rob Freeman), who survives a plane crash in war-torn, zombie-infested West Africa only to find himself in a brutal, unforgiving landscape that is completely barren...except for the undead shuffling in his direction. Murphy eventually crosses path with Sgt. Daniel Dembele (Prince David Osei, a poor man's Djimon Hounsou), whose village has been ravaged by the reanimated dead and who is determined to find his missing son.
