Posted in: Disc Reviews by William O'Donnell on February 8th, 2012
First was the play, then came the film, and now we're 140 episodes deep in Meet The Browns sitcom. Like a lot of Tyler Perry projects, the family dynamic can be a bit bamboozling at times. So...it's an elderly man living with his daughter and his niece and her husband and their adopted kids, with regular appearances by his neighbour who is also Aunt to...oh heck, let's just get on with the review...
My mind immediately wanted to draw comparisons between this and another Tyler Perry sitcom, House of Payne (a volume of which I have panned on this very site: https://upcomingdiscs.com/2011/07/23/house-of-payne-volume-8/). To my relief, this show is nowhere near as stereotype ridden nor aggravating as “Payne.” That being said, this is, by no means, a great comedy. The stories are rehashed (the season opener even uses the heavily treaded Flintstones gimmick of having someone become a new man after being bashed on the head), the character dynamics confusing (one of the adopted children looks nothing like his “family” and is interacted with so little at times that I thought his character might have been a ghost living in the house), and the laughter often only comes when they resort to some sort of slapstick when a punchline couldn't be conjured up.
Posted in: Disc Reviews by Gino Sassani on January 24th, 2012
It sounds like nothing new. Hard-boiled detective uses computers and other forms of technology to solve cases. It isn’t anything new, except the detective in question is Joe Mannix, and the series started in 1967. The computer that Mannix used took up an entire room and was queried using cardboard punch cards. This wasn’t science fiction. We’re not talking some newly discovered Irwin Allen series. Mannix didn’t go after aliens or robots. This was a down-to-earth gritty detective show. Mike Connors played the tough-as-nails detective. He was perfect for the part and blended into the role seamlessly for eight years.
The show was created by the team of Link and Levinson, who later gave us the detective in the rumpled raincoat, Columbo. It was groundbreaking in so many areas. While it might not be remembered today as one of the top detective shows, there can be no argument about the impact Mannix had on the genre. A decade later one of my favorite television detectives, Jim Rockford, would borrow rather heavily from Mannix. Like Rockford, Mannix was getting beat up a lot. They both had the same sense of style, wearing rather ugly sport jackets. Neither was afraid to bend the rules, or the law, when necessary. Again like Rockford, Mannix often falls for the wrong girl at the wrong time. Mannix was good with a gun and equally adept with his fists. The show received a ton of controversy from the start for the amount of violence it employed. Tame by today’s standards, Mannix was quite aggressive for its time. The joke was that the show’s producers mandated a fight or car chase every 15 minutes whether it was needed or not. I’m sure that wasn’t true, but nonetheless the show opened the floodgates for the detective shows that followed. In this first season, Mannix worked for the enigmatic detective agency, Intertect. They supplied him with the latest in modern technology and with his cases. His main company contact was Lou Wickersham, played by Joseph Campanella. Now Mannix is on his own and begins to resemble more and more these detectives that would eventually follow in his tire tracks.
Posted in: Disc Reviews by Gino Sassani on January 20th, 2012
"As you know, in less than two hours liquor will be declared illegal by decree of the distinguished gentlemen of our nation's Congress. To those beautiful, ignorant bastards. Rest assured that, dry though the country may be, I am in the midst of concluding arrangements that will keep Atlantic City wet..."
Lately, you might have heard a lot of folks talking about getting home for a little Nucky. Well... it's not what you think. They're talking about Nucky Thompson, played by Steve Buscemi on HBO's latest gangland series, Boardwalk Empire.
Posted in: Disc Reviews by Gino Sassani on January 12th, 2012
And so, for the second time, Hawaii Five-O has reached the end of its run. The first time happened on April 5th, 1980 when the final episode aired. Now the series ends its run of DVD releases as Paramount now issues the 12th and final season of the landmark series. There will be a third ending, let's hope not for a long time when the revival series closes its doors in the future. For now fans can be content that they can finally complete their collection of the original series.
Have you ever walked down the street and heard a chorus of “Five Oh” making the rounds? In street lexicon, that means the police. It’s a warning to the drug dealers and any other illegal activities that the police are on the way. That’s just one of the ways that Hawaii Five-0 has invaded our pop culture. Who hasn’t heard the phrase, “Book him, Danno”? It’s no surprise, because until Law & Order, Hawaii Five-0 was the longest running crime drama on television. It started in 1968 and didn’t end until 1980 when the production staff and facilities were immediately retooled to produce Magnum P.I., which was an unofficial spin-off of Hawaii Five-0. While he never actually appeared on Magnum, Five-0’s McGarrett was often referred to by characters on the series. The series continued for a few years in syndication where the episodes were all mixed up. These DVDs allow the first chance since their original broadcast for these episodes to air complete and in the correct order. While continuity wasn’t huge, as there were few actual story arcs beyond the episodes, there were minor changes that made the show look strange in syndication. The final season was aired under the title “McGarrett”.
Posted in: Disc Reviews by Gino Sassani on January 10th, 2012
James M Cain wrote Mildred Pierce in 1941 and based the character on a woman he was seeing at the time. It's said that she offered much of the insight into women's plights of the depression era from undisclosed women. Not that Cain needed help in writing a compelling story. He's had a few hit novels that include The Postman Always Rings Twice. Mildred Pierce was an almost instant hit and was soon optioned for a film in 1945 staring Joan Crawford, for which she won an Oscar, and while she had been nominated three separate times, it would be her only win. The filmed did huge at the box office, and that's where the character and story have pretty much resided for over 60 years.
HBO is no stranger to quality series or mini-series. The John Adams production is considered one of the best period mini-series ever made. The list of Emmys is long and well deserved. So, it is in their hands that the long-dormant Mildred Pierce would make her resurrection in the form of Kate Winslet. The all-star cast also includes: Homicide's Melissa Leo, Guy Pearce, Mare Winningham, Evan Rachel Wood.
Posted in: Disc Reviews by M. W. Phillips on January 4th, 2012
“I've gone and torn my family apart and I'm truly sorry.”
I have a confession to make; I first started watching Big Love for what I thought would be the salacious subject matter. Polygamy seemed tawdry and unnatural. I wanted to see how HBO handled it. Soon after watching I was touched by the depth of love and commitment this family had for each other. The underbelly of polygamy, religious compounds teaming in underage wives, forced submission, murderous vendettas and false prophets, certainly held a certain freak show quality to it, but what Bill Henderson (Bill Paxton) was attempting somehow seemed somehow precious and sacred.
Posted in: Disc Reviews by Gino Sassani on December 12th, 2011
Look up in the sky. It’s a bird. It’s a plane. No, it’s…. well, Clark Kent. And we finally have to say goodbye to the wonderful universe that this show has brought to the Superman mythology. With the show ending on its own terms we expected a lot from this season, and it was something just short of impossible for the cast and crew to deliver on those fans expectations. The season wasn't perfect, and I'm sure that each fan walked away disappointed in something that happened, or more likely didn't happen. It was a tall order, but I think that the show delivered quite handsomely. For me, it was important that Tom Welling get that chance to put on the suit and fly. I wouldn't think it was any kind of major spoiler to tell you that he does. Those last 12 minutes were payoff enough for me. There were also some rather emotional moments that brought back many past cast members including the much-anticipated return of Michael Rosenbaum as Lex.
There were certainly epic story-lines going on here. There's a Watchmen/X-Men-like story that deals with a law to force masked heroes to register with the government amid a surge of anti-hero public backlash. Of course, it's Lois's father played excellently by Michael Ironside who leads the anti-hero legislative push.
Posted in: Disc Reviews by William O'Donnell on December 7th, 2011
Tim is the lone passive, sane voice in an insane world that whirls around him. Take the kooky scenarios you might find in an episode of Seinfeld, animated them (barely) and pepper it with some HBO-acceptable crassness, and you're looking at this show. Done in a minimalist 2D animation, each episode consists of two separate stories. By splitting the episodes in half, the two chapters make the show resemble the current trend of 10 to 15 minute long cartoons, popularized by Cartoon Network's “Adult Swim” programs.
Stories often end without complete resolution, but always cap themselves off with a punchline. The conflicts he finds himself in range from the domestic, such as work or relationship issues, to the ridiculous, like Tim needing to break a bond he developed with a circus elephant.
Posted in: Disc Reviews by Gino Sassani on December 6th, 2011
"On every world wherever people are, in the deepest part of the winter, at the exact midpoint, everybody stops and turns and hugs. As if to say, "Well done! Well done, everyone! We're halfway out of the dark." Back on Earth, we call this Christmas, or the Winter Solstice. On this world, the first settlers called it the Crystal Feast. You know what I call it? I call it expecting something for nothing!"
In 2005 the BBC decided to bring back the gone-but-never-forgotten character. Christopher Eccleston would become the ninth Doctor, and a brand new series was started. The Doctor was revived in a more traditional hour long episodic format. Gone were the cheap f/x, and now with the use of CGI and a more respectable budget, Dr. Who could be given the high-end treatment it deserved. But would all this new slick production be able to retain the magic of the original? As it turns out, much of that charm remains, and a brand new generation has gained access to Dr. Who. Sadly, Eccleston would retain the part for only a year. In the second season David Tennant would take over the role. It is this tenth Doctor who has changed twice more to the one you’ll find in this sixth season (or series as the British like to call them). The old theme is back but far more modernized and performed by the National Orchestra of Wales.
Posted in: Disc Reviews by Gino Sassani on December 6th, 2011
"Your mission, should you decide to accept it..."
Those words have certainly been a part of the American pop culture for almost 50 years. It all started with the Desilu television series that hit the airwaves in 1966. That first year is probably unfamiliar to most of us. It was in black & white and starred Steven Hill as the leader of the Impossible Mission Force. A year later the show jumped to color and Peter Graves took over the team as the indomitable Jim Phelps. The show lasted a good 7 seasons. The Impossible Mission Force was a black-ops team that worked under the "secretary" who would disavow their mission should any of the team be caught or killed. The show had a pretty good run before ending in 1973. Gone, but never forgotten.
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