Posted in: Disc Reviews by Gino Sassani on March 31st, 2010
An ancient facility beneath Antarctica becomes the launching platform to the lost city of Atlantis. Atlantis is buried beneath an ocean in another galaxy and can only be reached with an additional symbol on the Stargate. Because of power limitations this trip, at least for the time being, is a one-way adventure. A crew of scientists and military officers from many countries assemble to explore the Pegasus Galaxy from the Atlantis gate. Led by scientist Dr. Weir (Higginson) and Maj. John Sheppard (Flanigan) they take over the Atlantian command center and begin to explore. In their initial investigations they accidentally awaken the area’s top bad guys, The Wraith. These vampire-like beings suck the life-force out of humans.
When Stargate SG-1 was about to enter its ninth year, there was speculation that after season 8 the series would bow out gracefully with the anticipated exit of Richard Dean Anderson. With that plan in mind, the folks at Stargate Command decided it was time to spin off the franchise, and so was born Atlantis. Stargate Atlantis boasts pretty much the same production team as SG-1. The quality of the production and tight storytelling have translated well to this sister series. Stargate Atlantis took a little getting used to. I wasn’t sure the characters had enough chemistry or were even dynamic enough to carry the high expectations for a Stargate series. Those concerns eventually evaporated by the time Atlantis began to live without the SG-1 companion series. These characters really took off, and they’ve developed into nearly as strong a group as SG-1 ever was.
Posted in: Disc Reviews by Gino Sassani on March 25th, 2010
"It killed 102 people, brutally mauling its human prey. Its victims are all women and children. The worst attack by an unknown beast in history; and, the basis for the legend of the werewolf. Two investigators set out to solve the mystery. Applying modern day forensics, they hunt to uncover the real wolf man."
Posted in: Disc Reviews by Archive Authors on March 18th, 2010
In the realm of family sitcoms, My Two Dads is sort of ahead of its time. While sitcoms today break stereotypes with ethnic and racial diversity, this show was the first to cover same-sex parenting. Premiering the same year as the film Three Men and a Little Baby, this Michael Jacobs (Boy Meets World) creation chronicles the struggles of two single, hetero fathers (Mad About You’s Paul Reiser and B.J and the Bear’s Greg Evigan) sharing custody of their teenage daughter, Step By Step’s Staci Keanan. Financial advisor Michael (Reiser) is the more conservative of the two; Joey (Evigan) is the artistic lothario. Their conflicting ideologies present them with a few comical communication breakdowns along the way.
The show debuted in September of 1987 and lasted for three seasons on NBC. The second season continues daughter Nicole’s emergence as a young woman entering the dating world while her fathers seek advice from friends—Judge Margaret Wilbur (Florence Stanley) and football legend Dick Butkus as café owner Ed Klawicki—to help raise her along the way.
Posted in: Disc Reviews by Gino Sassani on March 17th, 2010
While Scarecrow And Mrs. King first aired in 1983, this show is really one of the last of the 1970's crime dramas. It was an early attempt to bring in more of the female audiences that seemed reluctant to join the popular detective shows of the era. While not really a "detective" show (they were spies), it employed a lot of the 1970's conventions. Even the film footage has that distinct style from those days and type of shows. The idea worked, and the series did bring in a sizeable female audience, but it never really caught on with the guy crowd who found it a bit too relationship-heavy. The two leads were chosen less for their character appeal than for their apparent "easy on the eyes" look. Again more fodder for the chick crowd. The show was always rather lighthearted, even if the material was somewhat serious cold war espionage. The two shared a banter that revealed a kind of love/hate relationship and the expected sexual tension that would eventually lead to the two getting hitched. And while the series only lasted four seasons, the formula would end up being tweaked to bring us the more successful Moonlighting with Bruce Willis and Cybill Shepherd, which took the idea more into the 80's with slicker production values but still a mainly female appeal.
Amanda King (Jackson) was a recent divorcée with two sons and a nosy mother (Garland) who lived with her. She has a boyfriend named Dean who works as a meteorologist at a local Washington DC television station, whom you never actually get to see. While at the train station, she suddenly finds herself embroiled in an espionage plot when a package is handed to her on the platform. Then she meets government agent Lee Stetson (Boxleitner) who works under the codename: Scarecrow. She's intrigued by Scarecrow and agrees to help him in his current case. Of course, she ends up in a more permanent role with "The Agency", taking a job at their cover corporation The International Federal Film Company. Every week we find Amanda trying to balance her new role as a spy with trying to raise her kids, have a normal dating relationship, and keep her cover safe from her particularly prying mother. The results are often quite funny. There is also Scarecrow's partner, Francine (Smith) who is somewhat jealous of Amanda and Lee.
Posted in: Disc Reviews by William O'Donnell on March 16th, 2010
In many ways Barnaby Jones was seen as the Matlock of private Detectives. The title character's age alone gave him a similar, elderly fan-base that sustained the program for eight seasons. As a spin-off from Cannon, producer Quinn Martin offered us yet another protagonist who is designed to be perpetually underestimated (Cannon because of his obesity, and Jones for his age). Buddy Ebsen (who most know best as Jed Clampett from the original Beverly Hillbillies) is Barnaby Jones, who is always accepting a cold glass of milk over a hard drink, and always asking “a lot of questions” to catch the bad guy.
Posted in: Disc Reviews by Gino Sassani on March 15th, 2010
I’ve been a fan of South Park ever since a friend introduced me to the internet Christmas card that started it all. It was Santa versus Jesus and these short potty-mouthed kids that somehow wormed their way under your skin. Pretty soon I was downloading the episodes and watching them on my computer. For some reason I can’t quite explain, I’ve very rarely watched an episode on Comedy Central. By the time things were getting tighter and riskier downloading the shorts, the single disc, 4 episode DVDs began to arrive in stores. So my South Park viewing moved from the PC to the DVD player. In a short time season sets began to arrive, and I looked forward to them with much anticipation, still watching it infrequently on television. After all, who needs the commercials and those silly network bugs that distract you on the screen? The series itself evolved in that time. The show was once achieved through a stop motion process using construction paper cutouts. The animation was crude. After the Christmas card, the characters were significantly redesigned. They had a very evil look on that short. The first couple of episodes brought us an evolution toward the characters we know and love today. After a while the animation went to a computer process. The look remained the same, but gone were the paper cuts and stop motion photography. As the show progressed there were less and less bleeps. It’s not that the language got any tamer. Standards got a little looser. Finally the bleeps would disappear from at least the DVD releases. And now South Park has crossed another milestone. Welcome to Blu-ray and high definition, South Park.
I often have trouble believing that South Park has been around for as long as it has. It’s not just the passing of 13 years, but the sheer brilliance in the face of an increasingly politically correct society. It’s like watching old episodes of All In The Family. Who believes that Archie Bunker would have any chance of survival in the 21st Century? It’s no wonder that Norman Lear has become involved in the series. It’s the last remaining vestige of a once great freedom to be ridiculous and offend. Eric Cartman’s a lot worse than Archie ever was. We always knew that, in his heart, Archie had a soul. Cartman’s a psychopath without a conscience, and in a civilized society we would be terrified of the existence of such a demon spawn…except he’s just so dang funny. Trey Parker and Matt Stone have been walking a tightrope for over 13 years now, and it just doesn’t get old. One of the reasons the show doesn’t grow stale is their ability to make such a quick turnaround on current events. Because the show takes literally days to write and produce, they are quite often always the first to address an issue. They had an election night episode on literally the next day in last season. That means the ideas stay as fresh as the headlines. Finally, you have to credit the expanding universe of good characters. The core group of Cartman, Stan, Kyle, and Kenny were great for a lot of years. But, watching this 13th season you have to admire how much Butters has infused himself into that core. We also have such great semi-regulars as Timmy, Jimmy, and Token. These characters allow the stories to expand in ways the core group could not. I’ve honestly come to think of Butters as one of the core now.
Posted in: Disc Reviews by William O'Donnell on March 13th, 2010
What good would come from me panning a series that ended over 15 years ago? Would personal satisfaction be enough? I hope so because I'm moving forward with this.
Posted in: Disc Reviews by Gino Sassani on March 11th, 2010
There was a new Cowboy in Dallas, and he wasn’t throwing touchdown passes. But Walker was almost gone before he could really get started. After just four episodes the show’s production company suffered financial collapse, and the show was rescued at the last minute by CBS Productions, who would continue to run the show for its nearly decade-long run. For nine years Chuck Norris brought us the ultimate Texas Ranger in a formula cops and robbers show. The show often became a parody of itself, but maintained a solid viewer ship throughout. Hell, Norris even sings the theme song. Truthfully, what started as a one man show (it was originally called Chuck Norris Is Walker, Texas Ranger) became a good working ensemble that probably kept the train going for so long. Walker (Norris) is a tough guy Texas Ranger. He is partnered with Sydney Cooke (Peebles) and Jimmy Trivetti (Gilyard) who’s an ex-jock with a brain. Walker had a love interest and eventual wife in the local assistant district attorney Alex Cahill (later Walker). Together they fight the evils that come to the high plains of Texas armed with their fists, six-shooters, and Stetsons. After starting with the final season, CBS is finally halfway through the series back from the beginning.
Norris almost deadpans his entire performance. Let’s face it, the man is no accomplished thespian. Still, Norris fans are quite passionate about their guy. There’s a popular T-shirt design that lauds their hero in epic fashion. One of my favorites is : “McGyver can build a plane out of gum and paper clips but Chuck Norris can kill him and take the plane.” Another brags: “Some people wear Superman pajamas. Superman wears Chuck Norris Pajamas”. And there’s the humorous: “Chuck Norris knows what Willis is talkin’ about”. Fans of Norris were never disappointed in what they got here. The requisite martial arts and tough guy talk are present pretty much in every episode. Season 6 is no exception. You should also note if you’re using an episode guide: this is really season 8, as the first two were combined in the first season release.
Posted in: Disc Reviews by Gino Sassani on March 11th, 2010
The fourth season of Matlock brought more of the same. If you’re a fan, that’s very good news indeed. What is that, you ask? Imagine Sheriff Andy Taylor older and now an attorney, and you pretty much have the setup for Matlock. Forget for a second that both characters were played by Andy Griffith. That’s not all they have in common. Matlock is every bit the “southern gentleman” that Taylor was. He might be a little smarter, but he walks and talks like Andy Taylor.
Matlock began life as a television movie from Dean Hargrove, who brought us Columbo. Hargrove would later work the same magic with Dick Van Dyke in Diagnosis Murder. In fact, the two shows could easily have been companion pieces. Both featured sit-com stars from the 1950’s and 60’s that had become somewhat iconic characters. Both would don the role of professionals. Both shows would subscribe to the “formula” mode of storytelling. Diary Of A Perfect Murder would set up the Matlock formula. It’s simple, really. Matlock was a lawyer in Atlanta. Some wronged defendant, usually charged with murder, would show up asking for Matlock’s help. Matlock and his team would investigate the crime with an eye toward, as OJ Simpson is fond of saying, finding the real killer. His team consisted of his daughter Charlene, herself a competent lawyer, and Tyler Hudson (Holliday), his private investigator. In the pilot the Matlock character was less Andy Taylor and a little more slick at first. I’m sure that while it was intended to show Matlock’s prowess as a high priced attorney, somewhere along the line it became obvious that the show’s finest asset was Griffith himself and that southern charm he was already famous for. Whatever the reason, you can see the character soften significantly during the early episodes of the season. And that decision was a smart one, as Matlock would continue for nearly a decade.
Posted in: Disc Reviews by Gino Sassani on March 11th, 2010
The concept would appear to be slightly misplaced on ABC’s Family Network. The prerequisite underage drinking and promiscuous sexual lives don’t appear to be the best “family” entertainment. We don’t get even halfway through the pilot episode before we’re already charting those waters. To be sure, Greek is no Animal House, and the atmosphere is toned down considerably, but the issues remain, and this is not a show for the kiddies. The story is very much like a soap opera. Casey (Grammer) is a sorority sister for Zeta Beta Zeta, and after two years is a woman on the rise. She’s dating the rich and handsome Evan (McDorman) and is in line to be the next House president. Her life is about to change when her nerdy brother, Rusty (Zachar) arrives at college. In his hope to experience college life and shed some of his geek reputation, he decides to rush a fraternity and enter Casey’s perfect world. Casey’s other problem is Zeta Beta Zeta’s own new pledge in the form of Rebecca Logan (Vadsaria), the spoiled daughter of a US Senator and rival for Evan’s affections as well as the future House leadership. To further complicate matters, Rusty has pledged Omega Chi Delta, which is led by Casey’s former boyfriend, Cappie (Foster). Most of the episodes deal with the crossover of these various worlds, and there’s a ton of competition not only between the houses but the characters. The show is all about the parties and the rivalries. There’s an interesting enough group of supporting characters, all well cast, which make this series a little more interesting than it really should be.
I think it started with the writers’ strike and somehow got out of control on this series. None of these sets represent actual seasons, which is why the releases are called chapters. The first two chapters represent the times before and after the strike from the show’s first year. I kind of understand how that might work out. What I don’t quite get is why it is now continuing. This chapter begins with the 11th episode of the second season and stops with the 22nd, even though the season actually included 22 episodes, all of them aired before the release of the DVDs. There doesn’t appear to be any reason to spread out these releases except to capture a couple of extra bucks from the fans. At least we are at a season end. With this logic "Chapter 5" will begin with the start of season 3. Let's see if we get to keep an entire season next time.
![South Park: The Complete Thirteenth Season [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/south-park-the-complete-thirteenth-large.jpg)
