Disc Reviews

Based on actual events at the University of Iowa in 1991 (which I did not know when I began watching), this film follows a young Chinese student named Liu Xing (played by Liu Ye) as he is accepted into a prestigious Cosmology research team based out of a Utah University. While working for a respected Cosmologist named Jake Reiser (played by Aidan Quinn) he makes his own revelations and theories that challenge that of his employer and mentor. This creates an obvious conflict between them which places his dreams of a Nobel Prize, and even just graduating at state if he decides to continue with his own theories and not Reiser's.

The film is sometimes chaptered by Chinese characters, each referring to something in nature, whose profundity is a bit lost on me since they are inconsistently peppered throughout the film and come off as non sequitur since the title and main subject of Dark Matter refers to the unknown parts of the outer universe, not the natural and Earthbound. Letters that Liu Xing sends back to his parents make for far better markers to indicate shifts in the plot and mood. In fact, all of the stylized elements seem to fall flat, such as the aforementioned Chinese characters, musical portions, and CG trips into some sort of dream scape for Liu Xing during points of despair, whereas the film finds its true effectiveness when showing what is actually happening to the characters. The simplest parts to Dark Matter are the most moving.

With the gigantic success that the Blue Collar Comedy Tour has accumulated, it was only a matter of time before each one of the comedians received their own HBO or Comedy Central special.  Jeff Foxworthy is associated with the “Are you smarter than a 5th grader?” game-show. Larry the Cable guy is showcasing his acting range with box office phenomena (i.e. Witless Protection and Delta Farce). Bill Engvall has struggled to find his niche and seems to be on every sitcom pilot that has come out in the last two years.  And then there’s Ron White, if you’re anything like myself, this is your next question, who?  

Ron White is a stand up comedian that gained notoriety with his red neck self-deprecating genre of comedy. White did not want to be associated with Blue Collar TV because he was not interested in being typecast as a blue collar comedian. Unfortunately, his routine begs to differ.  His set is riddled with low brow humor and a genre of observational comedy.  There are still a few laughs and his recounting of his recent drug arrest is well told.  However, multiple times throughout the set, his rants feel forced and the result is tiresome.  There are similarities between this set and Lewis Black’s newer material.  At least Black’s comedic performances take firm political and social stances.  Any political or social stances that White takes are buried beneath piles of profanity, ethnic slurs and sexual humor. The high points of this set are when he struggles with his material. White stammers on his own words and laughs it off. The audience gets to see the natural, unforced side of his humor and these are true comedic moments. If low brow, uncouth and foul mouthed comedy is your interest, this DVD is for you.

As the times change, so do the plots of movies to stick with the time period. But in the same sense of keeping with the time period, the film usually sticks to an old theme. Take for example, the movie of Incendiary. There is the notion of terrorists, especially after 9/11 and this can show up in quite a few films like this one. However, throw in an old theme, let us say adultery. Then we string them together a plot line of what happens to a mother who has an adulterous affair and something that involves terrorists. Well then you hopefully have a hit movie on your hands. Or a giant waste of time.

A young woman (played by Michelle Williams) is finding it hard to cope with her married life. She has a 4-year old son (again not named but played by Sidney Johnson) and a husband named Lenny (played by Nicholas Gleaves). Her husband Lenny is rarely home since he is part of the bomb squad for the London police department. One day, the woman meets up with a news reporter named Jasper (played by Ewan McGregor) at a local pub.

Jean-Louis Trintignant (here dubbed into Italian) is a hard-boiled actor (!). Arriving at a night club to meet the proprietor, he instead finds the man dead, and the luscious Ewa Aulin standing over the corpse, protesting her innocence. Trintingnant believes her, and decides to help her out. The quest for the truth leads them though a series of encounters with various aspects of London nightlife and lowlife, 1967 vintage.

This early Tinto Brass effort is nominally a thriller, though, as he himself points out on the commentary track, the film is only vaguely interested in its thriller aspects. The big influence here is Antonioni's Blow Up, which is name-checked a couple of times. Deadly Sweet has the same kind of meandering plot and love of lingering over various examples of Swinging London counterculture. The other guiding muse is comic book artist Guido Crepax, and Brass mimics comic panels with multiple split screens, shifts between colour and black-and-white, and the like. It is an open question whether all of these games work at a cinematic level, but they are certainly visually interesting. The films is, like so many of its contemporaries, self-indulgent, but in a rather endearing way. For my money, it's a more engaging viewing experience than many of the erotica exercises from the director's mature period.

This is the second season of this prime time soap opera's fourteen season run. This show is the stories of three couples who all live in the same cul-de-sac, along the second season addition of single temptress Abby Cunnigham (played by Donna Mills), whose role inspires the packaging's amusing tag-line "Abby Cunnigham moves to Knots Landing. Do you know where your husband is?"

The show is a spinoff from the massively popular Dallas, and it contains much the same level of drama peppered with some sassy comedy, leading it to surpass Dallas in ratings for a time. This particular season kicks off with a two part story where one of our Californian cul-de-sac heroes is accused of rape and needs the aid of his lawyer neighbour. From there on we get stories involving the FBI, the mob, and an especially interesting episode where the women of the neighbourhood are held hostage at a baby shower and newcomer Abby uses her seductive powers to aid their escape.

Dexter continues his jump to the world of high definition as the second season finally makes its way to Blu-ray. The show is killer, if you’ll pardon the expression. In the first season, Dexter pointed out the contradiction of a crime scene in sunny Miami. The aftermath of brutality appears somewhat surreal in such a colorful and bright surroundings. On Blu-ray you really get to understand what he was talking about. It almost feels like the show shouldn’t look so clean, so crisp, so bright. But, of course, it should, and it does in this release.

As we begin the second season, Dexter’s run-in with his brother, as well as its ultimate solution, has again taken his confidence. He’s unable to kill. He must find a way to set his life straight. Rita thinks he’s an addict and makes him go to NA meetings where he meets Lila (Murray) who is as messed up as Dexter. While she might not be a killer, she’s obsessive and is drawn to Dexter’s dark nature. Her antics to keep Dexter are straight out of the Fatal Attraction Handbook. Doakes is also getting closer to finding out what Dexter really is, and that’s going to end badly for at least one of them. Dexter’s oceanic burial ground is discovered, and now he’s on the task force to bring in The Bay Harbor Butcher. Is this finally the end of the line for Dexter? You really need to take the ride and see for yourself. I guarantee you that these dozen episodes will just fly by. Jaime Murray is the best of the newcomers, and she’s simply fascinating to watch, as she appears more self destructive than even Dexter himself. Their relationship ends in one of the most chilling scenes of the series, so far. Keith Carrradine also joins the cast this season as FBI agent Lundy who is brought in to head the Bay Harbor Butcher task force. He’s also smitten with little sis Debra, making for some very awkward moments for everybody’s favorite serial killer. The Code Of Harry takes some hits this season as Dexter uncovers some secrets of both his and Harry’s past lives. The series continues to evolve and never ceases to amaze. This is the best cable series since The Sopranos.

The Uninvited is yet another in a long string of Asian films that are translated and retooled for American audiences. It’s been a rather strong and long running trend that was kicked off with the wildly successful The Ring, from the Asian classic, Ringu. But, for every effective spooky thriller that comes out of this Asian pipeline, there appear to be a dozen or more complete failures. Some American directors think that all they need to do is throw fast moving creepy ghosts at us and often have them inhabit some modern electronic device. Presto! You have a horror movie for the purposes of generated cash. I’m happy to report that The Uninvited is a fresh approach that relies on almost none of these tired conventions to work. There is no morality tale about our modern conveniences here. No ghosts haunt cell phones, beepers, computers, video games, DVD’s, or even toaster ovens. The appearance of spectral creatures is actually quite limited and will disappoint the viewer who is there for the quick scare moments. This film uses the technique sparingly, and ultimately more effectively. The truth is that The Uninvited is really not so much a ghost story as a thriller in the vein of The Hand That Rocks The Cradle. It gives us one of those rare endings that you won’t easily see coming at all. Most importantly, this movie completely shatters the mold of these Asian remakes by making it all about the characters; the human characters, that is. Based on the Korean film that roughly translates to Tale Of Two Sisters, this is a refreshing take on a stale theme.

Anna (Browning) is just getting out of a mental hospital. She’s been there for some time, following the death of her mother in a terrible house fire. She had been haunted by nightmares of that tragic night. Her doctors now think she will be able to cope and return home. Her father, Steven (Strathairn) is hopeful about bringing her home. There she is confronted by a harsh reality. Her mother had been infirm at the time of the fire. Now Anna has discovered that her mother’s former nurse, the very young Rachel (Banks) has moved into the house as her father’s lover and future wife. She notices that in her absence, her mother’s presence has been erased from the home as Rachel has redecorated and removed any connections to her dead mother. She takes comfort only in the company of her sister, Alex (Kebbel) who also hates the woman they see as an intruder in their home. Anna begins to have visions that her dead mother is warning her about Rachel and suspects the fire was not an accident. The sisters investigate, only to find that Rachel’s name is not a real one. Anna is convinced that Rachel killed her mother and will now do the same to her and her sister. When a local boy who claims to have information about the night Anna’s mother died turns up dead himself, Anna decides to get help. But no one appears interested in her story, and now Rachel knows she’s on to her. The film ends in a sort of typical cat and mouse game that ends up not being so typical after all.

Citing personal history, I don’t do really well with horror films. As mentioned in other reviews, my parents let me see scary movies such as Exorcist & Poltergeist (as well as R-rated action films) when I was no more than ten years old. While, Poltergeist sits proudly in my DVD collection, I still have trouble to this day with Exorcist. Yes, I can be a scaredy cat at times. To be also perfectly honest, I was a bit worried when I received The Uninvited in the mail to review. After all, it proclaims proudly on the cover that it is made by the producers of the Ring(which I absolutely hated) & Disturbia. By the end of the movie, I was very pleasantly surprised.

Anna (played by Emily Browning) is out with her boyfriend Matt (played by Jesse Moss) at a local beach party. They start to kiss when Matt tells Anna he loves her and he has a condom. (Wow, that screams love) Upset, Anna decides to leave. She passes her sister Alex (played by Arielle Kebbel) on the way back to the house. Through the woods she goes until she encounters three filled garbage bags. She opens them and the dead body of a redheaded girl spills out. The redheaded girl’s head snaps and speaks. Anna runs again in the direction of the house.

“The legend began hundreds of years ago when the fierce warriors known as the Samurai served the warlords of Japan with absolute loyalty. The most fearsome of all were the ronin, the samurai who had lost his master, set adrift like a wave on the open sea. One ronin sought out the master swordmaker, Masermune. The legendary master agreed to forge the samurai a sword of great mystical power. But, it would take an entire year to complete the work. The master’s evil-minded apprentice, Masamas, offered to forge another sword, but in only half the time.”

Scooby Doo has spanned generations and over 40 years. Since the 1960’s the name and conventions have become a part of the pop culture. The original cartoon series had a series of conventions. The Scooby Gang would drive around in their green Mystery Machine van and solve ghostly mysteries. Fans of the show quickly grew to learn that these spirits and goblins were usually just normal people using scare tactics to get revenge or make a profit. The cartoon classic spawned music albums, live action movies, and several new shows and animated features. The very latest of these direct to video animated features is Scooby Doo And The Samurai Sword.