Posted in: Disc Reviews by Gino Sassani on May 15th, 2009
“So you think you can stone me and spit in my eye. So you think you can love me and leave me to die. Oh Baby, just can’t do this to me baby. Just gotta get out, just gotta get right outta here… Nothing really matters. Anyone cane see. Nothing really matters, nothing really matters to me.”
I don’t think I can ever listen to Bohemian Rhapsody without conjuring up the image of the gang in the Mirth Mobile bobbing their heads up and down and singing to the Queen classic song. It’s one of those iconic moments in cinematic history that will be with us long after Wayne’s World is forgotten. Too bad the rest of the film hasn’t aged as well.
Posted in: Disc Reviews by Gino Sassani on May 15th, 2009
“White supremist world was cancelled.”
When you talk about Wayne’s World 2 you can’t help but talk about disappointment. I mentioned in my review for the first film that over the span of nearly 20 years the skit had lost some of its luster. I certainly wasn’t nearly as entertained now as I had been when I first saw the film in the early 1990’s. That same principle appears to have been true just a year later when Wayne’s World 2 was released. It gathered in a disappointing $48 million off a $40 million budget. While there was talk of a continuing franchise at the beginning, there wasn’t any interest in a third film by the time the second film had crashed and burned. The fact is, I know many fans out there that didn’t even know a second film existed.
Posted in: Disc Reviews by Gino Sassani on May 15th, 2009
Have you seen the Chris Farley/David Spade film Tommy Boy? If you have, then you’ve also seen Black Sheep. The circumstances might have changed, but the general idea is still there. Farley plays the mentally challenged family member, yet again. This time he’s Mike Donnelly, and his brother Al (Matheson) is running for Governor of Washington state. Spade once again plays the faithful employee who is charged with babysitting Farley’s character and trying to keep him out of trouble. Here he’s Steve Dodds, an overlooked campaign assistant who hopes to parley the assignment into a full time job on Donnelly’s staff if he’s elected. Just like in Tommy Boy, there is the rival who is using Farley to hurt the cause. This time it’s sitting Governor Tracy (Eborsole) and her slimy campaign manager Neauschwander (McGill). They set Mike up as an arsonist, among other things. Of course, the Farley and Spade team discover some voting irregularities and take a road trip to the state capital to save the day. They’re aided in their attempt by a Vietnam vet who isn’t dealing with a full deck and is played quite hilariously by Gary Busy.
There are a ton of parallels between the Chris Farley/David Spade comedy team and that of John Belushi/Dan Aykroyd. Both teams began in the Saturday Night Live arena. It was that physical big/little guy combination that has its roots with Laurel and Hardy, and Abbott and Costello. Both teams were at the height of their careers when a drug overdose would claim the wilder member of the team. Both of the deceased comedians left behind at least one successful brother to carry on the name in show business. Tommy Boy was by far the best of the films this duo made before Farley’s tragic overdose in 1997. Black Sheep is a pale imitation.
Posted in: Disc Reviews by Gino Sassani on May 15th, 2009
It was the best of times. It was the worst of times. No, I’m not having a Charles Dickens flashback or reliving Star Trek II. I’m talking about the new Trek release The Best Of Star Trek: The Next Generation. It does feature one of the best Trek episodes of any of the shows, the Borg extravaganza The Best Of Both Worlds. In fact this really does contain 4 of the show’s best episodes. The problem is that there are only 4. With the fan collectives already taking up Yesterday’s Enterprise, it’s not that great a bargain for the real Trek fan.
Posted in: Disc Reviews by Gino Sassani on May 15th, 2009
With the original series I see no reason at all to buy into a 4 episode release. This stuff has already appeared countless times in the last 5 years or so. The episodes appeared in double episode discs originally. Then there were the complete seasons. There was the remastered DVD season sets. Finally, the best news yet, the release of these episodes in high definition on Blu-ray. So, why is Paramount releasing these single disc DVD’s now? There’s no question that they picked 4 of the best episodes, and they are the remastered versions.
Posted in: Disc Reviews by Michael Durr on May 14th, 2009
British comedy for me has always been big hit or big miss for me. There really is no between. Monty Python & The Holy Grail – big hit. This movie makes me laugh from the first second until the closing credits. But some of the Monty Python sketches or all of Meaning of Life – big miss. Same thing with television, the Black Adder is simply awesome. Absolutely Fabulous? I never got it and found it completely droll. So I was eager to see Gavin & Stacey and find another wonderful British hit. I was totally pleased.
Gavin (played by Mathew Horne) and Stacey (played by Joanna Page) quite like each other. There is one problem though, they haven’t really met each other in person. They have a budding phone romance and have decided that they finally need to meet. Each of them takes a bud along. Gavin takes Smithy (played by James Corden), a large friendly guy who loves beer and food. Stacey takes along Nessa (played by Ruth Jones), a large not so friendly girl who loves beer, food and apparently tattoos.
Posted in: Disc Reviews by Archive Authors on May 14th, 2009
Taking Chance gives audiences another perspective into the Iraq war. Lt. Colonel Michael Strobl (Kevin Bacon) volunteers to escort the remains of a recently deceased Lance Corporal Chance Phelps. During the trip across America’s heartland, Strobl gets to see how the Iraq war is implicating not just the families involved, but the nation as a whole. The film is also based on true events, which adds to the stories levity. The film manages to give alternative perspectives on the war and also manages to be objective at the same time.
Posted in: Disc Reviews by Gino Sassani on May 12th, 2009
“When someone dies in the grip of a powerful rage, a curse is born. It never forgives. It never forgets. The curse gathers in that place of death. Those who encounter it will be consumed by its fury.”
Here we go again with the American remake of the Asian classic. To be fair, The Grudge was one of the first after the great success of The Ring. There are some significant differences between this effort and the countless remakes we’ve encountered over the last decade or so. This film retained its Japanese location, which does provide for a more exotic atmosphere. The location shoots are actually pretty well done. The film was also directed by the same man who directed the Asian original, Takashi Shimizu. He’s become quite prolific in the genre, having now directed both versions and the sequels to both versions. The Grudge also doesn’t figure into the technology aspect that many of these Asian ghost stories appear to populate. The most high tech haunt here is a stainless steel bathtub. I bet that gets cold in the winter. Sarah Michelle Gellar brings in the core American audience thirsting for more Buffy. But, if you’re turning on to this film to see Buffy kick some supernatural rear, you’re better off with the Scooby Doo films. And that’s bad.
Posted in: Disc Reviews by Archive Authors on May 12th, 2009
The Caller is a film starring Frank Langella and Elliott Gould. It is a tense thriller about corporate foul play and voyeurism, wait, what year is it? With the recent critical acclaim of Langella, it seems only fitting to market his name on a low-budget film. Unfortunately for the film, Langella’s performance is one of the only shining moments. Langella plays an aging VP of an energy company that decides to blow the whistle on the corporate wrong doings that are going on. Understanding that he’s written his own death certificate, Langella hires a private investigator (Gould) to follow him to help catch his eventual killer.
Posted in: Disc Reviews by Gino Sassani on May 11th, 2009
“Your life is defined by its opportunities... even the ones you miss.”
F. Scott Fitzgerald is one of those great American writers from the classic age. In school most of us were required to read various works from the writer. For many students those works included The Curious Case Of Benjamin Button. The original work is a mere 20 page short story. For the last 15 years Hollywood has made one attempt or another to bring the classic story to the screen. The closest anyone got was Ron Howard who expected to bring in John Travolta as Benjamin Button. The one reason or another these attempts never made it past screenplay drafts. Along comes one of the best and most diverse directors, David Fincher. Fincher’s work needs little introduction and spans the genre spectrum from Se7en to Fight Club. The original short story would be adapted by Eric Roth. That left many, myself included, to expect a remake of Forrest Gump. When you consider that Roth wrote both screen adaptations and that he was once again working with a character spanning many years of history, the concerns were not unfounded. Would Roth take Benjamin Button on a journey through the 20th Century that would find him present at crucial moments in history as he did with Gump? Fortunately, Roth resisted such temptations and delivered a story relatively faithful to the original work, where the main character was a silent witness only to the major events of his life. Of course, I say relatively faithful because Roth also turned that 20 page story into an epic 3 hour film.