Posted in: Disc Reviews by Archive Authors on November 5th, 2007
There are few things as tragic as potential that is unrealized. Whether it’s by choice or by extenuating circumstances, to see a life cut down before it has a chance to develop and make an imprint on the world is sad to see. And it seems to happen disproportionately among musicians. In most casts, drugs frequently has been the main culprit (see Jimi Hendrix, and Janis Joplin), or suicide in some cases (Kurt Cobain being the more notable name in recent memory). But when an entertainer is murdered, the abrupt nature of the crime seems to shake many to the core. It was sad four decades ago when Sam Cooke was murdered, and equally disappointing two decades later when Marvin Gaye was felled by the hands of his father. When Selena Quintanilla was murdered by her business manager in 1995, it sent shockwaves through the Latin music community. Here was a young woman on the fast track to superstardom, gunned down before her full promise could be delivered.
With the cooperation of the Quintanilla family, Selena was made in part to make sure any films that were being made without the family’s approval would be made null and void. So while Selena’s father Abraham had the final say over what was included in the film, the film itself was written and directed by Gregory Nava (Bordertown), and in the main role, a young pre-diva Jennifer Lopez (Gigli) as the Tejano star. Her charisma is noticed early in her life by Abraham (Edward James Olmos, Miami Vice), who was a musician in his early days and he wants Selena to do well and maybe be a star while avoiding the things he had to endure.
Posted in: Disc Reviews by Archive Authors on November 5th, 2007
Many people – myself included, looked at Timothy Spall as Wormtail from the Harry Potter films and didn’t think much about it. But the guy has found other work and done well for himself over the years. Recently, he made The Last Hangman, a film based on the life of Albert Pierrepoint, one of England’s chief executioners during the pre and post-war eras.
To sum up Pierrepoint’s accomplishments, for lack of a better word, he executed over 600 convicted criminals during a quarter century period. Most of them were convicted British criminals, however he was responsible for the executions of some Nazi war criminals after the war ended. Spall portrays Pierrepoint as one who took to the job rather well, with a detached efficiency that was praised at many high levels of British government. He was married for a long period of time to Annie (Juliet Stevenson, Bend it Like Beckham), who was increasingly aware of his notoriety as the years went on, and he almost unwillingly served as a lightning rod for the capital punishment debate in London.
Posted in: Disc Reviews by Michael Durr on November 4th, 2007
Everybody remembers the first scary movie that gave them nightmares for days and months after they saw it. For some, it was the Exorcist and for more recent folks perhaps it was Scream or Saw. For me, it was Poltergeist. I was but seven years old and thought it would be something like E.T. Phone Home, but with swirly demons and ghosts? It was PG, how bad could it be? In the next two hours, I was treated to something that resonates with me to this very day. From the moment I heard "They're Here", I knew I would never see static on televisions the same way.
It's 3:00 in the morning, the national anthem is playing and then the television goes to static (remember those days, now we just get infomercials about losing weight). A small child named Carol Anne (played by Heather O' Rourke) gets out of bed and walks towards the television. She starts talking to the set and works up a pretty good conversation. The people inside the television were trying to communicate with the 5 year old child. However, there was something else in the television set, something far more sinister. There was more at work here than a girl perhaps making an imaginary friend.
Posted in: Disc Reviews by Gino Sassani on November 2nd, 2007
This box set of three movies tries to take advantage of a college course theme to generate interest for films already available in these same editions. This collection uses Astronomy to bunch together three lighthearted science fiction adventures. The films are Killer Klowns From Outer Space, Spaceballs, and The Adventures of Buckaroo Banzai Across The Eighth Dimension. The lesson we’re really learning here is how corporate quests for profits can reach almost ridiculous proportions. Many studios are running low on the films in their libraries that have yet to be released but still have a market to sustain a DVD title. The obvious answer to this dilemma is double, triple, and beyond dipping. The idea is to repackage a film, maybe add an extra or two, often not, and put it in a newer, shinier package. In theory we unsavvy buyers are like wild raccoons who can’t resist putting their hands on that new glittering design and will buy products which we already own. It would sound silly, except that it works. Record companies have been doing it for decades. Elvis has been dead for almost 30 years, but there’s still at least one new Elvis CD every year since. OK. Rant out of the way. Let’s talk about the three films in the package.
Posted in: Disc Reviews by Archive Authors on November 2nd, 2007
The Sopranos, called by some the greatest TV show in history, is over. With a much-publicized fade-to-black finish, the series finale aired June 10, 2007, leaving fans to forever speculate about the fate of Tony Soprano. Many were disappointed at this ambiguous ending, but I'm sure a similar number enjoyed having some major loose ends.
It's all academic for me, because I hadn't watched the series since its season three finale, and only caught the end when this DVD set came my way for review. After catching up on seasons four, five and six (part one) through synopses, I sat down to experience The Sopranos' closing act.
Posted in: Disc Reviews by Archive Authors on October 31st, 2007
Back around the time I was born, and Tom Cruise had an ounce of sanity, a little movie called Top Gun swept across the globe raking in over $350,000,000 worldwide, as well as sparking an interest in the US Navy and everything Tomcat, Skyhawk, and MiG related. Ever since its original release Top Gun has kept a hold on its audience, being played almost weekly, and now it makes its way into the world of high definition with its release on HD DVD.
For the few of you out there who don't know, Tom Cruise (Mission Impossible) plays Pete Mitchell better known to the rest of us as Maverick. He's young, cocky, and he pilots an F-14 Tomcat. His wingman Goose (Anthony Edwards, Zodiac) keeps him in check with a cool head, and is the more cautious of the two. After another pilot turns in his wings the two are given the opportunity to join the Top Gun fighter pilot school in which only the top 1% of fighter pilots are invited. Upon getting into the school Maverick believes himself to be the best there and borders on the line of being reckless, creating an enemy of fellow pilot Iceman (Val Kilmer, Heat). As the movie plays out Maverick falls in love, contemplates his lifestyle, looses people close to him, and faces death well trying to make it through the training. The movie pretty much wraps up in typical Hollywood style with a bow on it, but still manages to be a good watch.
Posted in: Disc Reviews by Gino Sassani on October 30th, 2007
Scrubs is a show that resists being defined. Certainly there have been a ton of medical shows over the years. Recently shows like Grey’s Anatomy have found a way to balance a bit of drama with a light mood that often approaches comedy. MASH was the opposite. It was a comedy that often allowed quite serious moments to intrude upon the laughter. Any way you slice it, it turns out that pain and disease can be funny. Nowhere is that more true than on Scrubs. On Scrubs you are never left in an awkward position of knowing if it’s appropriate to laugh. Everything about the show is geared toward the absurd, and hopefully the funny.
The show exists almost exclusively in the mind of Dr. J.D. Dorian (Braff). He exists in a world where he can say and do exactly what he feels like, even if he might not actually say or do any of it. We see what he sees inside of his head. If he sees a good looking woman, he has a vision of his friend giving a sportscaster breakdown of her attributes. In this place he has none of the inhibitions his real life demands. He can ridicule a patient or fantasize a torrid affair with a nurse. Dorian is surrounded by a solid cast of crazy characters. His best friend is Dr. Christopher Turk (Faison). Turk is recently married to Nurse Carla (Reyes) and they are having a baby. She’s pretty much the straight man here and sets up a lot of the material. Dorian has an awkward relationship with his ex Elliott Reid (Chalke), now with another guy. He’s a bit jealous of her time these days, and more than a few of his fantasy moments involve her. Dr. Bob Kelso (Jenkins) is one of the better characters and actors in the show. Often underused, his tight ship exterior would make a better foil for the gang if used more generously. Finally, arrogant Dr. Cox (McGinley) does get to be the butt of a lot of the jokes, but he’s established himself as a strong lead at times instead of the typical fall guy. All in all, the cast is sharp and witty. Where I find fault with Scrubs is likely what the fans enjoy the most. It is way over the top. The moments are often ridiculous, and the writers are not afraid to make a huge stretch for a joke. Fans of the show probably went head over heels for the My Musical episode as Scrubs goes where Buffy The Vampire Slayer has gone before and the cast breaks out in song.
Posted in: Disc Reviews by David Annandale on October 30th, 2007
Ron Howard’s move from sitcom star to director began with playing the lead in this Roger Corman-produced car chase flick, after which he would move to behind the camera to direct Grand Theft Auto. Here he plays the son of the local sheriff. In an effort to impress the girl of his dreams (Christopher Norris, and yes, that’s a woman’s name), he steals a stock car, and he and his friends then lead the authorities on a merry chase. As is typical of Corman productions, this works hard at delivering, on a stringent budget, exactly what its audience wants. Writer/director Charles B. Griffith was responsible for some of the better scripts to come out of the Corman stable (It Conquered the World, Little Shop of Horrors, Death Race 2000), and some of his trademark wit is on display here, but without the snap of the better films. It feels much more forced and laboured. The film clips along just fine, but today is little more than a curiosity.
Audio
Posted in: Disc Reviews by Archive Authors on October 29th, 2007
OK, brace yourself when I tell you that Hallowed Ground was a straight to video release. I know, you're stunned, right? You can't even get up. I was as shocked as you. But I've got to hand it to the filmmakers, they've got a decent idea by putting a somewhat scary image on their cover and keeping a brother intrigued, so to speak.
Written and directed by David Benullo, he of Shadow Man fame, this film focuses on the town of Hope, where Liz (Jaimie Alexander, Kyle XY) finds herself standed. The people are nice to her, but for some reason, they just come off as being "too nice". She manages to find out the town is pretty much composed of religious fanatics, who find out that Liz is part of a prophecy as outlined by the town's preacher. The funny part is that the preacher died a century ago and was crucified and hung like a scarecrow, resulting in the semi-cool picture. So the town tries to hold her hostage while the scarecrow gets his pseudo freaky deaky on.
Posted in: Disc Reviews by Archive Authors on October 29th, 2007
In my mind, Robert Wuhl has never really understood when to quit. The guy was the star of Arli$$, which was an anomaly on the HBO cable channel. Whereas all the other shows on the channel were ending too soon and were too well received, this show went on and on and on, and no one seemed to really like it. So when I saw he was doing a couple of one-off shows set at universities, I thought this was just another way to grab onto popularity.
AS it turns out, these specials, entitled Assume the Position, aren’t entirely horrible. What Wuhl manages to accomplish is to effectively discuss American history and perhaps introduce a point that history might not just be what was read and published. He discusses some things that many in the class (myself included) didn’t really know before, like the origins of the “Yankee Doodle” song and the benefit of the War of 1812. In between, he mixes in slides and animations that bring a smile, maybe even a chuckle, to these jaded lips. Don’t get me wrong though, there are times where Wuhl seems to hit a joke every so often that seems to be the perfect example of “old guy trying to connect to young audience”, and that’s why mentions of Ben Affleck and Outkast follow.
![Top Gun [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/top-gun-hd-dvd-large.jpg)
