Disc Reviews

In 1965 when The Truth About Spring was released, Haley Mills was turning 18 and was already a well established star after being in a string of hit Disney films like Pollyanna, The Parent Trap, and then That Darn Cat.  Back when this film was made, it was simply a family adventure. It is simply so charming and wholesome; it really is the kind of film that is just about impossible to find at your local cinema anymore. When watching this, I couldn’t help but realize how if this very same film was put on the big screen today it would cause certain groups out there to lose their minds, all because it is a story about a tomboy who “changes” for a young man she falls in love with. Now, I’m not about to stir anything up and bring up politics or social ideologies with this review, but it was something that I wanted to mention, because sadly something’s in this movie just wouldn’t be done in a film today
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I usually don’t say this about a movie, as they are my passion, but this film was unwatchable. I usually don’t take this stance, as I generally believe that every movie has something to offer, but in the case of The Weapon, this was not a movie that I enjoyed. It was a movie that I endured. This took me by surprise, as I was expecting to be moderately entertained given the sheer number of recognizable faces: Cuba Gooding Jr., Bruce Dern, Annalynne McCord, Jack Kesy, and the list goes on. The film even had Richard Grieco, who if I’m being honest, I didn’t recognize until the end credits. However, despite all of this, the film had no real substance, not to mention the cutting between character storylines and time periods, enough to make me want to ask for a roadmap just to keep up. I not sure what the intent was, but I feel safe in saying that this film missed it. Even the action sequences, of which there are many, did not hold my interest. That is saying something, because I love good action film. Unfortunately, that wasn’t what this was.
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“The Colosseum. The Roman Empire distilled to its most basic essence. It is a symbol of conquest. It’s a symbol of dominance. It’s a symbol of imperial power radiating throughout the Roman world. Any emperor had the Colosseum at his disposal to use as a tool to reassert his power and authority. The message of the Roman people is that life is a combat. It was also a judicial warning: do not test the power of Rome.”

After over 2000 years of both heavy use and neglect, much of the structure still remains. It survived the many sacks of Rome and its rebirth as a Christian empire. The building survived the bombings and invasions of two World Wars, and it remains. Its history is a testament to the best and worst of human nature. Now History has given us a series of eight television episodes that explore both the mystery and the majesty that was the Roman Colosseum.
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One of the things that stands out to me the most about Voodoo Macbeth has very little to do with the true story about how Orson Welles, who at the time he was only 20 was hired by the Negro Theater Unit to direct  a stage production of William Shakespeare’s Macbeth with an all black cast in Harlem. What’s more intriguing to me is that the film was actually the first feature film to come out of USC and gain theatrical distribution, but the film is listed with having 10 directors and eight screenwriters. With hat much ego and creative talent, it is impressive that they managed to squeeze out a cohesive story, and one that looks pretty good, though it does have some issues.  I applaud the ambition to tackle a period piece and also a story that is a bit of both film and theater history, considering this was one of the first and most wildly successful stage productions with a black cast, but is also the production Orson Welles  helmed before stepping behind the camera to direct his first film, a little thing called Citizen Kane.
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“There is an old saying that blood is thicker than water.”

We’ve had Keeping Up With The Kardashians, Gene Simmons with his Family Jewels, and even Snoop Dog’s Father Hood. It’s become a bit of a trend to follow these celebrity families around and watch the drama of their privileged lives unfold on our television screens. You might think it’s a relatively recent phenomenon, but would you believe they were doing it back in the infant days of television when we followed around a musician named Ozzie and his wife way back in 1952? No, we’re not talking about Ozzie Osbourne and his family. I’m talking about Ozzie and Harriet Nelson. They were television’s darling family before we ever heard about Lucy and Desi. The show actually started on radio like many of the fledgling industry’s early hits including the likes of Gunsmoke. Four years after the radio brought us The Adventures Of Ozzie And Harriet, they moved to television.
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“On the day America remembers its dead, a special salute today for the war dead in Vietnam. An American serviceman who died there took his place today in a place of honor, The Tomb Of The Unknown Soldier. Almost 10 years after the last American left Saigon, the men who fought in Vietnam got their parade. Muffled drums and dirges. A coffin and a flag wrapped in plastic to protect it from the rain. Families of the men still missing in Vietnam waited for the coffin and remembered. They wonder if their sons are still alive and why the world sits back and allows the Vietnamese government to flagrantly violate the Geneva Convention. Rumors of physical and mental torture have made the wait more agonizing.”

If the story sounds somewhat familiar, there are two reasons for that.
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