Posted in: Disc Reviews by David Annandale on May 9th, 2010
We are in the midst of the Great War. Michael Dunne (Paul Gross) is a Canadian solider recovering from physical and psychological wounds. He falls in love with his nurse (Carline Dhavernas), and when her asthmatic brother enlists, Dunne heads back to the trenches to protect him, and the two men wind up at the gigantic, murderous battle that gives the film its name.
Writer/director/star Gross has an almost messianic commitment to Canadian film and Canadian history, and here he combines his obsessions in a 20-million-dollar effort that is, by the standards of the Canadian film industry, nothing short of gargantuan. And to his credit, the battle scenes are impressive. The editing is frequently startling and brutal, in keeping with the events themselves. On the other hand, the romance is painfully hackneyed, and the naked appeals to national pride can be rather wince-inducing.
Posted in: Disc Reviews by Archive Authors on September 26th, 2003
Synopsis
Gavin Heffernan is told by best pal Erin Simkin that she is pregnant, and that the child is his.Convinced that he hears destiny calling, Heffernan drives Simkin to Montreal for an evening out,intending to propose. He’s right about destiny being just around the corner, but it doesn’ttake the form he thought. Stopping in a convenience store to pick up some stomach medicine forSimkin, he gets caught by a robbery, and his engagement ring is stolen. So is a bag that belongsto Janet Lane... The bag is full of drugs, and if she doesn’t make the delivery, bad things willensue. Working from one small clue, Heffernan and Lane proceed to track down the robber,wending their way through the passing strange life of late-night Montreal. Meanwhile, Simkingets caught up in adventures of her own involving a prostitute and her teenaged daughter. Theapparently random events and coincidences inexorably lead to turning points in all the characterslives.
Posted in: Disc Reviews by Archive Authors on June 23rd, 2003
In 1939 Warsaw is invaded by Nazi Germany, Wladyslaw Szpilman is performing live on a radio station as it is dive bombed by the Luftwaffe. He continues to play until he is almost killed. This opening scene sets the tone for the story of a man so driven by his passion for music even in the face of adversary. As the film continues we watch the establishment of the Warsaw ghetto and the beginning of the reign of hate towards the Jews by Nazi Germany.
The Warsaw ghetto is full of stark contrasts we watch as people die in the streets from hunger and others prosper by bribing guards and importing goods, we see Germans helping Jews escape from the ghetto and Jews who join the ghetto police in an attempt to save themselves. At one point in time the ghetto contained over 500,000 people, as the war continues Wladyslaws family and most of the residents of the ghetto are loaded onto trains and shipped off to concentration camps never to be seen again. Those who are left over are formed into work camps by the Germans and start an uprising. Threw all this Wladyslaw survives even when he comes face to face with a Nazi officer who finds him hiding in their headquarters. The officer knows that the war is almost over as the Russian army is fast approaching and brings him food in exchange for listening to him play.
Posted in: Disc Reviews by David Annandale on June 22nd, 2003
Jared Leto plays Basil, youngest son of the tyrannical Derek Jacobi. Traumatized by the death of his mother when he was young, the exile of his brother (who dallied with a young woman beneath his station), and oppressed by a father for whom class consciousness is the be-all and end-all, Basil is barely equipped to deal with the outside world. He has no friends, and only the most naive notions of romance. Into his life comes Christian Slater, whose worldly ways inspire Leto, and ...ho offers friendship, but in fact has deeply destructive motives. The movie s good fun in the vein of semi-gothic Victorian melodrama. Hearing Leto and Slater sporting British accents takes some getting used to (especially when it comes to Slater), and budgetary limitations show in dreadfully cheesy lightning effects and endlessly repeated establishing shots of Windermere mansion. But if you’re a faithful viewer of Masterpiece Theater, you’ll find much to enjoy here.
Audio
Posted in: Disc Reviews by David Annandale on May 30th, 2003
Synopsis
Posted in: Disc Reviews by David Annandale on October 5th, 2002
Synopsis
Posted in: Disc Reviews by David Annandale on May 11th, 2002
The film may take place in London, and feature English actors, and be shot in English, but this is definitely French cinema. How do we know? Because the sex scenes hit hardcore explicitness, and none of the characters are particularly happy about any of the proceedings.
Synopsis
Posted in: Disc Reviews by Gino Sassani on May 9th, 2002
Another recent big-budget French production to hit these shores, this, along with Brotherhood of the Wolves, makes for an interesting comparison with American blockbusters.
Synopsis
Posted in: Disc Reviews by David Annandale on January 22nd, 2002
In 1993, Virginie Despentes burst onto the French literary scene with Baise-Moi (“F**k Me”), a snarling novel who’s unblinking, deadpan, yet philosophically pointed excess places it in the tradition of Sade. In 2000, Despentes and Coralie Trinh Thi co-directed and scripted this adaptation, which has already forced the French government to re-evaluate its ratings rules.
Synopsis
