Posted in: Disc Reviews by Archive Authors on June 20th, 2006
I've seen people quote this film from time to time, and I never understood the attraction because I saw it once and forgot about it. After a bit of intrigue, I finally got my hands on a copy of the US version of this 2 disc set (though the UK version, with the orange cover and silhoulette image of Ewan McGregor on the cover looks much cooler) and gave it a spin, lo and behold, I discovered a pretty good movie.
It's been talked about a lot for awhile I guess, but to sum up, McGregor plays Benton, a heroin addict in Scotland, who spends his days getting high and hanging around with his mates. Spud (Ewen Bremner, Black Hawk Down) wears Nancy Reagan-like glasses from time to time, and seems to be the closest one Renton relates to; Sick Boy (Jonny Lee Miller, Hackers) is the one that tries to make himself superior to the group, when he's not off spouting weird theories about movies that Sean Connery has starred in; Tommy (Kevin McKidd, Topsy Turvy) is against his buddies using but is curious about it, and then there's Bigbie (Robert Carlyle, The Full Monty), a beer-drinking Scot with an offensive mustache and a penchant for getting into brawls.
Posted in: Disc Reviews by Gino Sassani on May 30th, 2006
It’s true that MASH was winding down by year 10. Everyone involved already knew that the next year would be the last. This is what separates the true professionals from those in it for the money. Instead of dragging out the concept until there was virtually nothing of quality remaining, the entire cast and crew decided it was time to finish on top. A lot of folks would have simply gone through the motions once the end was in sight. Instead, these guys kept pouring it on. The stories and acting in this season are just as good as in any other. The saddest thing about this release is that there is only one more to come.
For the first time in a while there were no major cast changes in this season. All of the characters from season 9 remain. I think if anything can be said about this particular year it might be that the characters have become a bit more vulnerable. Almost every character comes into a story where they are left questioning themselves. For Hawkeye it is mostly philosophical. For Potter and Winchester there are real questions of limitations. For Houlihan there are a ton of emotional issues when she is stranded on her birthday. BJ has to deal with changes in his wife. Klinger has a close encounter with the spirit of a dead soldier that causes his own inner reflection. Finally, Father Mulcahy has to decide a huge moral issue in one of his best episodes. An AWOL soldier seeks sanctuary in the mess tent after Mass.
Posted in: Disc Reviews by David Annandale on May 2nd, 2006
Synopsis
Over 400 years in the future, the remnants of humanity live in one last city. This is under the total control of the Goodchild regime. Innocents are constantly disappearing. The government is fought by the Monican resistance, and super-assassin Aeon Flux (Charlize Theron) is sent to assassinate supreme leader Trevor Goodchild. At the moment of her victory, however, she hesitates, and it soon becomes apparent that nothing is as she though it was.
Posted in: Disc Reviews by Archive Authors on March 29th, 2006
John Carpenter can be hit or miss on some of the things he’s done in his career. Vampires may be a good case in point. In his version of The Thing, remade from Howard Hawks’ 1950’s classic, he doesn’t focus on the creature as much as the relationship between the men in the camp, and how the paranoia starts to creep in the group, as they try to figure out who may or may not be infected by the creature. I might have jumped ahead of some people who haven’t seen it, but just to briefly recap for those few w...o have missed this:
An American crew working in the Arctic circle encounter a Norwegian crew who are frantically shooting at a dog that is running to the camp. The Americans defends themselves as soon as one of the men is hit, and the Norwegians are killed. The Americans take the dog in, but they also go out to the Norwegian camp to find out just what exactly spooked them so much. They find a camp littered with bodies, along with something that was thawed out by the group before they were brutally killed. From that point, various members of the group get infected and plucked off one at a time. But what made this one maybe a bit scarier than most was Carpenter’s ability to create enough of a dynamic between the men, and that most of them were fleshed out enough to the point where you understand how they work together. And the cast is very able, from older members Blair and Copper (Wilford Brimley and Richard Dysart, respectively), to younger members Childs (Keith David, Armageddon) and Palmer (David Clennon, From the Earth to the Moon), all held together by the film’s star (and frequent Carpenter leading man) Kurt Russell (Dark Blue), who plays MacReady.
Posted in: Disc Reviews by Archive Authors on March 24th, 2006
After the transformation of the Harry Potter and The Lord of the Rings books into hugely successful films, it was only a matter of time before someone decided to tackle C.S. Lewis’s famous novels The Chronicles of Narnia. Both of the aforementioned books into movies were excellent because, even though they didn’t include every little detail presented in the novels, fans still embraced the films for what they were. They brought a majority of the presented themes and ideas in the books and showed u... them in a live action manner via the film. Similar to the seven part Harry Potter series, would it be possible for the classic seven part Narnia series to have a successful transformation into film?
Both C.S. Lewis, author of the famed Narnia books, and J.R.R. Tolkien, famed author of the Rings books, were said to have been friends who taught at Oxford at exactly the same time. They both enjoyed smoking pipe, drinking in the same pub, taking Christianity seriously, and writing. Lewis loved Tolkein’s style of writing and the universe he created for the Rings books, but Tolkein never seemed to return the same affection to Lewis’s Narnia books. Many say this is because Tolkein actually created a vast universe for his novels, while Lewis just used his native country as the setting.
Posted in: Disc Reviews by Archive Authors on February 24th, 2006
Get ready, all you pre-teen Emilio Estevez fans, for this new special edition of Repo Man from Focus Features. I had no idea this film had such a following, and after viewing, I can’t seem to make sense of it. Not always sure of its genre, Repo Man is a film oddity that mixes drama, comedy, and goofball science-fiction with a meandering plot and questionable performances to get one of the strangest and most forgettable B-movies this side of Bride of the Monster. I was joking about a pre-teen Este...ez, but he is still very young, and not at all convincing in the role he’s playing here. I wonder if Estevez looks back on this film with the embarrassment one has for an old yearbook photo. He probably should. The great thing about this film, however, is you get to see Harry Dean Stanton at the top of his game, and he was an actor of incredible talent, who could have brought artistic credibility to a porno film if he so desired. Unfortunately, cheesy ‘80’s effects inferior even to Alf and an all-over-the-place plot pull away from the merits Stanton brings to the production.
The story begins with a roguish teen outsider, played by Estevez, who can’t seem to get any respect, or anything good out of life, no matter how hard he tries. One day, Stanton’s character takes a liking to him and decides for no reason that makes any sense he would make a great “repo man.” Voila, instant protégé. Meanwhile, there’s a scientific madman on the loose carrying a neutron bomb in the trunk of his old Malibu, and frying any overly curious person to a crisp with it. Whether it’s a highway patrolmen or a street punk kid, no one is immune from its effects. Along the way, there are crazy conspiracy theorists, street gangs, and a rival team of repo men on the prowl just waiting to heat the pot to a confusing boil. The sad thing about this film: it’s very entertaining in its simplicity, and very frustrating and dull in its complexity. The repossession scenes are immensely entertaining, and I’m sure a good film lurks somewhere within those confines. But Cox wants to make too many films at once and, in the end, does more harm than good.
Posted in: Disc Reviews by David Annandale on February 20th, 2006
Synopsis
Dennis Quaid is a widower Coast Guard Admiral with eight kids. He runs his household with (of course) military precision. His career has taken him back to his home town, where he runs into high school sweetheart Rene Russo. She is a widow (no divorces in THIS movie, thank you very much) with ten kids (four biological, the rest adopted), and her household is a joyful chaos of artistic self-actualization. Quaid and Russo fall in love and marry immediately, and then announce to their kids that ...heir family has just double in size. Cue conflict as the military kids and the artsy-hippy kids collide, and then collude to try to break up the marriage.
Posted in: Disc Reviews by Archive Authors on January 8th, 2006
Bad News Bears is not necessarily a fine film, but it is a lot better than the host of other remakes Hollywood has thrown at us as of late. Billy Bob Thorton stars in the film, and I quote, “as a drunk who makes a living killing rats to live in a trailers.” The film seems to take his character from Bad Santa and the football coach in Friday Night Lights and seems to merge the two. However, neither of his tactics in either film are used in the film. This results in the audience liking his characte... more than he probably likes himself.
The original 1976 film starred the late Walter Matthau. Thorton’s performance in the film seems to be holding a candle to Matthau’s. Thorton just seems to find more of a sad tone in his character of Morris Buttermaker than Matthau did. His team is called the Bears, which is only around due to a lawsuit that feels the Little League discriminates. The attorney Liz Whitewood (Marcia Gay Harden) demands that the league except all players. This results in the typical sport film’s cliché. His team gets ALL of the terrible players including a black kid, two Spanish speakers, an Indian, a kid who seems to be too little to even hold the bat, and one kid who is in a motorized wheelchair. As you can possible assume from this cliché, is that NONE of these players can play the game.
Posted in: Disc Reviews by Archive Authors on December 11th, 2005
Synopsis
G.W. McLintock (John Wayne, True Grit, Rooster Cogburn) made most of his money by being a cattle baron. He made so much money in fact, the film’s fictional town was named after him. How cool is that? But all is not milk and honey in McLintock’s life. He has an estranged wife who does not live with him (Quiet Man co star Maureen O’Hara), and now wants a divorce.
Posted in: Disc Reviews by Archive Authors on December 7th, 2005
Cinderella Man tells the heartwarming true story of heavyweight fighter James J. Braddock, a man thought to be washed-up, who rises from the ranks of the forgotten to rebuild the life and potential he lost somewhere along the way. It's also one of Ron Howard's finest films, and with a body of work which includes Backdraft, A Beautiful Mind, Apollo 13, Far and Away, and Ransom, this is a fine accomplishment. Unfortunately, this film's success never rose to the level anyone ant...cipated, and there's nothing worse than when a well-crafted piece such as this falls victim to bad press -- especially when said bad press has almost nothing to do with the film. Firstly, Cinderella Man suffered from the now famous idiotic outburst of its star Russell Crowe. Secondly, there was the debacle over Howard's portrayal of Max Baer, and how that portrayal affected and offended Baer's still-living son (the former Jethro Bodine of TV's Beverly Hillbillies, and successful film producer). Finally -- and perhaps most important of all -- was the lackluster marketing campaign, which made the film look so dull even I was ready to wait for the video. These three factors added together to cause the film an almost embarrassing performance for all there was to recommend it (two Oscar winners in the starring roles, an Oscar winner behind the camera, another Oscar contender in a supporting role -- Paul Giamatti -- and perhaps one of the most inspirational tales in American history).
At one time, James Braddock was a contender. He had the world on a string, a woman who loved him, and several adoring children. But somewhere along the way -- an injury here, a few decision losses there -- his career and his world took a nosedive. After injuring his hand and coasting through a boring fight, he loses his boxing license, and consequently, his meal ticket. At one point, the sky was the limit. But now, left to a dark and desperate world, he struggles to keep the heat on during a brutally encroaching New York winter. He's forced to send his children away just to save their lives from the harsh weather. And at his lowest point, he succumbs to the very thing he stands against -- welfare. After finding himself all but forced to sign up for social assistance, he becomes determined to turn it all around. All he needs is the opportunity, which comes in a supposedly one-time shot against a top heavyweight contender. No one expects Braddock to win, but when he does, it sets in motion a chain of events, which position him into a very real chance for a shot at the deadly world heavyweight champion Max Baer, who was responsible for the deaths of more than one man in his storied career. Whether Braddock becomes one of those victims, I will leave for the uninitiated to discover. But the enjoyment of Cinderella Man depends not on winning or losing, but on the inspiration of Braddock's overwhelming comeback. He rose from the proverbial canvas at the same time as a nation did, and it's not entirely implausible that he lended a hand -- however small -- in getting this country back on its feet.
