Posted in: Disc Reviews by David Annandale on September 17th, 2005
Synopsis
Seth Brundle (David Goldblum) is on the cusp of perfecting an functioning teleporter, a device that will transform the world. Eager to share his creation with someone, he strikes up an acquaintance with science journalist Geena Davis. She is initially skeptical, but is soon converted, and as the work progresses, the two fall in love. Then, in a fit of misplaced jealousy (he believes that Davis is seeing ex-boyfriend John Goetz), Goldblum teleports while drunk, not knowing a fly is also in th... machine with him. Their DNA is fused, and the man slowly starts transforming into a fly, his relationship and his identity crumbling along with his flesh.
Posted in: Disc Reviews by Archive Authors on August 27th, 2005
Synopsis
After being the hunk of the moment on E.R., George Clooney came out of the starting blocks as a film actor in a few films, ranging the gamut from cult favorite (From Dusk ‘Til Dawn) to somewhat critically praised (The Peacemaker). He was also played the starring role in the film that put the Batman franchise on life support. One of his first smart acting choices came in Out Of Sight, directed by Steven Soderbergh, before Soderbergh became the Hollywood flavor of the mont... with Traffic and Erin Brockovich. His female co-star was Jennifer Lopez, whose most notable films at the time were Money Train and Anaconda. The pair was surrounded by an outstanding cast that included Don Cheadle (Boogie Nights), Albert Brooks (Mother), Luis Guzman (Punch Drunk Love) and Ving Rhames (Pulp Fiction), to name a few.
Posted in: Disc Reviews by David Annandale on July 15th, 2005
Synopsis
Grand Hotel (1932) was the model: a large cast of known faces with soap opera problems. The High and the Mighty takes this set-up and puts the characters in a plane flying from Hawaii to San Francisco, then blows out an engine and has the fuel leak away. John Wayne is the Co-Pilot With The Tragic Past, Robert Stack is the Pilot Losing His Nerve, and they are surrounded by a collection of other very recognizable types: the Cute Kid, the Charming Dying Man, the Loud Couple From N...w Jersey, the Selfish Coward, the Guilt-Ridden Atomic Scientist, and so on. The crisis brings out the best and worst of everybody.
Posted in: Disc Reviews by Archive Authors on June 21st, 2005
Only could Matt Stone and Trey Parker, the (gulp) geniuses behind South Park, could come up such a wildly crazy (and funny) film such as Team America: World Police. What is so wild about this film you ask? Well, the actors are marionette puppets, every other word is an f-sharp, and almost every big Hollywood actor is portrayed negatively. And what is wrong with this? Absolutely nothing. This film will not be for everyone, but for the loyal fans of South Park, this film is pure bliss. Not o...ly do you get the vulgarity that Parker & Stone are known for, you get it stepped up 10 notches. Who would have thought that puppets could be so entertaining?
There are so many funny, off-the-wall elements/scenes that are brought to light in this film, but here my favorites…
Posted in: Disc Reviews by Archive Authors on June 21st, 2005
Only could Matt Stone and Trey Parker, the (gulp) geniuses behind South Park, could come up such a wildly crazy (and funny) film such as Team America: World Police. What is so wild about this film you ask? Well, the actors are marionette puppets, every other word is an f-sharp, and almost every big Hollywood actor is portrayed negatively. And what is wrong with this? Absolutely nothing. This film will not be for everyone, but for the loyal fans of South Park, this film is pure bliss. Not o...ly do you get the vulgarity that Parker & Stone are known for, you get it stepped up 10 notches. Who would have thought that puppets could be so entertaining?
There are so many funny, off-the-wall elements/scenes that are brought to light in this film, but here my favorites…
Posted in: Disc Reviews by Gino Sassani on June 16th, 2005
I will be honest and admit that Insurrection is one of my least favorite Trek films. I rank it down there with the first film due to its many flaws. While it has always been Star Trek’s style to engage in open social commentary, I don’t believe it usually needs to hit you over the head so blatantly. The social message here is too cut and dry. There is not the necessary moral middle-ground to create honest conflict. This is also Brent Spiner’s worst performance. The inside jokes are too cute and forced to appeal to any but the most dedicated fans, and I believe even they might feel insulted. The Picard/Data duet while two shuttles engage in a dogfight is just too much for my gag reflex to handle. Jonathan Frakes, after turning in such an impressive directorial display on First Contact, plays it safe for the entire film. I’ve heard fellow Trek fans say this would have been a better series episode. I disagree. This would have been a poor episode as well. Rich Berman puts one more bullet in the gun that killed Star Trek.
Synopsis
Posted in: Disc Reviews by David Annandale on June 9th, 2005
Synopsis
Christian Bale plays Patrick Bateman, Wall Street dealer and psychotic. He, like his peers, is completely obsessed with surfaces, narcissistic beyond all measure, and about as deep as a sheet of mylar (and his extended exegesis on the music of Huey Lewis and the News doesn’t help make him seem smarter, despite what he thinks). He rapes and murders with impunity, but after all, isn’t that the 80s ethic in a nutshell?
Posted in: Disc Reviews by Archive Authors on June 2nd, 2005
Man on Fire is a stylish thriller with excellent performances at the heart. Denzel Washington plays Creasey, an ex CIA/assassin who is too tired of the killing. Now out of the game, Creasey sticks to drinking in Mexico City. Enter Rayburn, an old buddy (played by the wonderful Christopher Walken). He has a potential job for the down and out Creasey. A string of abductions and kidnappings in the city (Mexico City is the real life kidnap capital of the world) forces a young industrialist (Marc Anthony)and h...s wife (Radha Mitchell)to hire Creasy as a bodyguard for their 10 year old daughter Pita (played by Dakota Fanning). Well...let's just say...the bodyguarding doesn't go too well. And Creasey needs to find Pita before it's too late.
Man on Fire is directed by Tony Scott. Scott is a stylist, and the movie definitely has stylistic excess. But this is the man who invented stylistic excess with Top Gun. But Scott is more successful when he has great actors to inhabit his stylish canvas, True Romance and Crimson Tide are great examples. Scott has become more "modern" with his use of jump cuts and freaky camera angles. It's a dizzying experience, but thankfully this over the top effort is fleshed out by the excellent performances of Denzel and Dakota Fanning (she will be a star one day). The movie is way too long (2 and a half hours for a genre thriller??). But the peformances and the script (by Mystic River's Brian Helgeland) hold Scott's over direction in check.
Posted in: Disc Reviews by Gino Sassani on June 1st, 2005
Season Eight of MASH was most notable as the year one of the most beloved characters left the series. Radar, that down-home country boy, was perhaps the most reality based character in the run of the series. I’ve spoken to many G.I.’s who have informed me that the company clerk really runs any Army outfit. Radar had an element of innocence and sincerity that was skillfully portrayed by Gary Burghoff. Burghoff was the only cast member from the original film to reprise his role for the series. Year Eight would feature the first of a few appearances by Alan Alda’s real life father and 1950’s film star Robert Alda.
As miraculous as an 8 year run might be for any sitcom, MASH still had 3 additional seasons to go before leaving while still artistically on the ball. MASH set the stage for multiple cast changes long before Dick Wolf would claim the practice as his own invention with Law and Order. By the time the series ended, only three actors from that first episode remained: Alan Alda, Jamie Farr, and Loretta Switt. (While the character of Father Mulcahy appeared in the pilot, a different actor portrayed him.)
Posted in: Disc Reviews by Archive Authors on May 31st, 2005
We now have the full I, Robot experience with this new “All Access Collector’s Edition”. We have more a lot more supplements but, unfortunately, the movie is not improved. It’s still a fun couple of hours though. I, Robot follows the story of Will Smith (and his character name, if that matters, is Detective Spooner) as he tries to solve the murder of a robotics scientist (James Cromwell). Smith must overcome his prejudice against robots, as he tries to solve the case.
There are a lot of “c...ol” scenes, and I really enjoyed the universe created by Alex Proyas. One of Proyas’ previous films, Dark City, is a startling work of imagination. The special effects are very modern, but the story is as creaky as an old rocking chair. We’ve seen all this before: the chases, the one note characterizations, the one-liners, the Will Smith-ism. This is ain’t Bad Boys. The movie is caught between an intelligent futuristic tale and a Will Smith vehicle. The two cancel each other out. What’s left is a watered down film that’s only “suggested” by Isaac Asimov’s original work. Fans didn’t seem to mind though. The excellent box office summer receipts proved that Will Smith is still a force to be reckoned with. I enjoyed I, Robot, but I took it for what it was…and not as it should be.
