Posted in: Disc Reviews by Archive Authors on April 4th, 2006
Synopsis
I’ve gotta admit that for a long time, Four Weddings and a Funeral was in a category of movies that I had no intention or curiosity to see because of the title, the cast and the story. Hugh Grant was a significant step down towards the emasculation of man, where are start wearing large sweaters, hang out in pseudo-Starbuck coffee shops and talk about what happened on American Idol or some lame thing along those lines.
Posted in: Disc Reviews by Archive Authors on March 29th, 2006
John Carpenter can be hit or miss on some of the things he’s done in his career. Vampires may be a good case in point. In his version of The Thing, remade from Howard Hawks’ 1950’s classic, he doesn’t focus on the creature as much as the relationship between the men in the camp, and how the paranoia starts to creep in the group, as they try to figure out who may or may not be infected by the creature. I might have jumped ahead of some people who haven’t seen it, but just to briefly recap for those few w...o have missed this:
An American crew working in the Arctic circle encounter a Norwegian crew who are frantically shooting at a dog that is running to the camp. The Americans defends themselves as soon as one of the men is hit, and the Norwegians are killed. The Americans take the dog in, but they also go out to the Norwegian camp to find out just what exactly spooked them so much. They find a camp littered with bodies, along with something that was thawed out by the group before they were brutally killed. From that point, various members of the group get infected and plucked off one at a time. But what made this one maybe a bit scarier than most was Carpenter’s ability to create enough of a dynamic between the men, and that most of them were fleshed out enough to the point where you understand how they work together. And the cast is very able, from older members Blair and Copper (Wilford Brimley and Richard Dysart, respectively), to younger members Childs (Keith David, Armageddon) and Palmer (David Clennon, From the Earth to the Moon), all held together by the film’s star (and frequent Carpenter leading man) Kurt Russell (Dark Blue), who plays MacReady.
Posted in: Disc Reviews by David Annandale on March 28th, 2006
Synopsis
Clive Owen is a man approaching the end of his tether. His marriage is becoming stagnant, his job at an advertising firm is no better, and he is worried about his daughter, who has type 1 diabetes. He and his wife have set aside a lot of money to pay for an experimental drug for her. One day, on a train, he meets Jennifer Aniston. A friendship is sparked, and then an affair begins, only to be violently disrupted by Vincent Cassel. He brutalizes both, and begins to blackmail Owen for ever-inc...easing sums of money.
Posted in: Disc Reviews by Gino Sassani on March 28th, 2006
Sliver is a sexy thriller that is neither sexy or at all thrilling. Filmed in the wake of the hugely successful Basic Instinct, Sliver has all of the elements but none of the passion. Call it Basic Instinct lite. Less filling without the great taste. Sharon Stone sleepwalks through her role of Carly. Carly works at a publishing house and has recently moved into one of New York’s plush apartment buildings. She was trying to ride her Basic Instinct wave here, but the truth is she has never really lived up to the pote...tial. William Baldwin tries at least a little harder as Zeke, who happens to own the building where tenants seem to end up dead, particularly young attractive women. Zeke loves to watch the private moments in his tenants’ lives. He is likely intended to represent the audience. Filling out the cast is Tom Berrenger as Alex, a self-absorbed writer who is obsessed with Carly. Martin Landau is underused as the fatherly owner of Carly’s company. Red herrings abound. Twists are nothing more than cheap thrills.
This “unrated” version promises scenes too hot for theatres. All you really get is a little more moaning from Sharon Stone and not anything remotely steamy. The final product is a film that will leave you unsatisfied whatever your intention going in. The new scenes serve simply to slow down an already hopelessly bogged down premise.
Posted in: Disc Reviews by David Annandale on March 27th, 2006
Synopsis
We begin with an ending: the final collapse of the marriage between Jeff Daniels and Laura Linney. He is a formerly renowned author who now can’t get himself arrested, let alone published. She is suddenly coming in to her own as a writer. He is pathologically self-obsessed. She is deeply insecure. Together, they spell bad news for their two sons, 16-year-old Jesse Eisenberg and 12-year-old Owen Kline. Both parents are a bit of a mess, but daddy is easily the worst offender, and is an absolut...ly poisonous influence on Eisenberg, who worships his father and viciously blames his mother for the split-up. What follows is primarily Eisenberg’s coming of age, where he must learn to see both of his parents (and, for that matter, himself) with real honesty.
Posted in: Disc Reviews by Archive Authors on March 24th, 2006
After the transformation of the Harry Potter and The Lord of the Rings books into hugely successful films, it was only a matter of time before someone decided to tackle C.S. Lewis’s famous novels The Chronicles of Narnia. Both of the aforementioned books into movies were excellent because, even though they didn’t include every little detail presented in the novels, fans still embraced the films for what they were. They brought a majority of the presented themes and ideas in the books and showed u... them in a live action manner via the film. Similar to the seven part Harry Potter series, would it be possible for the classic seven part Narnia series to have a successful transformation into film?
Both C.S. Lewis, author of the famed Narnia books, and J.R.R. Tolkien, famed author of the Rings books, were said to have been friends who taught at Oxford at exactly the same time. They both enjoyed smoking pipe, drinking in the same pub, taking Christianity seriously, and writing. Lewis loved Tolkein’s style of writing and the universe he created for the Rings books, but Tolkein never seemed to return the same affection to Lewis’s Narnia books. Many say this is because Tolkein actually created a vast universe for his novels, while Lewis just used his native country as the setting.
Posted in: Disc Reviews by Archive Authors on March 22nd, 2006
As I see more and more film’s from 2005, I realize that a majority of the best films are those that aren’t huge financial successes. Films like Capote, Munich and now David Cronenberg’s latest film A History of Violence weren't huge successes but have earned praise due to the themes and stories they present. Containing a well crafted story, with interesting characters, A History of Violence is one of those rare films that you see that has a latest impact on you.
As the film <i ...A History of Violence opens up, we met two characters, Leland Jones (Stephen McHattie) and Billy Orser (Greg Byrk) who have just come out of a motel apparently killing the two clerks inside. The film then flashes forward and we meet the Stall Family. Father Tom (Viggo Mortensen) and Wife Edie (Maria Bello) have two children, teenager Jack (Ashton Holmes) and young daughter Sarah (Heidi Hayes). Tom runs a small family diner in Indiana that gets steady business. Edie is a lawyer while son Jack hates gym class and is bullied by Bobby Jordan (Kyle Schmid) and daughter Heidi seems to have nightmares about monsters coming out of her closet. The town is very quiet and everyone looks out for each other as Sheriff Sam Carney (Peter MacNeill) informs us.
Posted in: Disc Reviews by David Annandale on March 21st, 2006
Synopsis
After the mysterious death of his former employer, perpetually shirtless gardener Joe Dallesandro is taken on by the rich and rather twitty Katherine Houghton. He works wonders with her garden, wonders so miraculous, in fact, that the rest of her staff becomes very suspicious. Unfortunately, Houghton is falling more and more deeply under the gardener’s mesmeric spell, and anyone who stands in his way runs into strange botanical fates.
Posted in: Disc Reviews by David Annandale on March 14th, 2006
Synopsis
In his film debut, Sidney Poitier is a newly minted doctor at a downtown hospital. Two patients arrive in the prison ward, shot in the leg by police. One is Richard Widmark, frothing racist. The other is his brother, who dies under Poitier’s care, not from the wound, but from a terminal brain tumour. Widmark blames Poitier, and sets about inflaming racial hatred in his quest to destroy Poitier.
Posted in: Disc Reviews by David Annandale on March 10th, 2006
Synopsis
Three directors, three doses of uncompromising Asian horror. The first, and nastiest, is “Dumplings” (directed by Fruit Chan), which tells the story of a woman who purchases some very expensive dumplings said to restored youth. What is the secret ingredient? The worst thing you can think of, trust me. And the film leaves nothing to the imagination. Where others would imply the horror and let your imagination do the rest of the work, “Dumplings” gets your imagination working, and then tops it... Nasty stuff indeed.
