Series

Fight Fans welcome. We have for you today in the center of this ring, the story of four young men from different backgrounds but who have all come to fight in the Beatdown. The Beatdown is a place where passion can fuel the desire of the fighters to become the very best. But, there are many obstacles in their way in life and in the ring. What exactly will happen and how many broken bones will take place? Join me in the cage and we shall experience, Never Back Down 2: The Beatdown.

Are you ready?, I said are you ready? Then for the thousands in attendance (or just me and two nervous cats) and the millions (or possibly dozens) watching around the world (okay domestic United States and possibly Canada), let's get ready to go down the cast page and story plotline. We have some interesting characters tonight and there is no way you can follow the action if you don't have a program to go by. Programs are sold at the door and are available at www.donttakethisseriously.com.

Ever watch one of those movies that you don’t quite get or understand the first time around? You are certain that the movie is decent and the plot moves along well. But the problem is there are plot holes and the viewer is sure of them. Until they watch the movie a second time. Then either the viewer realizes the movie is brilliant or still full of plot holes. Well, today I encounter one of those films, Dressed to Kill and I think this one has filled out nicely.

It is another morning. Mike Miller (played by Fred Weber) shaves his face with a straight razor and we pan to the very nude Kate Miller (played by Angie Dickinson) taking a shower. She watches him intently and then starts to touch herself (this is unrated kids, we get to see a whole lot of Angie). As she becomes more aroused and more into herself, she doesn’t notice that there is now a man behind her. He takes her aggressively and she cries out in pleasure as we fade to black.

There is hardly any differentiation between the Jackass series and its films, aside from a few more celebrity cameos and bigger budget stunts as the years have gone by. A testament to this is the “.5” editions of each film, which are literally cobbled together using rejected sketches and stunts from the original release. Unlike when such films as X-Men or Spiderman put out a DVD called 1.5 or some such, this is not simply an expanded version of the original release, but a whole new film. Saying that the Jackass series has X amount of seasons on TV or X amount of movies is relatively useless because that would suggested there is a more defined time line in their history, and we'd have to exclude the copy-cats and offshoots such as Viva La Bam and Wildboyz in the canon. These boys have been filming for over a decade and whenever they get 3 hours worth of usable footage, they put out two movies (one to theatres, one straight-to video), that's the basic gist of it.

There is honestly not that can be criticized because, at this point, audiences know exactly what they're in for when it comes to Jackass. Mind you, those that are fans will notice that the stunts have become tamer. In some backwards way, some of the older stunts had either a way of being entertaining for being clever or cute in perfectly harmless ways, or even slightly educational when it came to becoming human guinea pigs for tazers, rubber bullets or other devices that are being used to harm humans on purpose. The stars of Jackass have become just that: “stars.” They have invested many injuries and humiliations to get to where they are today, and are not as willing to take chances these days. There was an interesting bit about paranoia and just how miserable being on a Jackass set can be because pranks can happen at any point. Perhaps some of the stars' hesitation comes from being exhausted of being victimized whenever they turn their backs or attempt to nap.

Many times when you see a trailer over and over, one has to ask themselves: Do they really want to see the movie or is repetition to the point of acceptance playing its fatal card? In the case of Legend of the Fist: Return of Chen Zhen, I had seen the trailer several times in front of Ip Man and the sequel. I wasn’t sure if I was anxious for the movie, so much that I really wanted to see Donnie Yen go absolutely crazy with his kicks and amazing martial arts.

The First World War is going on across Europe. The Allied Forces aren’t doing so well. In 1917, one hundred and fifty thousand workers were dispatched by the Chinese government to help the Allied Forces. Each of these workers were given a wristband for identification and the imprint left behind by these markers were symbols of survival. These workers fought and also did manual labor on the lines. We join the story with a mighty blast as we start our story in France.

Unlike most people my age, I still have a surreal view of love despite a plethora of failed relationships and a horrendous first marriage. Sometimes, I feel like I am the only person who doesn’t have a screwed up concept of love. But thankfully I did find my true love before anything happened to my ideology. Enter the movie Year of the Carnivore, a movie that disguises itself to be about sex when in reality it is more a statement about good old fashioned love.

Eight O’ Clock. Just another day for Sammy Smalls (played by Cristin Milioti) until she peers out his window and stares at a guy engaged in a self sexual act. (it is not graphic, just disturbing). Interested, she doesn’t even realize she is eating off her parent’s picture. So off Sammy goes to the grocery store to do her job as store security. She catches a old man stealing a steak and hands him over to the store manager, Dirk (played by Will Sasso) who mulls him over.

One could say that I watch a healthy dose of Adult Swim. My favorites are Robot Chicken and the Venture Bros but I usually find that I can enjoy just about any of the shows given a few episodes and the inability to change channels. Seriously, the Adult Swim block on Cartoon Network produces quality television and stuff you won’t find anywhere else. Childrens Hospital is one such show that explores the lighter side of medicine. As long as there aren’t any clowns in this, we should be okay.

*looks at box* Crap!

I have been reviewing various discs for plenty of years now. As a rule, I’ve stayed away from most documentaries as I know that unless they involve video games, I will probably use them for a sleep aid. That is not to say I can’t enjoy them, I just know my track record. Then, I received the grand mother of all documentaries, The Civil War by Ken Burns with an anniversary edition to boot. Yep, this is going to be a long and bumpy ride, let’s hold on shall we?

“To understand our history is to understand the Civil War”, Shelby Foote (Writer and Historian).

"This is Fairfax County in the state of Virginia. I was born here. It's peaceful, beautiful, and a long long way from Wyoming; beautiful, too, in its special way. Vast, proud and lonely; it's my country now, Wyoming. But not exactly a peaceful one."

The other day, I was conveying to my better half that she should do an open review about a movie called Secretary that was fairly new to Blu-Ray. She ultimately decided against it because she felt she could not do a PG review for such a risqué movie. It is only fitting that a week or so later, I find Bad Lieutenant, a NC-17 movie in my own review pile and I was faced with the same task. Take an absolutely gritty, dark and disturbing movie and do what you can to make it a wholesome review. I always did like challenges.

Harvey Keitel plays a very bad cop. In fact, he's actually a Lieutenant of a local New York precinct (btw, he's never actually given a name, so we'll call him Lt.). He's had the crazy life that echoed the overzealous nature of the 80's. He has a family complete with a wife and children but the wholesome image stops right there. In his time out on the streets, he boozes, gambles, steals evidence, womanizes and does drugs including a whole lot of cocaine.

In 1993, three of the most influential executives in the entertainment industry decided to pool their talent, resources, and connections into the power company called Dreamworks. It was Steven Spielberg, Jeffrey Katzenberg, and music mogul David Geffen who formed the studio, at first to contribute to other films in production by other studios. It's no surprise that the studio's first impact was in contributing special effects. In 1997, the studio decided to begin creating their own brand of films. The first of those efforts was the Nicole Kidman/George Clooney post-Cold-War thriller, The Peacemaker.

In many ways the film itself became a victim of the milestone that it represented. It wouldn't be long before Dreamworks would start to live up to those expectations and in a huge way. But in 1997, films like Shrek, Gladiator, and Saving Private Ryan were still a couple of years away. So all of the massive expectations that came with such a powerhouse venture fell on The Peacemaker. And those expectations fell hard. The movie cost over $50 million to make and pulled in only $41 million in its domestic box office run. A mere speed bump in the upwardly mobile future of Dreamworks; a disaster for a film that deserved more attention for its own merits.