Series

Having accidentally blinded a singer during a contract killing, hit man extraordinaire Chow Yun-Fat, consumed with guilt, becomes the woman's protector, and seeks redemption by finding some way to restore her sight. Meanwhile, Danny Lee is the plays-by-his-own-rules cop on his trail, and inevitably the two men will find themselves as unlikely allies in gigantically operatic gunfights.

We are in the midst of the Great War. Michael Dunne (Paul Gross) is a Canadian solider recovering from physical and psychological wounds. He falls in love with his nurse (Carline Dhavernas), and when her asthmatic brother enlists, Dunne heads back to the trenches to protect him, and the two men wind up at the gigantic, murderous battle that gives the film its name.

If you're reading this review, you must surely already know what the movie is about. We're talking, after all, about what must surely be the single most celebrated case of mistaken identity in the history of film. Cary Grant stands up in a lounge at just the wrong moment and is mistaken for a man who doesn't exist. That utterly perverse mix of chance and paradox, leading to ever more dangerous situations for Grant, in an ever more complicated tangle of battling conspiracies, is so utterly Hitchcockian, it might just as well be trademarked.

We're into the serious world of high concept now, people. Remember all those struggles D.W. Griffith and Sergei Eisenstein went through to establish cinema as a legitimate art form? Well, this here flick sure makes all those struggles worthwhile. Big Red – midget, former mascot, porn star – dies, and leaves his millions to be fought over by midget-hating son and gold-digging wife. The terms of the battle: each must coach one of the titular teams through a series of ridiculous contests and pranks.

In my lifetime, I’ve really only liked five zombie movies. There is Shaun of the Dead, the three Resident Evil movies, and Zombieland. Most of the other zombie type films either belong in the “Way too Gory” or “Nonsense” designation. So, naturally when I receive a zombie movie like Dead Snow, there is some apprehension. However, in this case I can say that this movie belongs in both of those designations and delightfully so.

"Every day I get letters. I think I get more letters than Santa Claus, Zac Efron, and Dr. Phil combined. I'm kinda the shit. Sometimes the letters are from people who say they are praying for me. They tell me everything will be OK if I just accept Jesus Christ into my heart. I say the words, but nothing ever happens. Nobody comes back. Nobody gets off the cross."

There hasn't been this much hype for a mainstream horror film in quite a long time that I can recollect. Certainly, quite a few have created more buzz after their release and subsequent box office power

When Terence Malick's latest effort hit the theatres, he had trimmed it down to 135 minutes. Early critics had seen a version running 150 minutes. This version is longer yet, clocking it at 172 minutes. Most of what I said about the previous DVD release holds, and so I'm reproducing it here, with additional comments as necessary.

Aging senator James Stewart and wife Vera Miles arrive in the prosperous town of Shinbone to attend the funeral of an anonymous farmer. The local newsmen want to know why. Stewart tells the story. Cue the flashback, where he arrives in a much more anarchic Shinbone as a naïve lawyer. Held up and beaten by the brutal outlaw Liberty Valance (a psychotic Lee Marvin), he is determined by bring law and justice to the town, but must come to terms with the fact that he cannot do so without the gun of John Wayne (the aforementioned farmer).

Galaxy Quest is an odd movie. It opened on Christmas Day of 1999 and did alright in the box office gathering roughly 71 million and some change. It was one of those movies that you went to go see and would laugh a lot but wouldn’t tell anybody in fear of people making fun of you. So it did respectable sales, but nobody knew the full potential of the movie until it hit the video format. The movie found a considerable audience and after many years, the movie holds up. Possibly better than it ever did nine years ago in a tiny theater. Now, with the release of a deluxe edition many years later, the movie can reach new audiences. Hopefully, they will be able to appreciate it as much as I did.

For anyone not familiar with here! TV’s series The Lair, let me bring you up to speed. The setting is a picturesque little town on an island somewhere on the East Coast. What makes this town so picturesque? Well, there’s its lush greenery, its sweeping ocean views, its many gorgeous houses, and there is also the fact that it seems to be entirely populated by attractive young gay men (the lone straight guy in town was culled in season one when he was murdered by his girlfriend who is now in jail – oh, and he was a bad man who abused her, so he had it coming I guess). Of these gay men, several are played by actors from gay porn (in an uncanny twist, the dead straight guy was played by an actor from straight porn). In fact, the local sheriff looks like he may have played the lead in the gay porn version of Sylvester Stallone’s Copland. And if he hasn’t he should think about it. I even have the perfect title for it, though it is unprintable here.