Posted in: Disc Reviews by Gino Sassani on August 21st, 2003
Decades before The Blair Witch Project drew attention to the small independent filmmaker, George Romero and a small band of Pittsburgh natives took the horror genre by surprise with the stunning and atmospheric Night of the Living Dead. Day of the Dead was the third and (so far) final entry into the Romero zombie trilogy. Romero admits that this is the least acclaimed film in the series while professing that it is his own favorite. There is absolutely no question that makeup magician Tom Savini did some of his greatest work in this film. The gore effects are as realistic as they are gruesome. Tom has told me countless times that he carries a certain extra pride about the work he did on the film. The problem is the story is just too over the top to be taken at all seriously. Most of the acting is really B grade with the notable exception of Howard Sherman’s brilliant portrayal of Bub the mascot zombie.
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Posted in: Disc Reviews by David Annandale on August 9th, 2003
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Posted in: Disc Reviews by David Annandale on August 8th, 2003
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Posted in: Disc Reviews by David Annandale on August 3rd, 2003
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Posted in: Disc Reviews by David Annandale on August 2nd, 2003
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Posted in: Disc Reviews by David Annandale on July 31st, 2003
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Posted in: Disc Reviews by David Annandale on July 31st, 2003
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Posted in: Disc Reviews by Archive Authors on July 29th, 2003
Documentary filmmaker Michael Moore’s film Bowling for Columbine has done more then just win the Academy Award for best documentary film, it has also ruffled a lot of feathers. Moore’s extreme views, which are embraced by many, also seem to piss off a lot of people.
Moore’s extreme bias on the topic of gun control and U.S. war mongering has lead many to believe that Bowling for Columbine is more of a 2-hour speech then an award winning documentary. You may not like what he has to say, but y...u must give Moore credit for his dedication to his beliefs.
Posted in: Disc Reviews by Archive Authors on July 29th, 2003
Once in a blue moon, though, there’s a re-make that not only takes the original to a new level of appreciation, but actually improves upon it. In musical terms, it’s Ike and Tina’s “Proud Mary.” In the cinematic forum, Martin Scorsese’s 1991 re-work of the B-movie thriller Cape Fear is another.
Max Cady (Robert DeNiro, lost the Oscar to Anthony Hopkins) is a recent parolee, fresh out of the joint after serving a fourteen year stretch for aggravated assault. During his trial, his lawyer, public...defender Samuel Bowden (Nick Nolte, the rich man’s Gary Busey) had pled the charge down from rape and aggravated sexual battery, which could have earned Cady a death sentence. Why, then, would Cady have such a vendetta toward the man who may have saved his life? In his fourteen years in prison, Cady has basically done two things: covered his body in tattoos, mostly scriptural and threatening in nature, and learned to read law books. After his conviction, he dismissed Bowden and acted as his own attorney and found something in his file that he feels Sam buried, and has since focused every fiber of his being on one final goal: to make his lawyer pay for the fourteen years he lost. As soon as he is released, Cady immediately sets about getting his long-planned revenge with an almost Ahab-ian fervor, making Bowden and his family the white whale, the perpetrator of his anguish.
Posted in: Disc Reviews by Gino Sassani on July 16th, 2003
As a film, John Carpenter’s Vampires leaves a lot to be desired. The story is average and has been done before, and the acting is questionable at best. I just cannot appreciate James Woods as a bad ass Vampire Killer. Vampires does contain a number of scenes that build tension and effectively instill some horror, but you will not be traumatized by the scariness of this film. Yes, there are a few sequences that look very good in terms of the cinematography, and there is some nice gore and violence, but you w...uld be much better off viewing a film such as Dog Soldiers if you are looking for a quality horror flick.
“Hired by the Vatican, supernatural bounty hunter Jack Crow (James Woods) meets his match in Valek, the 600 year-old leader of a band of vampires terrorizing the American Southwest. When Valke kills most of Crow's team of mercenary vampire slayers in a surprise attack, the bounty hunter turns to help from Katrina (Sheryl Lee), a beautiful prostitute with a psychic link to the deadly vampire, who leads him to Valek's lair for the final showdown.” – Columbia-Tristar