Posted in: Disc Reviews by Gino Sassani on June 30th, 2003
We are all familiar with the so called “great wars” of American history. Hollywood has supplied more hours of World War II film than the actual war itself. From classics like Torra Torra Torra to Saving Private Ryan, we have gotten to know every inch of those wars. Vietnam became a popular subject by the mid 80’s with films like Apocalypse Now and Full Metal Jacket. “Peace-keeping” missions like the U.N. directed effort s like the one in Somalia in the 1990’s isn’t the “stuff” of heroes it seems. Leave it to Ridley S...ott to change all of that forever. One of the most intense missions in our military history occurred without a full scale war when a Black Hawk helicopter went down in a hostile neighborhood in Somalia. We lost 19 officers and thousands of Somalians lost their lives. This film never lets up. Once Black Hawk goes down, the action literally never ceases until the end credits. Credit a well-cast collection of actors and this film is one of the best.
Synopsis
Posted in: Disc Reviews by Archive Authors on June 23rd, 2003
In 1939 Warsaw is invaded by Nazi Germany, Wladyslaw Szpilman is performing live on a radio station as it is dive bombed by the Luftwaffe. He continues to play until he is almost killed. This opening scene sets the tone for the story of a man so driven by his passion for music even in the face of adversary. As the film continues we watch the establishment of the Warsaw ghetto and the beginning of the reign of hate towards the Jews by Nazi Germany.
The Warsaw ghetto is full of stark contrasts we watch as people die in the streets from hunger and others prosper by bribing guards and importing goods, we see Germans helping Jews escape from the ghetto and Jews who join the ghetto police in an attempt to save themselves. At one point in time the ghetto contained over 500,000 people, as the war continues Wladyslaws family and most of the residents of the ghetto are loaded onto trains and shipped off to concentration camps never to be seen again. Those who are left over are formed into work camps by the Germans and start an uprising. Threw all this Wladyslaw survives even when he comes face to face with a Nazi officer who finds him hiding in their headquarters. The officer knows that the war is almost over as the Russian army is fast approaching and brings him food in exchange for listening to him play.
Posted in: Disc Reviews by Gino Sassani on June 23rd, 2003
Converting Tom Wolfe’s classic book The Right Stuff was undoubtedly a difficult task. The original 7 Mercury astronauts were epic figures in American history. Perhaps the last of Earth’s true explorers, astronauts are the stuff that every kid’s fantasies are made of. It seems nearly impossible to capture such incredible bravery and charisma in the scope of even a 3 hour movie. Philip Kaufman somehow achieved the impossible. It starts with one of the most dynamic casts since The Godfather. Names like Jeff Goldblume, Dennis Quaid and Ed Harris were all relative unknowns at the time. Kaufman also paid great attention to detail. The crafts and locations brought the audience directly in contact with a world long gone from reality. Chuck Yeager’s technical input provided a solid foundation to the spectacular set designers and location scouts. Many members of this cast have since gone on to become acclaimed actors, a true testament to the casting job done on this film. You simply cannot be an American and not see this film at least once. It should be required viewing in every junior high school in America.
Synopsis
Posted in: Disc Reviews by Archive Authors on June 23rd, 2003
Charlie Kaufman is a neurotic, narcissistic, self loathing writer who is hired to adapt Susan Orlean’s novel The Orchid Thief into a film. The only problem is that he is suffering from writers block, add in a twin brother who is also writing a screenplay and his inability to interact with people and hang-on for a wild ride. Charlie tries a number of different approaches to writing the script and suddenly finds himself being written into the story. What starts out as an adaptation of a book into a film turns into a completely different story all together. It turns into a tongue and cheek story about movie making in Hollywood and a person’s ability to adapt and change to fit their surroundings.
Video
Posted in: Disc Reviews by David Annandale on June 22nd, 2003
Synopsis
Posted in: Disc Reviews by David Annandale on June 22nd, 2003
Jared Leto plays Basil, youngest son of the tyrannical Derek Jacobi. Traumatized by the death of his mother when he was young, the exile of his brother (who dallied with a young woman beneath his station), and oppressed by a father for whom class consciousness is the be-all and end-all, Basil is barely equipped to deal with the outside world. He has no friends, and only the most naive notions of romance. Into his life comes Christian Slater, whose worldly ways inspire Leto, and ...ho offers friendship, but in fact has deeply destructive motives. The movie s good fun in the vein of semi-gothic Victorian melodrama. Hearing Leto and Slater sporting British accents takes some getting used to (especially when it comes to Slater), and budgetary limitations show in dreadfully cheesy lightning effects and endlessly repeated establishing shots of Windermere mansion. But if you’re a faithful viewer of Masterpiece Theater, you’ll find much to enjoy here.
Audio
Posted in: Disc Reviews by David Annandale on June 17th, 2003
This is closer to a being a tone poem than a narrative, so there is hardly any plot as such. We move through Berlin in the company of angels. They can hear our thoughts, but they cannot interfere or feel the physical world. Two of the angels -- Damiel (Bruno Ganz) and Cassiel (Otto Sander) are increasingly disenchanted with their existence, and Damiel, falling in love with a trapeze artist, wants to become mortal. This simple story is built on very gradually, and most of the film consists in our hearing the innermost thoughts of various characters, and all these thoughts are presented in poetic (often elliptical) words. The cinematography is quite extraordinarily beautiful.
Audio
Posted in: Disc Reviews by David Annandale on June 11th, 2003
Eric Roberts, miles away from direct-to-video action fodder, plays Nick, a man in the terminal stages of AIDS. Over the opening credits, we see his long-term relationship with Gregory Harrison rise and disintegrate, and in the present, this relationship and its fallout will have a major role to play at Nick’s party. This party, the heart of the film, is an event he throws to say goodbye to all his friends and family. The story has added poignancy since this is based on an actual event.
Audio
Posted in: Disc Reviews by David Annandale on June 11th, 2003
Melina Mercouri plays Illia, a character who makes prostitution seem like a carefree Utopia.She lives in a version of Greece where there only appear to be 5 women, and they are all ladies of the night. Into this extraordinarily male fantasy comes Jules Dassin, a deluded American idealist who wants to save Illia from herself. Naturally, he doesn’t have a hope, and Greek enthusiasm (think My Big Fat Greek Wedding on steroids) will inevitably overcome his anti-fun attitudes. Obviously, the picture has dated quite noticeably, and makes Pretty Woman look like a gritty expose. But the point of the film is cheerful good humour, and it is for this reason that it is beloved. I found the good cheer a little relentless, but that’s me being churlish.
Audio
Posted in: Disc Reviews by David Annandale on June 6th, 2003
The topic for this documentary are the Shakers, more properly the “United Society of Believers in Christ’s Second Appearing.” The Shakers weren’t around that long: they were celibate, which meant no offspring. However, as the film explores, that didn’t stop them from having a profound impact on American life (they were, for instance, feminist and anti-slavery well ahead of the game).
Audio
![It's My Party [Special Edition] dvd cover art](https://upcomingdiscs.com/ecs_covers/its-my-party-special-edition-large.jpg)
