Posted in: Disc Reviews by David Annandale on June 6th, 2003
A history and a meditation on the American Congress, both at the institutional and at the architectural level -- there are many beautiful shots of the Capitol, and the building becomes as much a character as any of the politicians who strode the stage within its walls. A fascinating documentary, enlivened not only with Burns’ usual fine use of period paintings and photographs,but also with film clips from Mr. Smith Goes to Washington and Advise and Consent.
Audio
Posted in: Disc Reviews by David Annandale on June 4th, 2003
Synopsis
Posted in: Disc Reviews by David Annandale on June 4th, 2003
Synopsis
Posted in: Disc Reviews by David Annandale on June 3rd, 2003
Spanning a good thirty years, Giant tells the tale of the Benedicts, a Texas family on an immense cattle range. The patriarch is Rock Hudson, whom we first meet as a young man visiting Maryland to buy a horse. There he meets Elizabeth Taylor and falls in love. His new bride initially finds Texas difficult to adjust to, and Texas has difficulty adjusting to her, as she does not hold with the local attitudes towards women and, most especially, Mexicans. The third major player is James Dean, a rather sullen ranch hand who winds up changing everybody’s lives when he strikes oil on his small parcel of land.
This is a big film, with big scope, big stars, big performances, big virtues, and big flaws. It is at its best as it works out the family dynamics, with Hudson and Taylor bouncing off each other.James Dean, though he has comparatively little screen time, turns in a remarkable performance,and as the characters move into middle-age, his is the most convincing transformation. The film is at its weakest in its ham-fisted handling of the racial issues. These scenes play out in deeply predictable fashion, and the symbolism of the final scene is so obvious, yet takes itself so seriously, that the film ends on a note of high camp. But even these problems make up part of the charm, and its 201 minutes go by surprisingly quickly. They don’t make ‘em like this anymore,and nor should they, but thank God they did in 1956.
Posted in: Disc Reviews by David Annandale on May 30th, 2003
Synopsis
Posted in: Disc Reviews by Archive Authors on May 28th, 2003
This, the third DVD release of T2, reiterates the genius behind this film. With this disc, we are given the same extended edition and theatrical version as found on the Ultimate Edition release, but the new High Definition transfer found on this Extreme Edition makes this 10+ year old film look brand new.
This disc is set to play the 16-minute extended version of the film. If you prefer the theatrical version, on the main menu, go to Sensory Control, and hit the right arrow on your remote 5 times. After ...ou have done this, you will notice “The future is not set” appear on the right, and the theatrical version is now accessible.
Posted in: Disc Reviews by Gino Sassani on May 24th, 2003
If Clear And Present Danger suffers from anything it is that it is overlong. As much as I like the film and its plot, there are times when I find myself checking the running time again to see how much longer the film is. There are also an incredible number of characters on both sides of the fence to keep track of: Ryan (Ford), Greer (Jones), Clark (Defoe), Ritter (Czemy) , Escobedo (Sandoval) , NSA Director Cutter (Yulin), Felix Cortez (Almeida), Ryan’s wife (Archer), Moira (Mangnuson), FBI Director Jacobs (Tammi) and the list goes on.
Synopsis
Posted in: Disc Reviews by Archive Authors on May 19th, 2003
Synopsis
Jason Lee plays Paul who is engaged to Karen (Selma Blair), after his bachelor party he wakes up to one of the Tiki girls (Becky played by Julia Stiles) in bed with him, to make matters worse he discovers that she is his fiancée’s cousin. SO he does “The Guy Thing” and does everything he can to cover things up but, when Becky’s pscho ex starts stalking Paul things start to get out of hand.
Posted in: Disc Reviews by Gino Sassani on May 18th, 2003
I am quite conflicted about this the second Jack Ryan film. There is no doubt I enjoy Harrison Ford’s Ryan more than I did Alec Baldwin’s. Of course, they really are not the same character at all. With Ford, Ryan has become more of an action hero. Sadly, I didn’t find this script as compelling as the other Ryan films. It is by far the worst adaptation of a Clancy novel to date. The complicated plot ends up being reduced to a simple game of revenge for the villain. Plot contrivances abound just to place Ryan into the heat of fire. Still, even this lesser adaptation contains exceptional contributions by a fine cast. It is worth watching at least once to see the likes of Samuel L. Jackson, Richard Harris, and James Earl Jones.
Synopsis
Posted in: Disc Reviews by Gino Sassani on May 15th, 2003
In the 1980’s Tom Clancy was “the man”. One of the interviews on this disc accurately points out that if you were on an airplane in the 1980’s, for every ten people reading a book seven would be reading Tom Clancy. Hunt for Red October was by far his best work. The technical information was so accurate that Clancy was once questioned for several hours by the CIA to determine his source. The film, unlike many blockbuster efforts, does not disappoint. The script is relatively faithful to the book. There are major divergences, particularly the climax, but most serve to tighten the lengthy novel into a fast-paced film. Alec Baldwin, a newcomer at the time, handles the part of Jack Ryan well even in the hindsight of two Harrison Ford portrayals. Sean Connery delivers a masterful performance that goes so far as to allow us to accept a Russian with a Welsh accent.
Synopsis
