Posted in: Disc Reviews by David Annandale on September 5th, 2007
In hellish vision of a near future (?) LA, Marty Malt (Judd Nelson) is an incompetent garbage man who moonlights as an even worse comedian (his jokes aren’t funny, and he is half-crippled by stage fright). His only friend is the manipulative Gus (Bill Paxton). When Marty starts to grow a third arm out of his back, he loses his girlfriend (Lara Flynn Boyle) but attracts the attention of sleazy showbiz types Wayne Newton and Rob Lowe.
The film’s influences are pretty apparent. Imagine the love child of Repo Man and How to Get Ahead in Advertising, as midwifed by early John Waters and David Lynch. Heck, the bar where Marty performs, along with its patrons, seem to have been imported from Café Flesh. Such a mixture could well spell cult movie, and something of the kind seems to have happened with The Dark Backward, but the mixture is a little too forced for my liking, and the performances are all pitched at one note (Paxton’s note being almost off the scale). Interestingly bizarre and gross, but somehow too familiar despite its wild stabs at freakish originality.
Posted in: Disc Reviews by Archive Authors on June 21st, 2007
Flags of Our Fathers is based on the book of the same name by James Bradley and Ron Powers about the Battle of Iwo Jima and the famous raising the flag on Iwo Jima picture. It’s the second recently released movie about the Battle of Iwo Jima, the other being Letters from Iwo Jima.
Both films were directed by Clint Eastwood. Although both focus on the same event, they are quite different. Letters from Iwo Jima is from the Japanese perspective and Flags of Our Fathers from the Ame...ican. Also, Flags is more focused on the group of Marines that raised the flag, their efforts in selling war bonds back in America and their coping with the war. Having recently watched and enjoyed Letters from Iwo Jima, I eagerly anticipated this film.
Posted in: Disc Reviews by David Annandale on May 22nd, 2007
Synopsis
Cord (Jeff Cooper) is a martial arts expert in a mythical land who competes for the right to go on a quest to confront a legendary master (Christopher Lee) who protects a mystical book. Cord cheats and is disqualified, but heads out on the quest all the same. Along the way he encounters various threats (all played by David Carradine) and a supernaturally talented blind man (also Carradine), not to mention oddities such as Eli Wallach sitting in a barrel of oil as part of long-term project to...dissolve his penis.
Posted in: Disc Reviews by Archive Authors on May 21st, 2007
Synopsis
To Catch a Thief has a lot going for it. For starters, two of the most marketable faces of their time playing opposite one another, in a film directed by one of the greats of cinematic history. What’s so wrong about that? John Michael Hayes (Peyton Place) adapted David Dodge’s novel, which Alfred Hitchcock (Psycho) directed.
Posted in: Disc Reviews by Archive Authors on March 21st, 2007
Eragon is based upon the best selling book, which was written by then nineteen-year-old Christopher Paolini. This film was met with much hype, but initially to me seemed to be another generic Lord of the Rings type rip-off, with the addition of a dragon. Not usually my type of movie, but The Lord of the Rings trilogy did more that just amaze me maybe Eragon has a trick or two up its sleeve.
Right from the beginning Eragon starts off shaky, a storyline that seems too have been done a hundred times before; a mesh of Star Wars and The Lord of the Rings. Eragon is a seventeen-year-old farm boy living in the village of Carvahall in the fictional world of Alagaesia. One night, while out hunting, he stumbles upon a dragon�s egg. At first unsure of what�s really going on, Eragon becomes enlightened that he is the chosen one to save his kingdom. It turns out that before the dark ages of Alagaesia�s dark ruler the land was ruled by Dragon Riders, who are just as they�re called, people who ride dragons. The evil king Galbatroix (John Malkovich) sends his evil minion and sorcerer Durza (Robert Carlyle) to kill Eragon and his dragon as they pose a threat to his dark rule of the kingdom. While trying to unite with the remaining rebels, Eragon is trained by Brom (Jeremy Irons) in the arts of magic, combat, and dragon riding.
Posted in: Disc Reviews by Archive Authors on November 23rd, 2006
Synopsis
This is another film one feels a little silly summarising, given that it must be an exercise in redundancy. At any rate, Macy’s department store gets a new Santa, and this one (a marvellous Edmund Gwenn) insists that he is the real thing. He sets about restoring the sense of wonder in hard-nosed Maureen O’Hara and her skeptical daughter (Natalie Wood), and John Payne winds up having to prove that our boy is who he says he is in a memorable court case.
Posted in: Disc Reviews by Archive Authors on November 15th, 2006
The Shawshank Redemption is a film that didn't do much at the box office. However, home video, word of mouth and countless airings on TNT have made it an enormously popular film in the time since. Director Frank Darabont returned to prison with The Green Mile, another film based on a story by acclaimed writer Steven King. One could almost look at these two films as companion pieces. Whereas the central theme of Shawshank was the importance of never giving up hope, The Green Mile was more about the changing power of love. Granted, a 1930's prison death row cell block isn't the most obvious place to set a love story. Then again, we've all seen the obvious love stories countless times before. King has always had a knack for the original, and this film is most certainly that.
The film is a thorough examination of the guards and guests at this inn without a door. The guards are mostly cynical and worn down by the long line of murderers that have come through their walls, the inmates are deserving of their fate, and the warden benevolently looks over the whole affair, with his own demons patiently waiting for him at home. The guards and the inmates have something of a kinship, as they all spend every day together. Though there is a clear distinction between the haves and the have nots, the two sides still spend the majority of their days talking and working together.
Posted in: Disc Reviews by Archive Authors on November 9th, 2006
By the time this film was announced, everyone and their dog had asked me if I’d read The Da Vinci Code. I hadn’t.
Yes, I’d heard it was the bestest book in the whole wide world. No, I didn’t want to borrow their copy. Months later, when I finally sat down to watch this DVD, I had still not read Dan Brown’s masterpiece. See, I decided to be one of the few who could judge the film as completely separate from the novel.
Posted in: Disc Reviews by Gino Sassani on October 18th, 2006
In 1984 Brian De Palma dusted off his best Alfred Hitchcock imitation in the by now infamous Body Double. We all know the story by now. In fact, if you’ve seen the far superior Vertigo and Rear Window films, you knew the story already. Claustrophobic vampire actor Jake Scully is having a hard time. He’s just been fired because he can’t lie in a coffin, and getting home early, he walks in on his girlfriend in bed with another man. Out of work and homeless, things look up when a fellow actor gets him a sweet housesit...ing gig in a flying saucer shaped condo overlooking the Hollywood valley. There, he is obsessed with a neighbor he spies on with a conveniently provided telescope as she performs all sorts of sordid little things naked in the window. Looks like things are really going well now, until he believes he has witnessed a murder. His investigation into what he saw leads him to the underworld of the porn industry and into the arms of porn queen Holly Body (Griffith). Most of the film takes place at a painfully slow pace. De Palma offers up a lot of stylistic cinematography but not enough action or suspense to keep us all that interested. While the erotic nature of the film was quite shocking in 1985, it just doesn’t pack that kind of a punch today. When De Palma wants to, he can simply ooze atmosphere on film. In Body Double, he oozes something a bit less flattering.
Part of the blame for the film’s awkward pace must be taken up by Craig Wasson. He simply can’t emote beyond a typical movie of the week level. The same can be said for villain Sam (Henry). On one hand, De Palma is trying to dazzle us with the epic scope of the thing, but his two main actors limit that range significantly. Credit should be given to Melanie Griffith, who is miscast in her part, but carries it off with more credibility than one would expect. The stand out has to be Deborah Shelton, who is captivating with little to say. Dennis Franz stands out in his comedy relief portrayal of the director who fires Jake. He’s playing De Palma to a fault, including De Palma’s own clothes. Both men admit in the extras that Rubin was indeed based upon De Palma..
Posted in: Disc Reviews by Archive Authors on September 27th, 2006
Synopsis
Adam Sandler plays Michael Newman, stressed-out workaholic who, overwhelmed by his job though he is, is allowing it to interfere with his family life. At the end of his tether one night, he sets out to buy a universal remote, but Christopher Walken (apparently playing Christopher Lloyd) sells him a truly universal remote.
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