Posted in: Disc Reviews by David Annandale on July 31st, 2003
Synopsis
Posted in: Disc Reviews by Archive Authors on July 29th, 2003
Documentary filmmaker Michael Moore’s film Bowling for Columbine has done more then just win the Academy Award for best documentary film, it has also ruffled a lot of feathers. Moore’s extreme views, which are embraced by many, also seem to piss off a lot of people.
Moore’s extreme bias on the topic of gun control and U.S. war mongering has lead many to believe that Bowling for Columbine is more of a 2-hour speech then an award winning documentary. You may not like what he has to say, but y...u must give Moore credit for his dedication to his beliefs.
Posted in: Disc Reviews by David Annandale on July 4th, 2003
Synopsis
Posted in: Disc Reviews by Gino Sassani on July 4th, 2003
Synopsis
Posted in: Disc Reviews by Gino Sassani on June 23rd, 2003
Converting Tom Wolfe’s classic book The Right Stuff was undoubtedly a difficult task. The original 7 Mercury astronauts were epic figures in American history. Perhaps the last of Earth’s true explorers, astronauts are the stuff that every kid’s fantasies are made of. It seems nearly impossible to capture such incredible bravery and charisma in the scope of even a 3 hour movie. Philip Kaufman somehow achieved the impossible. It starts with one of the most dynamic casts since The Godfather. Names like Jeff Goldblume, Dennis Quaid and Ed Harris were all relative unknowns at the time. Kaufman also paid great attention to detail. The crafts and locations brought the audience directly in contact with a world long gone from reality. Chuck Yeager’s technical input provided a solid foundation to the spectacular set designers and location scouts. Many members of this cast have since gone on to become acclaimed actors, a true testament to the casting job done on this film. You simply cannot be an American and not see this film at least once. It should be required viewing in every junior high school in America.
Synopsis
Posted in: Disc Reviews by David Annandale on June 17th, 2003
This is closer to a being a tone poem than a narrative, so there is hardly any plot as such. We move through Berlin in the company of angels. They can hear our thoughts, but they cannot interfere or feel the physical world. Two of the angels -- Damiel (Bruno Ganz) and Cassiel (Otto Sander) are increasingly disenchanted with their existence, and Damiel, falling in love with a trapeze artist, wants to become mortal. This simple story is built on very gradually, and most of the film consists in our hearing the innermost thoughts of various characters, and all these thoughts are presented in poetic (often elliptical) words. The cinematography is quite extraordinarily beautiful.
Audio
Posted in: Disc Reviews by David Annandale on June 11th, 2003
Eric Roberts, miles away from direct-to-video action fodder, plays Nick, a man in the terminal stages of AIDS. Over the opening credits, we see his long-term relationship with Gregory Harrison rise and disintegrate, and in the present, this relationship and its fallout will have a major role to play at Nick’s party. This party, the heart of the film, is an event he throws to say goodbye to all his friends and family. The story has added poignancy since this is based on an actual event.
Audio
Posted in: Disc Reviews by David Annandale on June 3rd, 2003
Spanning a good thirty years, Giant tells the tale of the Benedicts, a Texas family on an immense cattle range. The patriarch is Rock Hudson, whom we first meet as a young man visiting Maryland to buy a horse. There he meets Elizabeth Taylor and falls in love. His new bride initially finds Texas difficult to adjust to, and Texas has difficulty adjusting to her, as she does not hold with the local attitudes towards women and, most especially, Mexicans. The third major player is James Dean, a rather sullen ranch hand who winds up changing everybody’s lives when he strikes oil on his small parcel of land.
This is a big film, with big scope, big stars, big performances, big virtues, and big flaws. It is at its best as it works out the family dynamics, with Hudson and Taylor bouncing off each other.James Dean, though he has comparatively little screen time, turns in a remarkable performance,and as the characters move into middle-age, his is the most convincing transformation. The film is at its weakest in its ham-fisted handling of the racial issues. These scenes play out in deeply predictable fashion, and the symbolism of the final scene is so obvious, yet takes itself so seriously, that the film ends on a note of high camp. But even these problems make up part of the charm, and its 201 minutes go by surprisingly quickly. They don’t make ‘em like this anymore,and nor should they, but thank God they did in 1956.
Posted in: Disc Reviews by Gino Sassani on May 24th, 2003
If Clear And Present Danger suffers from anything it is that it is overlong. As much as I like the film and its plot, there are times when I find myself checking the running time again to see how much longer the film is. There are also an incredible number of characters on both sides of the fence to keep track of: Ryan (Ford), Greer (Jones), Clark (Defoe), Ritter (Czemy) , Escobedo (Sandoval) , NSA Director Cutter (Yulin), Felix Cortez (Almeida), Ryan’s wife (Archer), Moira (Mangnuson), FBI Director Jacobs (Tammi) and the list goes on.
Synopsis
Posted in: Disc Reviews by Archive Authors on May 19th, 2003
Synopsis
Jason Lee plays Paul who is engaged to Karen (Selma Blair), after his bachelor party he wakes up to one of the Tiki girls (Becky played by Julia Stiles) in bed with him, to make matters worse he discovers that she is his fiancée’s cousin. SO he does “The Guy Thing” and does everything he can to cover things up but, when Becky’s pscho ex starts stalking Paul things start to get out of hand.
![It's My Party [Special Edition] dvd cover art](https://upcomingdiscs.com/ecs_covers/its-my-party-special-edition-large.jpg)
