Posted in: Disc Reviews by Archive Authors on November 20th, 2005
If your first introduction to William L. Petersen is through CSI, then you’re missing some real treats with his short-lived film career, which burned brightest about fifteen years before he ever became Gil Grissom and investigated his way onto our small screens and, subsequently, into our hearts. Both of his cinematic outings never got the respect due them until after Petersen reminded us he was still alive, still well, and still acting. His best effort was Manhunter, Michael Mann’s adaptation of the Th...mas Harris novel Red Dragon. While the most recent effort stuck more to the letter of Harris’s novel, Manhunter proved the superior film through Mann’s unmistakable style, and the straight-laced, troubled, and obsessive portrayal of Agent Graham by Petersen.
In To Live and Die in L.A., Petersen again dons a badge, this time as Federal Agent Richard Chance for the U.S. Treasury Department. He’s after a murderous counterfeiter (Willem Dafoe), and he has zero qualms about cracking heads and breaking rules to bring down his adversary. As the film progresses, director William Friedkin throws us quite a few surprises, and yet another breathless car chase. It’s too bad Friedkin’s career is remembered for only two films: The Exorcist and The French Connection. Because his courtroom-serial killer thriller Rampage, and this 1985 action-drama are solid efforts, and much better deserving of success than most anything Hollywood puts out today.
Posted in: Disc Reviews by Archive Authors on November 14th, 2005
Written by Clayton Self
The cult classic "Office Space" from creator Mike Judge (Bevis and Butthead) found a huge following on its initial release on DVD. The movie stars Ron Livingston as Peter Gibbons, a software analyst for the computer giant Initech. Fed up with his condescending boss (Gary Cole) and the frustrations of his job in general, he visits a hypno therapist who puts him in a state of well being and relaxation. The therapist dies of a heart attack before the procedure is complete, leaving Peter permanately care free. Peter ...ses his new confidence to ask out a local waitress (Jennifer Aniston) and to plot with his co-workers to install a virus that will take fractions of a cent from Initech's money transactions and place them into an account for them. Also of mention is the paranoid nuerotic Milton (Stephen Root).
Posted in: Disc Reviews by Archive Authors on October 27th, 2005
Synopsis
In between the other new stuff that’s come out (and the older stuff I’ve picked up), I wanted to try and whittle down the archives, so huzzah for small victories.
Posted in: Disc Reviews by Archive Authors on October 17th, 2005
Synopsis
A merchant ship is sunk by a U-boat, but the submarine is itself destroyed by the ship’s shells. All of this happens prior to the credits. The survivors of the ship wind up in a damaged lifeboat, and they pick up a survivor of the U-boat. Is he a mere crewman, or the captain himself? What ensues is a tense drama of conflicting personalities, ranging from the plotting German to the hard-headed newswoman unforgettably incarnated by Tallulah Bankhead. Despite the claustrophobic setting, the fil... never feels constricted. The script may be overly didactic at times, but the results are never less than compelling and suspenseful.
Posted in: Disc Reviews by Archive Authors on October 16th, 2005
This release is identical in every respect but one (the colourization) to the previous Studio Classics edition, and so what follow below is the same review, with an additional note about colour.
Synopsis
Posted in: Disc Reviews by Archive Authors on October 16th, 2005
Synopsis
One year after Ronald De Feo slaughtered his family, the Lutzes move into the creepy house. George (Ryan Reynolds) soon feels cold and starts acting cranky, and before you know it is looking like he might dish out some violence of his own. Meanwhile the youngest child is developing a troubling relationship with the ghost of a little girl. A frantic Kathy (Melissa George) is desperate to find out what is wrong with the house before it all ends in blood and tears.
Posted in: Disc Reviews by Archive Authors on September 11th, 2005
Synopsis
There are a good number of people who have labeled Oliver Stone as a fan of conspiracy theories, out to destroy foundations of conservative ideology, while at the same time re-visiting 60’s nostalgic icons. Despite the jokes and the stereotyping, one has to admit that, as a filmmaker, he has helped bring to screen some of the most talked about cinematic experiences of our time, including Midnight Express, Scarface, not to mention Conan the Barbarian. As a director, his works, s...ch as The Doors, Nixon, JFK and Natural Born Killers, have generated discussion both within and aside from the technical merits. Platoon was his most personal work, and is widely regarded as one of the defining films of the Vietnam War.
Posted in: Disc Reviews by David Annandale on June 23rd, 2005
Synopsis
The setting is a prestigious black college, and the set-up is along the lines of what you would expect in a college-set musical: conflicts between the black-uniformed frat brothers and the political activists (of which the leader is a young Laurence Fishburne), gender wars and misunderstandings right, left and centre, and plenty of music. It’s all very lively, but not nearly as funny as Lee clearly thinks it is (see notes on commentary below). The bigger question is whether the satire and po...nted politics are able to survive the knockabout gags, and whether the movie actual works as a cohesive whole.
Posted in: Disc Reviews by David Annandale on June 22nd, 2005
Synopsis
Two girls meet on the beech, and a lifelong friendship is formed. Hilary is the shy rich girl (horse riding and the whole thing, don’t you know) and she grows up to be Barbara Hershey. CC is the working class extrovert, and becomes Bette Midler. As adults, they become roommates, and we follow the entire arc of their friendship through their lives, with conflicting romances, plenty of ups and downs, and then, in the last act, the inevitable Hollywood Fatal Illness.
Posted in: Disc Reviews by Archive Authors on June 6th, 2005
The Parent Trap is a remake of the Hayley Mills classic. It stars none other than Lindsday Lohan. She's actually pretty good here. In a pre-sex appeal role, Lohan plays two twins who have never met, but then do. They concoct a plan to switch identies on their respective divorced parents. Lohan pulls off both twin personalities quite well. The movie also stars the always reliable Dennis Quaid and the extremely talented Natasha Richardson. It might be fun for kids, and Lohan fans, but this is NOT a case of...the remake being better than the original. It's an okay movie, and way too long.
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