Posted in: Disc Reviews by Archive Authors on May 5th, 2006
Synopsis
Game tester Allen Covert is evicted from his apartment, and winds up rooming with his grandmother (Doris Roberts) and her two friends, the stone-on-meds Shirley Knight and the sexually predatory Shirley Jones. He attempts to keep this rather humiliating set-up secret from co-workers and sexy new boss/potential love interest Linda Cardinelli.
Posted in: Disc Reviews by David Annandale on April 12th, 2006
Synopsis
Three friends are driving across Australia. In a particularly desolate national park, their car mysteriously dies, and they accept help from a passing bushman. Big mistake. The bushman (John Jarrat) is a psycho of the first order.
Posted in: Disc Reviews by David Annandale on March 28th, 2006
Synopsis
Clive Owen is a man approaching the end of his tether. His marriage is becoming stagnant, his job at an advertising firm is no better, and he is worried about his daughter, who has type 1 diabetes. He and his wife have set aside a lot of money to pay for an experimental drug for her. One day, on a train, he meets Jennifer Aniston. A friendship is sparked, and then an affair begins, only to be violently disrupted by Vincent Cassel. He brutalizes both, and begins to blackmail Owen for ever-inc...easing sums of money.
Posted in: Disc Reviews by Gino Sassani on March 28th, 2006
Sliver is a sexy thriller that is neither sexy or at all thrilling. Filmed in the wake of the hugely successful Basic Instinct, Sliver has all of the elements but none of the passion. Call it Basic Instinct lite. Less filling without the great taste. Sharon Stone sleepwalks through her role of Carly. Carly works at a publishing house and has recently moved into one of New York’s plush apartment buildings. She was trying to ride her Basic Instinct wave here, but the truth is she has never really lived up to the pote...tial. William Baldwin tries at least a little harder as Zeke, who happens to own the building where tenants seem to end up dead, particularly young attractive women. Zeke loves to watch the private moments in his tenants’ lives. He is likely intended to represent the audience. Filling out the cast is Tom Berrenger as Alex, a self-absorbed writer who is obsessed with Carly. Martin Landau is underused as the fatherly owner of Carly’s company. Red herrings abound. Twists are nothing more than cheap thrills.
This “unrated” version promises scenes too hot for theatres. All you really get is a little more moaning from Sharon Stone and not anything remotely steamy. The final product is a film that will leave you unsatisfied whatever your intention going in. The new scenes serve simply to slow down an already hopelessly bogged down premise.
Posted in: Disc Reviews by David Annandale on March 3rd, 2006
Synopsis
In the late fifties, Lanny Morris (Kevin Bacon) and Vince Collins (Colin Firth) are a top-rated comedy duo, hosts of a polio telethon. At the height of their career, everything comes crashing down when the body of a young woman is discovered in the bathtub of their hotel suite. They have cast-iron alibis, but the team is dissolved. Fifteen years later, up-and-coming journalist Karen O’Connor (Alison Lohman) lands a sweetheart deal to write a book about Vince, and he is being paid a million d...llars to agree to in-depth interview. What Karen really wants to know is what really happened to that young woman, but she also quickly becomes ensnared in the angled web of guilt shared by the two men.
Posted in: Disc Reviews by Archive Authors on February 19th, 2006
The idea of a gross-out comedy is nothing new. There have been some extremely funny gross-out comedies like The 40-Year Old Virgin and The American Pie Trilogy. However, there have also been some extremely boring and stupid gross-out comedies like National Lampoon’s Van Wilder and Deuce Bigalow: European Gigalow. The key to a successful gross-out comedies to is have a smart plot and jokes that actually make sense and aren’t just made for a quick laugh. While there are some funny sequences ...n Waiting…, the film just lacks the overall spark and humor of a good comedy.
Basically summing up the plot of the film; Monty (Ryan Reynolds), Serena (Anna Faris), and Dean(Justin Long) star in this film about a bunch of waiters that are simply trying to show their customers how awesome the service can be at the restaurant ShenaniganZ can be. Monty’s job, it seems, is to show the new guy Mitch (John Francis Daley) around the restaurant, showing him everything from where the condiments are kept to a rather vile game that ends with the offender’s butt being kicked. (I won’t go into full detail as it seemed like Director McKittrick was trying to bring some energy into the film with a gross-out concept that falls extremely flat.)
Posted in: Disc Reviews by Archive Authors on February 1st, 2006
I will be honest and inform you that I have yet to like a video game based film since 1995’s Mortal Kombat. It seems that no matter how closely they try to follow the story based on the game, the director always fails. One of the more famous director’s in the video-game to movie based series is director Uwe Boll, who has brought us The House of the Dead and the recent Bloodrayne, These movies, as the popular consensus agrees, were extremely awful. They lacked anything redeeming, despite the orig...nal source material being pretty good. When I heard of a film being made on the game series Doom, I began to worry as I figured it would follow the typical trend of terrible video-game based movies. Can Doom reverse the horrible trend of terrible video-game based movies? Read on to find out
Doom begins with a fly in shot over the red planet Mars. We move in more and see the Olduvai Research Station, which is a remote scientific facility on Mars. And that is the last scene we see of the planet Mars. For a movie based on a game that takes place on the red planet Mars, we never fully see the planet except for the opening scene. Maybe this is me wanting what I saw in the game series. But every film director has to take a few creative liberties right? Well, I am very disappointed to report to that director Andrzej Bartkowiak and Universal seem to have taken a few too many creative liberties when making this film as the film is nothing like the game at all.
Posted in: Disc Reviews by Archive Authors on January 21st, 2006
Having originally seen Underworld on HBO one summer night, I recall myself finding the film fairly dull and vapid. When I heard of a director’s cut coming out, I thought back to my original viewing of the film Daredevil, which was made that much better via more explanation of plot and the characters. Maybe this could occur for this film. Unfortunately, Underworld is not that much better this time around.
Underworld stars Kate Beckinsale as Death Dealer Selene. We learn, at the be...inning of the film, that there is a ancient blood feud that is occurring between vampies and Lycans (creatures we call werewolves). Unlike the typical werewolves we are use to seeing on screen, these Lycans can change form at will. Cue in the Death Dealers who try to kill off all of these Lycans. Why so much animosity toward the Lycans you may ask? Well, according to Selene, the Lycans are planning something big and this may be in correspondence to the ‘Awakening’. A vampire named Kraven (Shane Brolly) is in charge until the ‘Awakening’. Naturally Kraven doesn’t get along with Selene.
Posted in: Disc Reviews by Archive Authors on January 2nd, 2006
Synopsis
Julian Morris is the new guy at an exclusive high school. Exclusive, presumably, because all the students look five to ten years too old to be high school students. At any rate, he falls in with the hip crowd, led by ice queen Lindy Booth, and they decide to play a game with the rest of the student body by sending out a hoax e-mail leading all and sundry to believe that a serial killer is loose on campus. But then it begins to appear that there IS a killer, and that he isn’t too happy about ...he hoax.
Posted in: Disc Reviews by Archive Authors on January 1st, 2006
Synopsis
After an unsuccessful exorcism ends with the death of its subject (Jennifer Carpenter in the title role), priest Tom Wilkinson is charged with negligent homicide. The prosecutor is a devout Christian (Campbell Scott). Wilkinson’s lawyer is the agnostic Laura Linney. As the court battle progresses, we witness Carpenter’s story in flashback, with her possession beginning while she’s away from home in college. Linney, at first dismissive of Wilkinson’s claims, gradually finds her peace of mind ...rumbling as she begins to witness strange events.
