Posted in: Disc Reviews by Archive Authors on February 27th, 2004
If you’re passing through the video store and see a movie on a shelf that looks like the cover of Motley Crue’s album “Too Fast for Love”…you’ll be disappointed…or relieved (depending on how you feel about the Crue). The movie is James Cox’s Wonderland. Wonderland is a film about the porn star John C. Holmes (Val Kilmer) at the end of his tether. Towards the end of his life, Holmes, famously, got involved in a series of crimes known as the Wonderland Murders, which are dramatized in this movie. I wo...’t spoil how it turns out. But the movie is part love story, part biography, and part murder mystery. Sounds like there’s a lot of meat here (pardon the pun), but that’s what’s most problematic about the film. It tries to be too many things, and like Holmes’ life, spins out of control.
The director James Cox throws a lot of “style” into the soup. We got your split screens, freeze frames, fast motion, long takes, jump cuts, animation, and even a little bit of Steadicam tracking. Pretty much all the “modern” innovations in shot technique are tossed in here. Is it all for show? I don’t really think so. In a way…all the pizzazz puts the audience in the mind of the strung out John C. Holmes. Cox does a commendable job of juggling a lot of balls in air (no pun intended)…but has trouble maintaining focus.
Posted in: Disc Reviews by David Annandale on February 26th, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on February 26th, 2004
Synopsis
Detective Chief Inspector Jane Tennison (Helen Mirren) is on the job again with anotherpolitically charged case. In this instance, a skeleton is dug up that might be that of a young blackwoman. Her disappearance six years ago was badly handled by the police, to the point thatcharges might be laid. The investigation is not only explosive racially, but the way it plays outcould help or destroy careers, Tennison's among others.
Posted in: Disc Reviews by David Annandale on February 16th, 2004
Synopsis
Posted in: Disc Reviews by Archive Authors on February 15th, 2004
A number of great films have come out of Ireland over the past decade (or so). A few titles that come to mind are In the name of the Father (1993), My Left Foot (1989), In America (2002), The Boxer (1997), and definitely The Commitments (1991). The one factor that differentiates The Commitments from the rest of these great films is that it centers around music rather then turmoil (whether it be personal, family, or country turmoil). The Commitments is a great tale t...at uses a perfect blend of comedy, drama, and music to tell its oddly uplifting story. The casting/acting is perfect, the music is wonderful, and the storyline is very entertaining. For those of you who are a fan of international cinema, this film is a real treat.
The Commitments follows the story of Jimmy Rabbitte, an unemployed music junkie who decides to start a band with a mission… to bring soul to Dublin. Jimmy assembles a rag-tag group of musicians, and the journey to create a “soulful” band in the streets of Dublin begins. Amongst the numerous personality conflict and musical differences, The Commitments bring hope to the down and out community, and start to make beautiful music. Unfortunately, there roller-coaster ride of success implodes before it really gets started.
Posted in: Disc Reviews by Gino Sassani on February 8th, 2004
I’m not always sure what to make of Star Trek VI. It is most notable as the final film to feature the entire original cast. Star Trek has always been about message and morality, so it seems natural for the franchise to tackle the end of the cold war and the fall of the Soviet Union. I just wish some of this film didn’t feel so forced. This film is also bittersweet in that it was DeForest Kelley’s final appearance before his death. Kelley’s “country doctor in space” routine never got tired. He was perhaps the most human face in all of Star Trek. I miss him terribly.
Another sadness is the glimpse we are given of things missed. Walter Koenig and George Takei pressured Paramount for years for a Trek series to follow these junior members of the original cast. Petitions were signed and even scripts written and submitted. In Trek VI we see what might have been. This film seems very much like an end, but who knows. In Roddenberry’s future anything is possible.
Posted in: Disc Reviews by Archive Authors on January 31st, 2004
I am just old enough to remember when my favorite childhood television channel, Nickelodeon, took on a new evening persona called Nick at Night. “What were they doing to my beloved cartoons?”, I pondered. I still remember those first few weeks of the new format, tuning in during the evening hours after my father had returned home from a long day at work. I was amazed to see that not only were my parents interested in what I was watching, but they actually knew what it was before I did! How was this possible!?
...p>Of course, I came to love the new nighttime format, and I began to pick out my favorites of these classic shows, just as my parents had done a generation before. One of the best new programs, I felt, was Mister Ed, the story of a man and his talking horse. Every child enjoys silliness and fantasy, and this show had both.
Posted in: Disc Reviews by Gino Sassani on January 25th, 2004
In 1976 a New York media group conducted a survey of the NYPD detectives. The question was: “Of all the TV cop shows, which most accurately portrays life as a detective?” The overwhelming response was the comedy Barney Miller.
It seems that real cops related to the daily grind and weekly wackos of Barney Miller. Let’s not put aside that this was also one of the most consistently funny shows on television. I remember it took me a while to accept Abe Vigoda in such a light role as Fish. My first exposure to Vigoda was the ruthless mobster in The Godfather. Barney Miller always managed to be funny while still telling a good short story. The characters were always wonderful. In Season 1 we will not meet the famous Dietrich character, but it was a joy to see the briefly shown detective Chano played by Sanford and Son’s Julio, Gregory Sierra. Unfortunately there were only 13 episodes in the first season, but they’re all here in this two-disc set.
Posted in: Disc Reviews by Archive Authors on January 23rd, 2004
Synopsis
Posted in: Disc Reviews by David Annandale on January 10th, 2004
Synopsis
