Posted in: Disc Reviews by David Annandale on January 14th, 2004
Synopsis
In the Heat of the Night (***1/2) is probably the best known film in the set. HereSidney Poitier plays Virgil Tibbs, Philadelphia homicide detective. Waylaid in a smallMississippi town, he battles racism and his own arrogance as he both clashes and cooperates withPolice Chief Rod Steiger in a murder investigation. Directed by Mr. Concerned Cinema himself,Norman Jewison, the film can hardly be taken seriously, what with all the inhabitants of Sparta,with only the par...
Posted in: Disc Reviews by David Annandale on December 28th, 2003
Casablanca. The Treasure of the Sierra Madre. The Big Sleep. TheMaltese Falcon. To Have and Have Not. All legendary titles, all among the very bestmovies Hollywood has ever made. Terrific adventures and mysteries, the fit together as acollection in fascinating ways, beyond simply having Bogart as the lead. To Have and HaveNot is structurally very much like a more upbeat version of Casablanca. TheMaltese Falcon is frequently held up as the first film no...
Posted in: Disc Reviews by Gino Sassani on December 15th, 2003
Show
It would be a boldfaced lie to say that Alias is the best show of its kind on television. The truth is that it is the ONLY show of its kind on television. Alias certainly contains writing that rivals even the award-gobbling Sopranos. The photography is film quality. The character chemistry, which I rank as the most important element in any show, is wonderful. The characters are compelling. You really start to care about these guys; even the villainous Sloan demands sympathy at times.
Posted in: Disc Reviews by Archive Authors on December 9th, 2003
How quickly we forget our accomplishments. It was not long ago that the thought of sending a man into space was a far-fetched concept. The thought of landing a man on the moon was pure science fiction. Once the space race heated up, however, all boundaries were eclipsed. We succeeded in reaching the moon, and eventually space flight became a regular occurrence. It is easy to take for granted the miracles that were performed during the early days.
Thankfully, the folks at Spacecraft Films are here to remind ...
Posted in: Disc Reviews by Archive Authors on November 27th, 2003
This is not your father's cop show. Even if you’re father watches NYPD Blue.
The Shield may just be the show that puts F/X on the map, if it can stay on the air long enough to do so. This is a series that pushes all the boundaries. It features a level of adult language that is comparable only to South Park, fleeting nudity that rivals that of the previously mentioned NYPD Blue, and violence levels never before seen on a network television series. The weekly plots also push the li...
Posted in: Disc Reviews by Gino Sassani on November 25th, 2003
Law and Order was never really driven by the actors and their roles. The “ripped from the headlines” stories, along with a decision to avoid the relationship clutter of most cop shows, was the defining edge. Note that not one actor or character from the original series’ first season remains. Criminal Intent is vastly different. Dick Wolf readily admits that the third Law and Order series was intended as a modern day Sherlock Holmes. Vincent D’Onofrio was enticed away from a successful film career by the opportunity to create a unique character.
Posted in: Disc Reviews by Gino Sassani on November 25th, 2003
Ben Franklin once said that two things one should never see being made are sausages and laws. So far there haven’t been any pilots occurring in a meat factory. Politics aside, Aaron Sorkin has created a first-rate TV show. The real success here is the casting. I’ve always preached to whoever would listen that its character chemistry that makes for good drama. Star Trek was successful not because of the f/x. The character triumvirate of Kirk, Spock, and McCoy was everything. Sorkin appears to know that lesson.
Posted in: Disc Reviews by Archive Authors on November 23rd, 2003
So, it’s like a… Space Western?
Having never seen this show, this was the question posed to me by my wife halfway through the pilot episode. Honestly, I wasn’t sure myself. It certainly appeared to be a space western, but the characters were randomly speaking in Chinese. It was drama, yet it was dark humor. This was a truly odd program indeed.
By the third episode, however, we were both hooked. The genius of this show is that it was a typical sci-fi show with one major twist; sitcom-quality...
Posted in: Disc Reviews by Archive Authors on November 22nd, 2003
Who wants to see the middle of a movie, anyway? The beginning of the movie introduces the characters and presents the conflict. The ending holds the resolution and the conclusion. But the middle? Who wants to just see the middle? Nobody comes late and leaves early at the Cineplex. Nobody sane, anyway. This is not just any film, though. This is an Epic. Literally everything about this production is huge. The original text of the story was actually so long that it had to be divided into three volumes. The companion fil...
Posted in: Disc Reviews by David Annandale on November 18th, 2003
Synopsis
Any synopsis is probably beside the point. If you haven’t been watching Buffy by this season,your chances of understanding what the hell is going on will be severely curtailed. Highlights ofthis season include Buffy’s encounter with Dracula, and the moving episode (“The Body”) aboutthe death of her mother.
Audio
The sound is 2.0, but is a pretty energetic mix all the same. As with most television shows,the music dominates the mix, especially at the s...
