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"Find out what happens when cartoon characters stop being polite...and start making out in hot tubs". The legendary kiss between Clara and Foxxy highlighted Season 1 and with the recent release of Season 2 on dvd, the Drawn Together cast is back for more adult fun. Drawn Together is the cartoon show that parodies reality shows by using parodies of classic cartoon characters. There are characters like Captain Hero who is a parody of Superman and many other super hero types. Or Ling-Ling who is a spoof of Pikachu from Pokemon. But these aren't normal; they are very perverse, stereotypical, and deviant characters. For example; Xandir (a parody of Link from Legend of Zelda) is the very gay and effeminate one while Princess Clara (spoof of various Disney princess characters) has a multi-tentacled monster in place of her...ummm...ho-ho...(I just said ho-ho in the middle of a review; yup my career is over)

The show is flat out hilarious as it sounds. As long as you aren't offended by the explicit nature of what is going on; you will have a good time with the 22 minute episodes. The show's episodes as expected often have a gay or bisexual theme. However, once in a while (okay usually once per episode); they have a tendency of going too far. They make no apologies about crossing ethical or racist lines or even having common sense. It's basically about causing a ruckus for as long as possible and somehow come up with a plausible ending by the 20 minute mark. The cast of voice actors from Tara Strong (Toot Braunstein & Princess Clara) to Adam Carolla (Spanky Ham)to Jess Harnell (Captain Hero) and more represent a very elite group of vocalists.

Until not very long ago this set was being billed as Jericho: The Complete Series. The show was originally cancelled and later revived through a fan campaign to save the show. It was never a ratings monster, and I must admit that I was never interested enough to watch it even once. Now the DVDs of that first season have arrived, and I’m given my first look at Jericho. My very first impression was that this show was very ambitious from the gate. Perhaps the show’s fatal flaw is that it attempts to tackle far too many serious issues, complete with complex undertones, with the largest ensemble cast I’ve seen yet. Add this to the fact that the world is still a little sensitive to terrorist attacks, and you have a recipe for keeping your audience relatively small. None of these things are bad elements in and among themselves, and I’m certainly not suggesting that these issues need to be abandoned. I’ve been a high school teacher, and one thing any of us can tell you is that there’s only so much a person can absorb in a given amount of time. What little enjoyment I did get out of these DVDs I likely would have lost if I also were contending with 20 minutes of mindless commercials to further distract my concentration. The series offers a lot of fear and panic with precious few moments of hope.

There are two very distinctive schools of thought about Walt Disney’s The Jungle Book. There are the Kipling fanatics who have never forgiven Disney for taking a story considered sacred in literary circles and creating something that honestly bears (pardon the pun) little resemblance to the original work. These folks rightfully point out that the story contains almost nothing recognizable about the story and characters from Kipling’s beloved classic. I have often condemned projects that take names like The Night Stalker and Battlestar Galactica and create a vision incompatible with the traditions I associate with them. Therefore this review might seem a bit hypocritical when I tell you I side with the other camp that considers this film to be a milestone, not only in Disney animation, but in animation history itself. The characters might be distantly removed remote ancestors to Kipling’s creatures, but they are truly classic creations in their own right. What better definition of a classic can there be than the influence that Jungle Book still has 40 years later, not only on our pop culture but on the careers and lives of today’s artists. I venture to say that more people are familiar with Disney’s renderings of these characters than Kipling’s I agree the caparison isn’t exactly fair, but it is accurate.

To the point, Criminal Minds is very compelling television. Ever since The Silence Of The Lambs and perhaps long before, we have been fascinated by serial killers and the profilers who try to get inside their heads. To see evidence of the continuing trend, one needs only look toward the success of films like Zodiac and shows like Dexter. Of course, serial killers are not the only prey this FBI team pursues, but they are certainly the marquee item on the agenda. To be sure, there are equally disturbing subjects such as arsonists, bombers, kidnappers, and rapists to give the show a touch of variety, but let’s face it, it’s the killers that keep us tuned so attentively to Criminal Minds.

If you are a fan of the original Kolchak: The Night Stalker, you were more than likely disappointed in the remake a couple of years ago on ABC. Your hope is now once again restored. Supernatural is the closest thing I’ve ever seen to The Night Stalker. Like Kolchak, the Winchester brothers are faced with weekly incarnations of evil. They’re forced to research these legends and figure out a way to stop them. As Kolchak discovered, it’s a thankless job. Sure, Supernatural is populated with all sorts of beasties and nasties, but it also manages to hold on to a sense of humor that rounds out these adventures to make this one of the most entertaining shows around. When UPN and WB merged, I was a little worried about Supernatural. You do the math (that was another review). Two networks worth of shows, one network worth of programming time. Half of the shows needed to vanish, and I was concerned Supernatural would be one, if history of respect for genre shows was any indication. Fortunately for us the show has not only survived, but it has thrived, looking to be around for quite a while yet.

Do you believe that a numbers wizard can predict the most random of human actions with mathematical equations so accurately as to know where and when such a person will be? If so, then I suggest you put down that letter you are writing to Santa, finish eating that egg a bunny left for you, go to your pillow and pull together all of the loot you got from the tooth fairy, and plunk it down on season three of Numb3ers. No, that’s not a typo, apparently they believe that letters aren’t good enough to stand on their own so they inserted a 3 where the e should be. Aren’t they so clever? Not. In the fairy tale world of Numb3ers, all you need is an almost obsessive knowledge of math and the crooks don’t stand a chance. It’s almost unfair, isn’t it. Those poor criminals go about their carefully plotted crimes, unaware that everything they do is controlled by math. They live their lives oblivious to the fact they are at the mercy of a diabolical equation which forces their every move. In fact, I suspect some clever attorney somewhere is already preparing the “math made me do it” defense at this very moment. Soon our justice system will be forced to account for this undeniable force on our very destinies. I would go on but I can’t… must… fight… numbers

2004 brought moviegoers two big-budget historical epics in Oliver Stone's Alexander and Wolfgang Petersen's Troy. One bombed. The other performed well, but was by no means heralded as a critical success. No, Troy was praised for slick production values and exciting battles, but derided for a lack of emotional depth.

Can it all be blamed on running-time constraints and compromises made for the ratings board? The answer is here, with the unrated Troy: Director's Cut, Petersen's second shot at eternal glory, this time with more than 30 minutes of additional footage.

It’s clear watching Fantastic Four: Rise of the Silver Surfer that Tim Story and company spent lots of time on the Silver Surfer and little gags for the Four’s powers, and not so much time on the actual story.

The result is a shiny hunk of refuse. There are holes all over the place, and once again the filmmakers have failed to present characters and conflicts the audience will actually care about. The world’s going to end? Big deal. On the bright side, while the film sucks, this 2-Disc Power Cosmic Edition DVD set is pretty fantastic.

What would happen if a studio was so confident in a show that it offered the DVD’s at a reduced price and slapped on a money back guarantee? Universal has done just that with Friday Night Lights. There is a rebate program where you can turn your discs back in for a full refund if you’re not completely satisfied with the show. Couple that with the fact I picked up this entire season for only 20 bucks, and I’d say somebody is either really stupid, or they’ve got a hell of a television series. Friday Night Lights is the latter.

Based on a popular 1957 novel by Alistair MacLean, The Guns of Navarone was a smash hit in 1961, and the highest grossing film of that year. It’s a World War II movie, and for its time was considered to be packed with excitement. While it definitely has some great action sequences, for modern standards the film has nowhere near the fast pace or high action-to-dialogue ratio we’ve come to expect from the genre.

So many years later, can a slow, talky action movie still excite audiences? And is The Guns of Navarone – 2-disc Collector’s Edition a worthy upgrade over the 2000 special edition release? Read on to find out.