Special Category

I can still remember the first time I saw Raiders of the Lost Ark. It was just after my birthday in June, and I had some time to kill on a weekday afternoon. I didn’t recall seeing a lot of hype, and it seemed no one knew just how huge the film was going to be. My expectations were not really high. The film looked interesting, and I was just looking to escape for a couple of hours. By the time I left that theater, I felt a little bit like Indiana Jones himself having made some grand discovery. I had to tell my friends. I even managed to drag a friend who hadn’t liked a movie since 1972 to see it with me the very next day. Of course, the film was followed by The Temple Of Doom, and my faith in old Indy Jones was shaken somewhat. Along came The Last Crusade, and I was born again into the world that was Indiana Jones. All of us are now gearing up for a fourth film after what seems like decades, because it has been. However, the decades have not been a complete Indiana Jones blackout. For a short time Indiana Jones could be found in the most unlikely of places… network television. Enter The Adventures Of Young Indiana Jones.

With season seven already underway, our favourite TV drama about young Clark Kent's journey to becoming Superman is still going strong. Back in 2001, I have to admit I wasn't all that optimistic about the show's prospects. The pilot was strong, but after viewing the first few freak-of-the-week episodes, thing weren't exactly looking up, up and away. At least not for me, anyway. Thankfully, I don't make the decisions, because Smallville grew to become an entertaining show with decent story arcs and interesting twists in the lives of its characters.

By the time this sixth season rolled around, Smallville had moved well beyond the constraints of high school drama, and added more heroes and villains than you can shake a stick at. But is bigger better? The jury's still squabbling over that one, in between bites of their free lunch. In the meantime, I'll pass judgment on this DVD set.

I had a decided advantage going into the Michael Bay extravagance that is Transformers. Unlike the majority of the film’s target audience, I have had almost no exposure to the other incarnations of Transformers. I was already too old for the toys when Hasbro launched them, and so it was true for the cartoon and comic versions that quickly followed. Like everyone else I have a passing familiarity with the things, but nothing more. How is that an advantage, you might very well ask. Like any film that dares to attempt material often considered sacred by its followers, Transformers had to play the game of expectations. I don’t carry any of the baggage that often keeps an audience from enjoying a film because they already think they know what it should look like. Armed with just the most basic of knowledge, I was able to approach the film freshly and enjoy it as a standalone entity. With that said, I had a pretty rockin’ time of it.

Do you know what happens when creative people get toys and wacked out people get a tv show? Robot Chicken happens. The first season was a great success on Adult Swim, so that meant two things. One, creators Seth Green and Matthew Senreich would be able to move out of their parent's house (okay, not really) and we would get Season 2. Robot Chicken for those who don't know is toy figures (or special sculpted toys) put to life in hilarious sketches and parodies with the use of stop motion capture technology. The show has gotten such fanfare that it recently produced a Star Wars parody sketch show that was even supervised by George Lucas himself. Unfortunately that was the start of Season 3, and isn't on this dvd (but there is the infamous Star Wars sketch included that led to the whole sketch show in this box set).

The amount of bizarre pop culture references in this show is staggering. From the Brady Bunch meets the Mr. & Mrs. Smith to Inspector Gadget meets Terminator 2 Judgement Day, the show goes everywhere and beyond. Sometimes it finds the references too obscure and depending on the audience might not get all of the jokes. One that is brought to mind is the Spy Hunter 11:00 News Sketch. Not everybody like me has played the game 40-50 hours and gets the "joke". I might be on the floor for it but the person next to me might have a totally blank expression. However, where one fails, the next ten might be gold. That is where the show really succeds. The other great thing about Robot Chicken is the amount of talent on the show when it comes to voices. One of the great things is that they go and get the original voice talent in what it parodies with their toys. From little guys such as Michael Winslow (Police Academy) to the Coreys (Haim & Feldman) to big stars like Charlize Theron. It adds realism and humor to the show in spades.

Quentin Tarantino's Deathproof need no longer be sad and alone on your DVD shelf. Robert Rodriguez's Planet Terror - Extended and Unrated (Two-Disc Special Edition) streets October 18, completing the one-two-punch release of the directors' Grindhouse double feature.

Separating these two schlock-fests begs the question, which one's better? Don't ask me. I didn't catch Grindhouse in theatres, and haven't gotten around to Deathproof on DVD. All I can tell you is Planet Terror throws down 105 minutes of mindless, campy and gory fun. So pop your lid, take out your brain and enjoy. But don't leave that brain unattended, 'cause there be zombies about.

I grew up on a steady diet of horror hosts. In the Philadelphia area where I grew up we had Dr. Shock. Every Saturday night my Dad and I would watch his bad puns and silly magic tricks; all the while I was being introduced to a world I was destined to fall in love with. And so I was exposed to Frankenstein, The Wolfman, and The Creature From The Black Lagoon. The friendship with those early year monsters continues today. But the 70’s are gone, and since the 1980’s it is Elvira who has inherited the lost art of the horror host. Unfortunately for us, the art should have stayed lost. Elvira is simply terrible as she cracks jokes only she laughs at. It’s obvious she goes out of her way to flash the only assets she has in order to mesmerize the adolescent boys who are being introduced to something radically different from what I was in the 70’s. What makes this set even worse is that the two films are as bad as Elvira. At least you can view the film with or without Elvira. I took the hit for you guys and kept her on so you don’t have to.

 

Box Sets that compile older titles usually just make me cringe. Think about it. Recycled discs, tired old movies, and a fancy somewhat new box cover. In other words, I get to sleep for 4-5 hours and then wake up in a cold sweat wondering what happened. Alright; so that just sounds like my first honeymoon. Anyway, I happened to get the Partying 101 Boxset (because I am a wild and crazy guy) which featured Bio-Dome, Back to School and PCU. These are the old MGM discs from 8 to 10 years ago. Be afraid.

Bio-Dome is the story of two losers ala Bud (played by Pauly Shore) and Doyle (played by Stephen Baldwin) who are wasting away in their life and not being very eco-friendly. Their girlfriends who are more than eco-conscious try to convince them to turn over a new leaf. Soon, Bud and Doyle find themselves trapped in the new and ecological utopian Bio-Dome after one of them has to find somewhere to take a piss (I'm not making this up). For the next year they are trapped in this bubble with other scientists studying the effects. Well actually Bud and Doyle just cause mayhem and the scientists pick up after them. Of course they have a moment and a happy ending. Of course, I also have a gag reflex.

For decades it was the doomsday scenario. Cold War Americans lived in almost constant fear that the Soviets might drop a nuke on us and begin Armageddon. It was unthinkable that a conventional invasion could reach our shores instead. Red Dawn stirred its own mushroom cloud of controversy when it reached theaters in August of 1984. While the Cold War was actually closer to its end than any of us might have suspected, Red Dawn entered our collective consciousness as a shock to a system that had for some time moved beyond the culture of fear those older than myself knew growing up. By the 1970’s the air raid sirens and classroom drills were no longer commonplace in American cities. Growing up in Eastern Pennsylvania, it was Three Mile Island that caused a greater panic than a Soviet threat. We were all drilled to head to the school’s roof where we were told choppers would evacuate us to a safe zone in case of a meltdown. And like the silly duck and cover drills of the 50’s, we bought into it, ignoring the cold hard fact that we simply didn’t have the resources to evacuate every school in Pennsylvania at a moment’s notice. Deep inside I knew that should the emergency arrive, there would be several million school kid skeletons on the top of a lot of schools for the media to put on the rest of the country’s television screens. So along comes Red Dawn and, for a moment, brings the Cold War front and center all over again.

Medium was based on a real person with alleged psychic powers who apparently has helped out various law enforcement agencies in some actual cases. If you’ve seen the series, you might find that hard to believe, and the episodes are obviously fictional adventures and not based on the real Alison Dubois’s experiences. At first glance it might be easy to lump Medium in with Ghost Whisperer or The Dead Zone. Actually there are almost no similarities to any of those shows. Allison does not gain any understanding through touching and while she does see ghosts at times, that aspect of the show has been made to play in only a small percentage of the episodes. Allison accesses her powers through dreams. These nightmares are usually vague and often provide additional clues with each recurring dream. The formula for the show is that she must interpret these images and signs in time to do whatever it is she needs to do.She works as an assistant for the Phoenix District Attorney’s Office, but only the DA and one cop know how she comes across her tips.

The CSI phenomenon has been going strong for 8 years now, and CBS has ridden that wave to become the top network these past couple of years. It all started with the original CSI: Crime Scene Investigator. This Las Vegas show became an instant hit, and three years later we found ourselves in Miami for a spin-off. Two years after basking in the Florida sunshine, Jerry Bruckheimer caught lightning a third time; this time out New York would serve as the setting. While there are ties that bind the three shows to the CSI franchise, each show has a unique style. The cases also serve to distinguish the shows from one another. The leads for the three shows likely give the most character to the series. Gary Sinise as Detective Mac Taylor brings a strength that establishes this show’s credibility from episode one. Taylor is ex-military who lost his wife in the 9/11 attacks. He’s incredibly driven and passionate about bringing down the bad guys, but won’t allow his integrity or that of his lab to be compromised. Also the New York show differs from the original in that the CSI personnel are full fledged cops and not just lab rats working for them. I find I like this version far better than the Miami setting, even though I can relate more to the Florida locations essentially in my own back yard.