Special Category

When I picked up Rio Bravo – Ultimate Collector’s Edition to review, I realized I had never seen a John Wayne movie. “The Duke” starred in well over 100 films, so I was more than a little surprised at this gaping hole in my viewing repertoire. Then I looked up director Howard Hawks (The Big Sleep) and discovered another long list of films I’ve overlooked. Defensively, I asked myself whether I was really missing out. Could their old movies be worth my time so many years later?

If Rio Bravo is any indication, their films are absolutely worth watching, though they’re perhaps not as masterful as they’re reputed to be. No matter your opinion, this Ultimate Collector’s Edition is one fine DVD set.

As any respectable history professor will tell you, if you want to learn about our past you should watch Hollywood historical fiction. That explains why MGM’s College Essentials: History 101 features Platoon – Special Edition, Windtalkers and Dances With Wolves. All three are clearly excellent examples of thoroughly accurate representations of historical conflicts, right?

Alright, so maybe educational impact isn’t the intention here. This is just MGM’s way of unloading some sub-par discs on unsuspecting buyers. What’s wrong with getting three movies for the price of one, you ask? Nothing. Unless one disc is out-dated and the other two should be incinerated by a giant laser.

Looking for romance? This three-movie collection from MGM likes long walks on the beach, candle-light dinners and formulaic plots. The films have been around a while, but a fresh new look makes this set an attractive option.

As is usually the case for common-theme boxed sets, Romance 101 includes one stinker, one hit and one older gem you probably forgot about years ago. The movies aren't the greatest examples of the genre, but the studio sweetens the deal, offering you three films for the price of one new-release DVD. Hit the jump for a rundown of these three discs.

Like it or not, Everybody Loves Raymond has earned its spot alongside TV's most successful sitcoms, including The Cosby Show, Roseanne and Seinfeld. These shows not only ran a long time, but they also shared a common origin — all were based on the persona of the popular stand-up comics who starred in the series. This method may have produced hits in these cases, but it's no guarantee. To really beat the odds, there has to be something more.

In the case of Everybody Loves Raymond, the largely American audience saw themselves in the on-screen families. Fans have been sitting down each week, for more than 200 episodes, to a funnier, wackier version of their own families. As this ninth and final season hits DVD, it's time to ask, did the show end too soon, too late or right on time?

There have certainly been more interesting family business shows on television over the years, so the premise for Brothers & Sisters is anything but original. Both Dallas and Dynasty set the standard for this kind of show many years ago. Tony Soprano’s family business is far more interesting than the Walker organic fruit business. Hell, the Ewings had more color with “dem dang blasted oil fields”. If you end up liking or are already a fan of Brothers & Sisters, originality isn’t the reason. I found the stories were far too slow and uninteresting to keep my attention for more than an episode. The impressive, potent performances offered by this solid cast carry all the weight on this series. Now, that’s not necessarily a bad thing. But I do question a series that once I’ve watched, what I remember are marvelous moments of acting with little about the plots forging an impact in my brain. There are a few gems in the story: The Northern Exposure episode is actually quite entertaining, as the entire Walker Clan descend upon a family retreat house, each hoping for some alone time with a significant other. There are also some intense 9/11 moments to be found in the two-parter, Mistakes Were Made. Beyond these compelling moments, I found myself quickly forgetting much of the actual story arcs of the series. No, trust me. The real punch is in the acting.

One of the handful of films deemed extra special in 2006, Babel had lofty intentions, a lot of hype and plenty of Oscar nominations. And yet, while the film was well directed and very well acted, it falls well short of its reputation. In fact, Babel fails to create a real impact, unless you count the utter depression one experiences while watching it.

Still, the film has lots of fans willing to call it one of the best of 2006. Those folks will be happy to add Babel: 2-disc Collector's Edition to their own collections. That is, unless they already picked up the single-disc version released back in February. Is this double-dip good enough to say, "out with the old, in with the new?" Read on to find out.

At long last, we've received the two greatest films of the 80's on DVD. Finally. Ok, maybe not the greatest films - they're ok at best - but this is the first time they've been released on DVD. Wait, that's not true either. Desperately Seeking Susan, Madonna's sixth best movie, hit the streets on DVD in 2000. And Something Wild, one of the answers to "what was Johnathan Demme doing before Silence of the Lambs?" has been available since 2001.

So what's special about this Totally Awesome 80s Double Feature? Shelf space. You can fit two films in one spot, thanks to MGM's efficient packaging.

Written by Evan Braun

Unfortunately, one of the best things you could say about the first season of ’Til Death is that it’s consistently inconsistent. It’s sometimes boring, it’s sometimes sentimental. Occasionally it’s angry. From time to time, it’s even funny. That said, I have a hard time believing the back cover’s assertion that this sitcom is a “top rated comedy.”

This was my first ever exposure to Grey’s Anatomy. Certainly I’ve followed the buzz the show has generated with its multiple awards and the feuding between two of the show’s actors. My first impression was not altogether a very good one. You see, season three begins with the aftermath of an obviously big ending from the previous year. From what I can gather, a character died and it left a void for a couple of the characters. I immediately began to feel like an outsider, a feeling I wasn’t very comfortable with. Fortunately, before I could give up feeling frustrated and hounded by an impending review deadline, something quite remarkable happened. Simply stated, I didn’t stop watching. In that moment of hesitation, I began to catch a glimpse of what everybody’s been going on about. The acting is surprisingly rock solid and not at all the flirty surface performances I had expected. So, for a short time, I was able to put aside my outsider feelings and begin to appreciate what I was watching. Before too long I was beginning to recognize the strong production values and clever writing which have been responsible for all that buzz I was hearing. While I avoided the needle scenes like the plague that spread through the hospital’s opening episodes, there is still a lot of high resolution f/x when it comes to wounds and surgery bits. This is by far the most realistic look I’ve seen in any medical show so far. The offbeat banter of the interns works well to offset the rather dramatic storylines hidden beneath this somewhat light series.