Alliance Films

"Man will always be a man. There is no new man. We tried so hard to create a society that was equal, where there'd be nothing to envy your neighbor. But there's always something to envy. A smile, a friendship, something you don't have and want to appropriate. In this world, even a Soviet one, there will always be rich and poor. Rich in gifts, poor in gifts. Rich in love, poor in love." 

For many, Saving Private Ryan has been the measure of the perfect war film in the modern era. Without question the Steven Spielberg film is a milestone in depicting battle on the screen. But I’m going to make the possibly unpopular statement that Enemy At The Gates is a better film, and the standard by which war films should now be measured. The movie is at least almost as good technically as Private Ryan. There are battle scenes that offer the same caliber of shocking reality. And even if this movie falls a little short of the technical marvel that Private Ryan was, this movie captures the human element of war time in a way I hadn’t seen before or since.

"Fado. Fado. Long, long ago, deep in the woods there was a small stone hut. And inside the stone hut there lived an old Cailleach, a witch. Preying upon the lost, the evil old crone would first put the doomed travelers under her spell, leaving them as dazzled and vulnerable as lamplit game. The witch would shackle her stunned prey before taking them on a tour of the underworld. And sometimes a hand or a claw would reach out from the dark and tear a piece from these at the end of her chain. Pluck out an eye. Peel off an ear. And sometimes they took something from a little boy that was more valuable to him than his eyes or his ears. Any guesses which part of you that might be?"

That's just the perfect start for the latest folk horror story from the writer/director of Oddity and the lesser Caveat. Of course, I'm talking about young writer/director Damien McCarthy. He seems to have a thing for one-word titles, because his latest scare comes in the form of Hokum out on UHD Blu-ray and 4K from Neon and Alliance Entertainment. It's a refreshing effort that delivers a nice story complete with the kind of atmosphere that pulls you into the dark tale. He doesn't fall to the temptation of the cheating jump scare, and the result is well-worth the pick-up.

Writer Andy Weir has a bit of a predictable science fiction style that has already struck box office gold. His novel The Martian was directed by the iconic Ridley Scott and starred Matt Damon as a lone astronaut stranded on the planet Mars. Weir's stories have a common theme that mankind might find the answers that confound us on Earth out there among the planets and the stars. Fans of that kind of hopeful science fiction won't be disappointed when they encounter Phil Lord and Christopher Miller's adaptation of another one of Weir's hopeful space stories called Project Hail Mary. The duo have been noted for their work in the Sony Spider-verse films and have most experience with animated features. Their work on Project Hail Mary should elevate them deservedly in the world of live-action science fiction with this recent release.

"Take a deep breath in ... and exhale. Inhale. And exhale. Notice the beat of your heart. The rhythm of life. You hold the power to create all that you desire out of nothing. What do you see? What do you feel? Remember that there is great power within you. And that power will guide you in your journey. Today is a beautiful day of opportunity. I am exactly where I need to be. I open myself to the universe and trust in the unfolding of my life. This day will bring you peace and an opportunity for success. Feel this moment. Have a beautiful rest of your day."

Isn't that pretty? Isn't that just inspiring? Now do me a favor. Forget all of that, and let's talk about the Amazon/MGM home video release of Crime 101. It's really about three characters trying to navigate the craziness that is each of their lives, but none of that Tony Robbins crap is going to make it any better. Now, that's very fortunate for us, because this would have been a very short and very boring film if any of this had worked on any of our characters.

As I was watching the new Ocean’s Eleven for the 185th time — it’s the last movie I saw twice on the same day in theaters — it occurred to me that the stakes were entirely too high. Three casinos…$160 million…the threat of being caught and glared at by Andy Garcia. The Babymakers, on the other hand, builds up to a heist with absurdly low stakes. It’s basically like Ocean’s Eleven, only the exact opposite.

This is the DVD release of the film whose Blu-ray incarnation was reviewed by Gino, so I’m going to let him take it away for the review of the film itself. I’ll check back in for the specs.

"It’s back to the 1950?s with its telltale alien invasion science fiction matinees. There’s Doo Wop coming out of the radio. The cars have tail fins and plenty of color and chrome. That’s right. This is 1950?s Americana. Well … almost. You see, the alien invaders are humaniacs. They turn the helpless population into mind-controlled zombies, and they eat brains for breakfast.

His troops defeated and massacred, General Pang (Jet Li) staggers away from the battlefield, more dead than alive. After a brief by intense overnight encounter with a mysterious Lian (Xu Jinglei), he falls in with bandits headed up by Er Hu (Andy Lau) and Wu Yang (Takeshi Kaneshiro). He finds a renewed purpose in life with this group, and forges the band into a formidable fighting force, one that will play an ever greater role in shaping the conflicts that are dividing China. But the fellowship he forms with his blood brothers has a fatal flaw: as fate would have it, Lian is promised to Er Hu. Betrayal and tragedy lurk in the wings.

The Reverend Cotton Marcus (Patrick Fabian) has made a tidy living preaching the Gospel and working his specialty: exorcisms. But he has lost his faith and, along with it, his willingness to fleece the gullible. He does, however, acknowledge that an exorcism can prove psychologically beneficial if the recipient believes in the ceremony. All that said, Marcus wants out of the business, but he takes on One Last Case, and a film crew tags along with him to the backwoods (where else?), where the devout Louis Sweetzer (Louis Herthum) is convinced that his daughter Nell (Ashley Bell) is possessed. Marcus slips into his routine, but soon discovers that there is is much more afoot here than he could have imagined.

Two young filmmakers from New York city, Ariel Schulman and Henry Joost, start documenting the burgeoning relationship between their roommate (and brother in the case of Ariel) Nev and a family from Michigan. Said relationship exists only through online correspondence and phone calls. As a romance seems to be arising between Nev and Meghan, who is oldest daughter in the family, the filmmakers decide to make a trip to meet the family in person.

Dear John centers around a soldier, John Tyree (Channing Tatum) who falls in love with a college student, Savannah Curtis (Amanda Seyfried) while he is back home on leave.  This film is adapted from the Nicholas Sparks novel of the same name and directed by the melodramatic romance aficionado Lasse Hallstrom. If you are looking for a romance tale that offers very little surprises, look no further.