Anchor Bay

"I guess if this is the first you're hearing about it, I know how this must all sound."

Unless you've been in a coma like the lead character of The Walking Dead, you've been hearing a lot about this AMC television series of late. It's no wonder. I'm amazed that it's taken so long to see a zombie television series. The show has incredible visuals. There's a courtyard scene at the beginning of the pilot that is as impressive as anything you've seen in a movie. And when a character has to shoot a 6-year-old girl in the head, you understand instantly that this is going to be something unique.

“The windows around here are not big enough for you?”

Writer/Director Keith Bearden’s debut film, Meet Monica Velour, seduces you like raunchy 70s porn star, but finishes you off with a happy ending like a cheap masseuse in a roadside massage parlor.  Not that this is a sex comedy, nor are the stars particularly sexy (except for Jamie Tisdale who plays young Monica Velour who is very, very hot), but the theme is about sexual illusions.

Animation is traditionally geared towards kids. From Bugs Bunny to Monsters, Inc, cartoons have been a staple of kid’s viewing experience for decades. However, as time wore on, more and more adults have craved for animated experiences that not only are kid friendly but have adult nods so that the older audience can enjoy it. Shrek is probably the most famous of these types of pictures. Perhaps the sequel to Hoodwinked! can provide an equal passion to please both audiences.

Two of my favorite films of all time are Bloodsport and Mortal Kombat. Before you start groaning, let me explain why. They both act as the total testosterone injection for all of the macho men out there. These movies have tournament style martial arts and MMA mayhem where the only code is to beat your opponent until he/she is defeated. Then they move on to the next fight. Usually, there are theatrics thrown in there too, like to save the world or restore honor. Enter my next review movie: Tekken.

They say that when an alligator grabs hold of something tasty to eat, the reptile won't let go for anything. I guess the same thing could be said for Roger Corman. He's earned the title as King of the B Movie and has held reign for nearly 60 years. So we shouldn't be surprised that his relationship with SyFy and their monster mash-up series of original films would feature a few entries from Corman. Dinocroc came in 2004, followed by Supergator in 2007. Both found fitting places in the series from SyFy. Now Corman and the network have pitted the two against each other

Happythankyoumoreplease is centered on a group of twenty something New Yorkers at various levels of transition: love, career, and growing up.  The film is written, directed, and also stars Josh Radnor (How I Met Your Mother).  Radnor’s directorial debut showcases a colorful side of New York and a variety of colorful characters. The group of young actors all put together solid performances which is essential for an ensemble cast.  This is another festival friendly film with a solid group of actors that is definitely worth a look.

"In America we give our lives to our jobs. It's time to take them back."

It was only a matter of time before the current economic situation made its way into our theaters and finally our homes with a movie like The Company Men. Certainly the economy has influenced many films in the last five years. There have even been other movies to explore many of the current issues. But it's this film that makes those issues, particularly corporate raiding and downsizing, its sole reason for being.

Somewhere in my family’s history, I have a couple of odd branches. One of them leads to a former Pope (17th century I believe) and the other is even more curious, the mob. Specifically, it leads to the most popular gangster of them, Al Capone. It is pretty far down the branch, but interesting nevertheless. This leads us to our movie review for today: Kill the Irishman which deals with the real life story of Danny Greene, a man who escaped death countless times and took down the mob.

Imagine that ‘40s tough-guy detective Philip Marlowe tangled with a billionaire mad scientist, along with the usual quota of thugs, strippers and sarcastic cops. Now suppose that writer Erik Jendresen and director Tony Krantz decided – perhaps over a meal of magic mushrooms and moonshine – to hire a fancy-pants cinematographer, rewrite author Raymond Chandler, and offer up what they obviously hoped would make them film-noir Fellinis for the new century.

Precocious teenage girls are movie mainstays for a few reasons. They tend to be cute, for starters. They give young audiences someone to identify with and perhaps envy, because the movie girls get to say and do things that would get their real-life admirers grounded at best, imprisoned at worst. We have our favorites, of course, going all the back to The Bad Seed, The Children’s Hour and the original Lolita. More recently, we’ve been perversely charmed by sexually manipulative antiheroines