Posted in: Disc Reviews by Gino Sassani on September 2nd, 2021
The first thing you should know about The Walking Dead franchise is that it's unlike any television series you have ever seen before. The images here are intense, and the crew has been given a blank check to create this vision without the burden of censors looking over their shoulders. There are plenty of blood-and-gore effects that rival any of the Hollywood zombie films you've seen in the last few years. The makeup effects are handled by the very capable hands of KNB and supervised personally by Greg Nicotero (the N from KNB). KNB isn't treating this like a television production, and while I personally get tired of the cliché about making a movie each week, this one lives up to the hype. They aren't doing anything different here than they would do for a big-budget film. The zombies look incredible, and the effects are completely first-rate.
"It's all right. I know you've been through a lot."
Posted in: Disc Reviews by Brent Lorentson on November 23rd, 2016
It’s been a while since Nicolas Cage has been in a big studio-released film. It doesn’t mean he’s doing bad movies; it just means he’s not doing any tent-pole releases that flood the multiplex. Seeing Nicolas Cage in a film like Army of One is simply a snapshot of how modern cinema has to evolve for better or for worse. Really, I don’t mean to come off as though this is a bad film or inferior to any other films past or present, but ten years ago this is a film that would have had a much wider release and would easily have gotten more attention. After all, who could resist Nicolas Cage in a film helmed by the director of Borat?
I vaguely remember hearing the story in the news. American Gary Faulkner (Cage) decides to set off on his own to capture Osama Bin Laden and bring him back to the US. It was a story that was a little more than a blip in the headlines, but thankfully we have Army of One that delivers a film that embraces the insanity of the scenario and takes some liberties with the true story, all in the name of comedy.
Posted in: Disc Reviews by Brent Lorentson on September 1st, 2016
I wouldn’t go so far as to say that I have a fear of clowns, but more of the people beneath the paint. I’m not sure if anyone has recently seen in the news, but there are reports of people dressing up as clowns behind an apartment complex in South Carolina attempting to lure children into the woods. First off I immediately think this is a prank, but also there is the side of me that is curious as to there being something more sinister at play; after all, it seems like a good start to a horror film. Going back through my childhood, I can’t think of any one moment that caused me to despise clowns, but I do remember a trip to Circus World that left me convinced all the clowns there were bad. Yes, I know this fear/hatred is unwarranted if not an overdramatic response from my imagination; after all, I do have an extreme phobia of the Amish that I have trouble coming to terms with. So when Clown was up for grabs to review, I figured this could be a fun experience to sort of face my fear. Well, let me just say (gulp) it didn’t work out so well.
Kent (Andy Powers) is a dad who just wants to see his son have a happy birthday, so when the clown scheduled to appear at the party fails to show up, Kent decides to improvise. After finding an old clown suit that was hidden inside his new home, he does what any dad would do to save the day. He suits up and puts on a show for the kids. Just one tiny problem; after the show when he attempts to take off the suit, it won’t budge. At first family and friends just believe this is no more than a silly joke, that is until Kent asks his wife, Meg (Laura Allen) to help with removing the suit. Already Kent has accumulated a series of injuries while using several sharp instruments to remove the suit, but when Meg ends up ripping off the tip of his nose when attempting to remove the red ball at the end, well, things only grow more intense from here on.
Posted in: Disc Reviews by Brent Lorentson on August 24th, 2016
For years (at this point we can say decades), fans have been holding out hope for a new installment in the Evil Dead franchise. Over the years there have been rumors of a fourth film, even talks of doing a crossover involving Ash (Bruce Campbell) taking on various horror icons. In the end these talks seemed to be nothing more than pipe dreams, but then in 2013 something special happened. A remake/sequel occurred for the series that actually was pretty awesome and gory while also being a financial success…but it was the stinger at the end of the credits that got people excited, the brief appearance of the man with the chainsaw hand himself. Was it a tease for more to come, or was it simply a wink to the fans of the series? As it would turn out, a little bit of both. It’s a fanboy’s dream come true, not just a continuation of the Evil Dead series, but Starz delivers a 10-episode season that packs a gore-soaked punch to my heart.
When we catch up with Ash, he’s pretty much the same as when we last saw him. He’s a man stuck at a dead-end job and living in a trailer park, but this is the lifestyle choice he’s made on his own. He remains haunted by his past battles with The Book of the Dead and of course the deadites, but in true Ash fashion he copes with it through alcohol and easy women. It’s at his job that he meets Pablo (Ray Santiago) and Kelly (Dana De Lorenzo) who reluctantly find themselves mixed up with Ash and the return of the evil that seeks to be reunited with the Necronomicon.
Posted in: No Huddle Reviews by J C on August 7th, 2016
The setup for Viral is promising enough. Throughout the early part of the film, we get subtle yet effective hints at the escalating catastrophe that is about to infect the story. (We hear about someone's mom coughing uncontrollably, plus a video of a bloody, unexplained elevator attack goes, well, “viral.”) So it's a shame that this sci-fi/horror thriller is limited by both its micro-budget and (more importantly) a filmmaking team that only sporadically delivers the goods.
Teenage sisters Emma (Sofia Black-D'Elia) and Stacey (Analeigh Tipton) have recently moved to a town called Shadow Canyon. Emma is the withdrawn, serious-minded sister who has a crush on a neighbor/classmate named Evan (Travis Tope). Meanwhile, Stacey is the rebellious black sheep in the family. (You can tell she's a rebel because of the purple streak in her hair.)
Posted in: Disc Reviews by Gino Sassani on July 7th, 2016
"That's me, Mike Hanover, and I just killed a man in a taco shop bathroom. Hey, he started it. I been hiding near the border looking for The Vigilante..."
You've found him. Anchor Bay's The Vigilante actually started life as a web series. The web episodes followed the exploits of The Vigilante, played by Paul Sloan and his sidekick The Kid, played by Kevin L. Walker. It was pretty much a hyper-superhero kind of series with ramped-up action on a limited budget. Now we have a feature film version that is quite the mixture of genre films. You get a little grindhouse mixed with some Leone Spaghetti Western with extra sauce. Throw in The Expendables with a side of Deadpool. Stir in some graphic novel clichés and season it all with a bit of exploitation film violence and characterizations. The result is a film that doesn't take itself very seriously and might be good for an entertaining ride. That is, if you don't overcook the whole thing. At about 108 minutes, let's just say it was bordering on overcooked.
Posted in: Disc Reviews by Gino Sassani on February 6th, 2016
"My father told me about these men, about their natures. All I knew were the stories I was told of monsters and the valiant men sworn to slay them. I fear the stories I've heard may have been clouded, the truth more than clouded. It would seem these monsters are men, sons, brothers, fathers. And it would seem these men face their own monsters..."
Move over, Captain Jack Sparrow. There are some new pirates on the block, and they sail into our living rooms on a regular basis in the Starz sophomore series Black Sails. The high seas adventure series combines historical people and places with the fictional characters of Robert Louis Stevenson's classic Treasure Island. I am a little disturbed that Stevenson gets no mention in the credits for having created many of these characters. What's up with that, Starz? Likely the material is in public domain, but credit where credit's due, yes?
Posted in: Disc Reviews by Gino Sassani on February 4th, 2016
"It all begins with seeing. So what do you see?"
The term “Renaissance man” is often used to describe a person who has a very wide range of interests in which they have become quite skilled. It's taken from the traits of the many artists, innovators, and writers of the 15th century. And while the term might well apply to any number of such historical figures, there is none for whom it is more apt than Leonardo DaVinci.
Posted in: Disc Reviews by J C on January 7th, 2016
“Ballet is the ultimate optical illusion. We make effort appear effortless.”
If ballet dancers make the seemingly impossible look graceful and elegant, then Flesh and Bone similarly soars when it doesn’t try quite so hard to conjure drama. The best version of this provocative Starz miniseries explores the psychological toll that ambition, competition, and the (impossible?) quest for creative perfection can take. Unfortunately, the series also introduces way too many subplots and distractions during its 8-episode run.
Posted in: No Huddle Reviews by J C on September 25th, 2015
Season 2 of The Red Road, SundanceTV’s tense drama about warring communities, opens with a foreboding shot of blood being spilled on the ground. It’s a conspicuously symbolic image when you consider that the show follows the lives of the (seemingly all-white) residents of fictional Walpole, N.J. and their strained relationship with the Lenape tribe that resides in the neighboring Ramapo Mountains. (You don’t even have to squint to see several centuries’ worth of wounded feelings in this scenario.) It’s also no major spoiler to say that opening shot isn’t the last instance of bloodshed in this batch of episodes.
In case you never hopped on The Red Road, here’s a quick catchup. Lenape ex-con Phillip Kopus (Jason Momoa) and Walpole police officer Harold Jensen (Martin Henderson) find their fates (and their families) inextricably linked. An accident involving Harold’s wife/Phillip’s high school sweetheart Jean (Julianne Nicholson) and a young Lenape boy left Harold indebted to Phillip. And the fact that the Jensens’ oldest daughter Rachel (Allie Gonino) and Phillip’s younger half-brother Junior (Kiowa Gordon) were in love only added to the tension. The end of season 1 once again left Phillip and Harold in each other’s debt after helping one another survive a violent shootout with a nasty group of gangsters.
