Posted in: Disc Reviews by Archive Authors on November 14th, 2006
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A dysfunctional family unit (single mother and infant, her sister and loutish husband, their autistic teen) are travelling through rural New Jersey when their car gets stuck. One after another, they head off to seek help, only to knock on the door of the sinister Mrs. Leeds and her homicidally retarded crew. And if that weren’t bad enough, there’s some kind of monster flapping through the woods.
Posted in: Disc Reviews by Archive Authors on July 6th, 2006
OK, so I've gotta admit that I'm a little bit of an uncultured boob who is not that familiar with the writings of Russian Anton Chekhov. In fact I know a little bit more about Andrei Tarkovsky (Solaris) then anything else, and that Chekhov was (and still is) an influential force in dramatic works today. Well, he has to be if his work "The Three Sisters" gets adapted into a play by Richard Alfieri, then into a film starring a capable and recognizable cast, right?
Directed by Arthur Allan Seidelman, the film chronicles the events of sisters who are living their lives in the shadow of their late, scholarly father. Olga (Mary Stuart Masterson, Fried Green Tomatoes) is the oldest in the family and is in line to be named Chancellor of a University, the middle sister Marcia (Maria Bello, A History of Violence) is a bit of a shattered psyche who lives with her husband Harry (Steven Culp, Desperate Housewives) and they constantly fight, so she seeks the company of Vincent (Tony Goldwyn, The Last Samurai). The youngest sister Irene (Erika Christensen, The Upside of Anger) seems to live a life that her older sisters admire, but she's not without her own demons, despite the thoughts of her fiancée David (Chris O'Donnell, Vertical Limit). There is a brother named Andrew (Alessandro Nivola, Junebug), who the sisters almost seem to subconsciously gang up on, even more so with Andrew's wife, the caustic Nancy (Elizabeth Banks, The 40 Year Old Virgin). There are also some notable supporting character actors in the film also, like the sarcastic Gary (Eric McCormack, Will & Grace) and the creepy but foreign Dr, Chebrin (Rip Torn, Men in Black).
Posted in: Disc Reviews by Archive Authors on March 5th, 2006
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Well, a Terry Gilliam children’s film might seem like a bit of an oxymoron, however writing a film with fellow Monty Python alum Michael Palin actually resulted in a funny, and even philosophical film, reflecting on themes of good and evil.
Posted in: Disc Reviews by Archive Authors on December 4th, 2005
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Anchor Bay, holding all (or most) of the keys in George Romero’s zombie film trilogy, released a four disc Ultimate Edition to capitalize on the theatrical release of the remake, done in grainy, handheld, 28 Days Later style by director Zack Snyder. There isn’t too much here plotwise that you need to be aware of. 4 people decide to seek shelter at an abandoned mall, a continuation of Romero’s first film Night of the Living Dead. I don’t really know of an underlying moral tale in this...film, aside from trying to make a life for yourself again, it really is about trying to get past the zombies and find some sort of freedom, wherever that may be. Special effects whiz Tom Savini gets to show off more of his work here, though not as much as in Day, as he spends some time in front of the camera as the leader of a biker gang.
Posted in: Disc Reviews by Gino Sassani on February 25th, 2005
Every now and again a show comes along that on the surface probably isn’t that great. Still, something about it endears itself to you, and you might never completely understand it yourself. The Greatest American Hero is one of those shows. Created by the same man who created James Rockford, Stephen Cannell, The Greatest American Hero was a welcome change to the run of hero shows that preceded it. Robert Culp is pure genius as “by the book” FBI agent Bill Maxwell. Connie Sellecca delivers a little more than scenery or...sidekick value. William Katt is a nice fit for the quirky teacher turned superhero. Of course, who could forget the hit theme song “Believe it or Not”? It’s amusing to find Ralph Hinkley asking his students not to call him Mr. H. When John Hinkley shot President Reagan, the show’s producers decided to limit the character’s name references to Mr. H. Later the last name would be changed to Henley.
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Posted in: Disc Reviews by David Annandale on January 29th, 2004
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Posted in: Disc Reviews by David Annandale on October 15th, 2003
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Posted in: Disc Reviews by David Annandale on September 11th, 2003
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Posted in: Disc Reviews by Gino Sassani on August 21st, 2003
Decades before The Blair Witch Project drew attention to the small independent filmmaker, George Romero and a small band of Pittsburgh natives took the horror genre by surprise with the stunning and atmospheric Night of the Living Dead. Day of the Dead was the third and (so far) final entry into the Romero zombie trilogy. Romero admits that this is the least acclaimed film in the series while professing that it is his own favorite. There is absolutely no question that makeup magician Tom Savini did some of his greatest work in this film. The gore effects are as realistic as they are gruesome. Tom has told me countless times that he carries a certain extra pride about the work he did on the film. The problem is the story is just too over the top to be taken at all seriously. Most of the acting is really B grade with the notable exception of Howard Sherman’s brilliant portrayal of Bub the mascot zombie.
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Posted in: Disc Reviews by Gino Sassani on April 1st, 2003
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