Buena Vista

Some of you might remember my review of the first two volumes of X-Men, the Animated Series. After the first thirty plus episodes, I secretly hoped that I would be able to bring you reviews of the rest of the series. Luckily, I was blessed enough to make this a reality when I received volume 3 & 4 at my door just before my fall vacation. How sweet it is.

When we last left the X-Men at the close of the original Phoenix Saga, Jean Grey in the form of the Phoenix had defeated D’Ken and saved the universe from the power of the M’Kraan crystal. In such, the crystal (with D’Ken trapped inside) had to be taken far away and flown directly into the sun. Phoenix accepts this mission and the mind of Jean Grey says goodbye to her fellow X-Men.

Ken Olin is truly a great talent that I’ve followed back when he played the snotty detective Garibaldi on Hill Street Blues. Since then he’s done some wonderful work behind the camera, and Brothers & Sisters certainly shows his influence; however, this is not some of his best work. The show often leans on clichés and gets awfully lazy in moving forward at times. I do see the great family of characters they created here, but fail to find them interesting beyond the life breathed into them by their performers. This is a case of ego getting in the way of great potential. The writers and producers are trying way too hard to do something special. True greatness often requires the least effort. My advice to Olin and company is, play to the strengths of this great cast, and then get out of their way as often as possible.

Sally Field plays Nora Walker. Her husband has just died and left her with a lot of unanswered questions in her life. She soon discovers a twenty year affair and some even more serious hanky panky with the books of the company the family owns. Her emotional ups and downs can be about as compelling as television can get. Callista Flockhart plays the best opposite Fields as the errant, and of course, conservative, black sheep of the family. The moments they share have given me a greater respect for Flockhart than her previous roles have. It is a little much watching her call someone else skinny. Ron Rifkin steals every scene he’s in as the old fashioned Uncle Saul, proving that Alias was no fluke for this accomplished actor. Rachel Griffiths again hides her English accent to show that if nothing else, she does a good job of crying. The remaining cast of Dave Annable, Balthazar Getty, and Matthew Rys are often just as nice as the three brother siblings on the show.

The residents of Wisteria Lane have become household staples in the last four years. Even after watching the show, I’m still not sure I understand what it’s about, but I’ll try and give my take on it anyway. It would appear to this reviewer that the show owes at least part of its genesis to the HBO hit Sex And The City. There is the same narrative angle, this time by a deceased member of the group. Still, that narrative contains many of the same kinds of observations as the HBO show and appears to imitate it as often as not. The show also deals with the exploits, often sexual, of a group of women. This time they are married, but that doesn’t seem to stop the flings, or at least the fantasies any. Finally, the best correlation between the two shows is how much both depended almost entirely on the personalities of the women themselves instead of any particular element of story or concept. Here the women are the concept. In the first season it appears young housewife Mary Alice (Strong) commits suicide. She now looks down (or up, I guess) on her neighbors, offering the commentary that is the show’s narration. At the end of each episode she offers some tidy little wrap-up, adding comments on how the lives of these women are evolving.

The plot is pretty much standard soap opera fare. There are love triangles, diseases, and the typical complications you can find on any given weekday during the networks’ afternoon programs. Of course, here we have prime time production values and a decidedly A cast of actors. It’s very likely that Desperate Housewives might have actually benefited from the writer’s strike, which reduced the run of episodes down to 17. The writers spent more time dealing with the characters and less trying to pretend they were creating compelling drama. Where the show works is in these quirky, almost black comedy moments between the characters. Since there is no “story” to really speak of, I guess it’s more important that you meet the residents of Wisteria Lane. Susan (Hatcher) is married to Mike (Denton). She’s kind of an airhead and is the housewife most likely to be on the outside of a joke or reference. Her husband might or might not be a murderer. Perhaps denizens of the show have a better grasp of the 411 on that situation than I got. Susan was raising her daughter Julie (Bowen) on her own before she married Mike. Julie shows far more maturity and intelligence than her mom. Lynette (Huffman) was once a big time corporate executive who is now raising four kids and is married to Tom (Savant) who also left corporate America and runs a pizza shop. They are also raising Tom’s daughter from a previous affair, who absolutely hates Lynette. Katherine (Delany) is the local “perfect housewife”; she’s a cooking champion and is a bit of a snob, refusing to share her lemon meringue pie recipe with anyone. She and gynecologist husband Adam (Fillion) are the newest residents of Wisteria Lane. Bree (Cross) is a rival to Katherine in all of this homemaking stuff, but it appears they learn to work together before the season ends. Bree is married to Orson (MacLachlan), who has had more than one ex-wife turn up dead. Unfortunately for Orson, it is the husbands that are expendable in this show. Last but certainly not least is Gabrielle (Parker). She’s obviously the best looking of the group and acts like she knows it. Her husband is the town’s mayor, but she spends far more time with lover Carlos (Chavira). She has expensive tastes and wants to be pampered. Together these ladies go through guys and catfights like they were pitches at the All Star Game.

Released just in time for the global financial meltdown, this hymn to designer products features Isla Fisher, who demonstrated her comedic talent by stealing Wedding Crashers from both Vince Vaughn and Owen Wilson – no small achievement. Here she plays Rebecca Bloomwood, a compulsive shopper who, while hoping to land a job working at a fashion magazine, accidentally finds herself hired on a columnist at the sister publication, a rather less glamorous financial mag. Her columns, couching financial advice in shopping metaphors, become a surprising hit, and sparks begin to fly with her editor (Hugh Dancy). Meanwhile, a relentless debt collector is dogging her heels.

Combining Sex and the City voice-overs and clothes with Bridget Jones insecurities, the film sets out to be, I suppose, some sort of female fantasy. And sure, just as we are expected to buy Seth Rogen as a babe magnet in the male POV rom-coms, one can be fairly asked to do some heavy suspension of disbelief exercises when it comes to the match here, too. But why, as seems to be so often the case, are the female characters presented as ADD idiots? It becomes very hard to like Rebecca when, with her career (and quite possibly that of the man who is giving her a shot at the journalistic brass ring) hanging in the balance, she would rather rampage at a sample sale then do her work. Fisher throws herself into the part with enormous energy, but she is working with empty, predictable, numbing material.

Teenagers go through a lot. They hit puberty and a multitude of decisions at the same time. Some of them take on adult decisions way too soon such as sex, pregnancy, drugs and just figuring how to fit in. ABC Family is the home of a teenage drama called The Secret Life of the American Teenager which is made by the same people as 7th Heaven which lasted 11 seasons. The show has gained more viewers episode by episode and a copy of the 2nd season showed up in my mailbox to review. We'll see if the show is complete cheese or hopefully it has a good dose of story telling and family values.

As Season Two opens, Amy Juergens (played by Shailene Woodley) is fifteen & very pregnant. Her boyfriend is Ben Boykewich (played by Kenny Baumann) is also fifteen and not the father of the child. The father of the prospective child is Ricky Underwood (played by Daren Kagasoff), the school bad boy who had a one-night stand with Amy.

When the second season of Lost hit the airwaves, expectations were very high. The show enjoyed a very successful first year in the ratings, and many of us were looking to see if the show would suffer the all too common sophomore slump. Lost exceeded our expectations. The show changed dramatically, yet managed to keep us hooked with the same blend of mystery and solid storytelling that made the show such a huge hit to begin with.

It’s time to go back to the beginning and see how it all began. If you’re a fan, you’ve already seen these episodes, likely several times. You also probably have the DVD sets that have come over the last couple of years. You might be trying to decide if a television show is really worth your while to upgrade to high definition. The answer is a resounding yes. Lost is one of the most innovative series to arrive on network television in quite some time. In an age where the true quality appears to be dominated by cable stations anymore, it’s refreshing to know that there’s a show once in a while that can entertain, thrill, and make you think all at the same time. And no matter how frustrating some of these plots have been to follow, follow we do. No matter how many times you’ve seen these episodes, I highly recommend that you pick up this first season set immediately. The show has a high level of rewatchability, and these Blu-rays are long overdue. But, hell, I didn’t need to tell you that.

What if you took the Desperate Housewives and placed them on an Army base? If that thought has been keeping you awake at night, sleep tight, gentle reader. You can find out simply by picking up a copy of Army Wives on DVD. I’m not exaggerating about this at all. Army Wives has the very same soap opera plotting and tone as the ABC hit does. You gotta really be into that sort of thing if you have any hope at all of keeping up with the antics of these four friends, or of having any desire to. I’m afraid I have to confess that I am not in that group and so found the 19 episodes to be very trying indeed.

The series follows the trials and tribulations of four wives of enlisted Army personnel. They call themselves “The Tribe”. Claudia Joy (Delaney) is the unofficial head of the group. The other women are Denise Sherwood (Bell), Pamela Moran (Brannaugh), and Roxy LaBlanc (Pressman). The show often focuses on their rather emotional situations and makes a center for itself in the idea that these women are there for each other. In this second season the Army life aspect of the show was intentionally held back somewhat, and the stories dealt more intimately with the wives. Likely a good move for the target audience that would have very little interest in the military aspects of the setting.

It’s the end of the October Road for Nick and the gang. If you want to blame anyone, there’s plenty to go around here. First of all, the writers’ strike didn’t do anyone any favors by delivering only a 6 season first year. While the cast was made up of good actors, there is never any kind of chemistry between them. They look like actors thrown together because they have to be. The writing is uneven. Did anyone ever really plan out what this show was really about? There are fans; every show has some. But there was never enough to make this one fly at all. Blame me, if you like, for not being kind to the first release and repeating those same criticisms here. The truth is, it was never a good show, and a DVD release isn’t going to change that. You do get to see all of the episodes here. At last count, ABC was not necessarily planning to air all of the completed episodes. That makes it a good buy for the fans. If all 6 of you pool your money, maybe you can share one set.

Enter Nick Garrett. He’s a writer who has published a hugely successful best selling novel. It’s been made into a major film, and busty women approach him in clubs to tell him how much it has affected their lives. The audio version is read by Johnny Depp. You would think Nick has it made. The trouble is that Nick doesn’t have a clue how to begin to write his next book. His solution is to take a trip back home to the places that inspired the first book. His hope is to make a quick hit and run visit, but he ends up staying for a while. Nick soon discovers that you really can’t go home again. Everything and everyone changes, as Nick is finding out. Not everyone is happy about how they feel they might have been portrayed in the novel, and Nick might even have a son. If this is starting to sound a bit like a soap opera, then you have October Road pegged.

The day of October 31st is usually Halloween to most people. However, back in 1992 it was the day one of the best cartoon superhero shows premiered on the Fox Network. It was simply called X-Men. The show would last seventy-six episodes and five seasons while rising to considerable popularity. I’m not one to toot personal bias, but this is probably my second favorite comic book related animated show next to Batman: The Animated Series. Most of us X-Men fans have been waiting for these episodes to be released for as long as the dvd format has existed. Finally that time has come and I couldn’t be more delighted to watch these again.

Two parents sit in a living room wondering if they did the right thing. Their adopted child: Jubilee is a mutant. They have felt the best thing to do is file her name with the Mutant Registration Program, a privately funded program with ties to the government. The Mutant Registration Program is supposed to be a peaceful group helping humanity and the mutants carry on in their existence. However, things are not as they seem.