Buena Vista

The Invisible appears to have been marketed a couple of different ways when it was released in early 2007, but the most used phrase for the film appears to be “Supernatural Thriller”, which might address it to some degree if it was, you know, thrilling.

Christine Roum (Bodyguard II) co-wrote the screenplay, which David Goyer directed. Goyer has been a longtime writer, providing words to such films as Dark City, Blade and Batman Begins. And for all the good work he’s put in as a writer, you’d think he would have learned some things when it comes to directing, but ultimately, he’s just another guy who was talented in one area and needs some work in his new one.

There have certainly been more interesting family business shows on television over the years, so the premise for Brothers & Sisters is anything but original. Both Dallas and Dynasty set the standard for this kind of show many years ago. Tony Soprano’s family business is far more interesting than the Walker organic fruit business. Hell, the Ewings had more color with “dem dang blasted oil fields”. If you end up liking or are already a fan of Brothers & Sisters, originality isn’t the reason. I found the stories were far too slow and uninteresting to keep my attention for more than an episode. The impressive, potent performances offered by this solid cast carry all the weight on this series. Now, that’s not necessarily a bad thing. But I do question a series that once I’ve watched, what I remember are marvelous moments of acting with little about the plots forging an impact in my brain. There are a few gems in the story: The Northern Exposure episode is actually quite entertaining, as the entire Walker Clan descend upon a family retreat house, each hoping for some alone time with a significant other. There are also some intense 9/11 moments to be found in the two-parter, Mistakes Were Made. Beyond these compelling moments, I found myself quickly forgetting much of the actual story arcs of the series. No, trust me. The real punch is in the acting.

This was my first ever exposure to Grey’s Anatomy. Certainly I’ve followed the buzz the show has generated with its multiple awards and the feuding between two of the show’s actors. My first impression was not altogether a very good one. You see, season three begins with the aftermath of an obviously big ending from the previous year. From what I can gather, a character died and it left a void for a couple of the characters. I immediately began to feel like an outsider, a feeling I wasn’t very comfortable with. Fortunately, before I could give up feeling frustrated and hounded by an impending review deadline, something quite remarkable happened. Simply stated, I didn’t stop watching. In that moment of hesitation, I began to catch a glimpse of what everybody’s been going on about. The acting is surprisingly rock solid and not at all the flirty surface performances I had expected. So, for a short time, I was able to put aside my outsider feelings and begin to appreciate what I was watching. Before too long I was beginning to recognize the strong production values and clever writing which have been responsible for all that buzz I was hearing. While I avoided the needle scenes like the plague that spread through the hospital’s opening episodes, there is still a lot of high resolution f/x when it comes to wounds and surgery bits. This is by far the most realistic look I’ve seen in any medical show so far. The offbeat banter of the interns works well to offset the rather dramatic storylines hidden beneath this somewhat light series.

Wild Hogs is a pretty simple film for the most part. You have four guys who, for their own reasons, are finding their daily lives have gotten away from them. Their mid-life crises lead them to venture together on a cross country motorbike journey filled with enough peril to make them forget their ordinary lives and live the adventure of their dreams. The film has the standard sight gags that pretty much carry the first half of the film. Macy's character has a rather amusing computer glitch in a Wi-Fi cafe. A lot of these jokes, often dealing with a gay cop who thinks the four are a pretty hot and tempting, get carried too far and get stale rather quickly. I could certainly do without the naked butt shots myself. The film actually starts to get interesting once the Hogs begin to interact with a real bike gang led by Ray Liotta. The ending reaches quite a bit to deliver the standard feel-good climax that usually requires a pretty hefty shot of insulin to bring the sweetness down to a tolerable level.

What time is it? That’s right, Home Improvement fans, it’s once again Tool Time. Unfortunately for the show’s followers, Season 7 would be its next to last outing, and even the most loyal fans seem to agree that the show had lost its edge by now. For me the decline started around the 6th year when the age of the boys created a need to shift stories away from Tim Allen’s routine and become a little bit more serious in tone. It’s not that situation comedies can’t find a great deal of success mining such a territory. MASH often ventured away from its comedic roots and occasionally brought us dead serious material, and it only improved the quality of an already good show. In the case of Home Improvement, the stories just became awkward as the writers tried to find ways to work in the boys’ increasing age and demands for screen time. True enough, Tim Allen never lost the persona that defined Tool Time, but there’s little question that it was not fitting in well with the deepening family issues the series began to explore. Suddenly Tim’s character was an inappropriate father and husband underneath the clever buffoonery. I will always remember Home Improvement for what it started out as, and these DVD’s just don’t represent that show any longer.

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There are 8 simple rules for having a successful sit-com on television today.
1. Strong leading actor: John Ritter never really had much of a chance in his early career to show just how good his acting chops could be. Let’s face it. While Three’s Company had quite a loyal following, it was never mistaken for anything more than a parody. Ritter was never asked to stretch himself here, and the role likely cost him better opportunities over the years. Fortunately, while 8 Simple Rules wasn’t a great show either, it did offer quality enough work to allow Ritter to thrive. Unfortunately he would not live long enough to reap the rewards he was earning for himself.

2. Solid supporting cast: Who knew Katey Segal wasn’t a one trick pony riding on the coattails of Peg Bundy? Who also knew you could find teenage girls who could act and satisfy the “other” attributes often necessary from female actors on television these days. The casting on this show is well above average.

The opening credits are a frantic run of images that is pretty hard to actually watch. The segment is made worse by the constantly changing images and strobe light f/x. At first you get the idea you’re in for just another horror film made in the modern deluge of images style. Fortunately this is not a portent of things to come. With a little patience, you’re safely beyond these trappings and find yourself in a rather good film. If you’re able to follow this montage, you’ll be introduced to the bloody history of Gus...ave, a 25 foot crocodile. You’ll discover this killer is claiming a mounting number of human victims, most recently an acclaimed UN naturalist. Once the film actually begins, it will be some time before you are introduced directly to Gustave.

Three American journalists are sent to the heart of Africa on a mission to find and actually capture Gustave. The journey is no less treacherous than Gustave himself. A local dictator intent on genocide now calls himself Little Gustave, after the killer croc, and his hit squads don’t take too kindly to boats entering his domain. Some machine gun fire welcomes our intrepid Americans into the jungles. The reptile is worshipped as a god by many of the locals, as evidenced by a ritual the travelers must participate in to gain their trust. Top this off with a guide who has revenge on his mind and intends to go Ahab on Gustave. Before long we find that peril comes in many sizes on this trip.

Right off the top, I have to admit I’m a big Scrubs fan. Obviously, this portion of the review will be influenced by that bias, but at least I’m up front about it. Now, this DVD set brings us the ingenious sitcom’s fifth season, which aired in 2006. I didn’t catch any of these 24 episodes on TV, so this release was my first time.

Season five, like all of the previous seasons, picks up at the start of a new year at Sacred Heart. This time around, J.D. (Zach Braff, The Last Kiss) and Elliot (Sar...h Chalke, Roseanne) are full-fledged, attending physicians, while Turk (Donald Faison, Uptown Girls) is vying for one of the hospital’s few surgeon positions. As viewers would expect, the usual gang is still doing its thing, with Dr. Cox ranting, Carla bossing people around, the mysterious Janitor hassling J.D. and Dr. Kelso ruling the place with a nasty fist.

What Time Is It? It’s Tool Time! Home Improvement was based on a stand-up routine that made a name for Tim Allen. In his act he would talk about his experiences with power tools and other manly misadventures. He came across as a comedic Bob Vila. Somewhere along the line it was decided this had the makings of a good sitcom for television. It was a rather inspired idea, and for many years it was one of the funnier shows on the tube. I often find myself referring to the show as Tool Time, which in reality is the cabl... handyman show Tim hosts. The reason for this almost constant confusion is simple. It is the Tool Time bits where the show was always at its best. Tim’s rapport with co-host Al Borland (Karn) is always worth a few laughs. Tim lived next door to Wilson (Hindman) who often had long winded words of wisdom when Tim found himself befuddled by life’s complications. As a running gag, we never see Wilson’s face below the nose. Most of the time the privacy fence they spoke over served to cover these areas, but often other well placed items did the job. Tim had a family. His wife, Jill (Richardson) tolerated Tim’s antics, all the while seeing him as an adolescent. The couple had three kids who were quite young as the show began. By season 6 the boys had grown, which demanded more screen and story time. Now there lives have dominated many episodes to the point that Home Improvement became almost a Brady Bunch instead of the more amusing fare it started as. There’s still plenty to laugh at here, but it’s just not as funny as it once was. Combine the older family with 6 years of the tool bits and Home Improvement was running its batteries down a bit. The show had only 2 more years left in it by this time. It might have been better to stop after 5.

Video

Kyle XY is a quirky series that began about a year ago on the ABC Family Channel. Owned by Walt Disney, you can imagine the kinds of programs one can find there. It’s pretty much a safe haven for kids and their parents to be able to watch things together. That’s why I was a little bit surprised when I watched Kyle XY for the first time on these DVD’s. Certainly the show is pretty much family friendly, but not to the squeaky clean Disney image I’ve come to expect. There are a couple teenage make-out scenes in the pi...ot that seemed awkwardly out of place, at least to my expectations. Certainly these scenes were quite tame, particularly in the post NYPD Blue television universe, but I was still a bit surprised. The overall science fiction theme is also a bit edgy. There is a Smallville/X-Files flavor here. The violence level is toned down from those other shows considerably. That’s not to say there isn’t a bit of danger element pervading the entire series. With the exception of Matt Dallas, who plays the titular Kyle, the cast is considerably weak in its acting chops. Dallas is, however, a bit of a standout here. The young actor seems to have a considerable insight into the nature of his character. He does an absolutely stupendous job of demonstrating the naiveté and innocence of Kyle. Perhaps this performance stands out because of the really bad acting by the rest of Kyle’s adopted family. Bruce Thomas, playing Dad, is horrid. Maybe that’s to be expected when your movie resume includes the two Legally Blonde films. Another rare performance is to be found in Nicholas Lea as the enigmatic Foss. Lea, of course, is best known as the sometimes ally, sometimes bad guy Krycek from the aforementioned X-Files.

The premise for Kyle XY starts very much like the John Doe series and continues to parallel that failed series. Kyle shows up naked in the woods with no memory of who he is. Taken in by a social caseworker and her family, Kyle begins to exhibit strange abilities. He doesn’t require sleep, although in an attempt to be more normal he does give it a try using a bathtub for a bed. He has extremely acute hearing and unusual physical strength. While his memory might be fuzzy, his mental capabilities are off the charts. Oh, and he’s missing a belly button. Most of the shows find Kyle trying to find out who or what he is. A mysterious stranger, Foss, is watching him closely and eventually reveals himself as a possible friend. The show tries to get a lot of mileage out of the Trager family’s learning to deal with Kyle and his emerging oddities. The season ends with Kyle leaving the Tragers to meet his possible creator.