Posted in: Disc Reviews by Gino Sassani on May 21st, 2007
Mel Gibson has become somewhat of a character these days. Gibson has become a bit weary of the "Hollywood" way of doing things and so has struck out on a course of originality that can be both inspiring and controversial as the man is himself. His "The Passion" film was viewed by many as the ultimate depiction of Christ's suffering. At the same time just as many believed they were seeing a slant on Jews that was unfair. Just when a balance seemed to have been struck and his film was being accepted for what he claim...d it to be, Gibson the character mucks it all up. Unless you've been living in an isolated island somewhere with a mysterious bunker filled with corn flakes, you've by now heard quite enough of Gibson's arrest and related comments about Jews. Undeterred by such setbacks, Gibson again chose a controversial subject and proceeded to create another of his "masterpieces". This time the ancient Mayan civilization is the subject. Another film shot in an obscure language. These movies are overwhelmingly self-indulgent. That isn't to say they aren't any good. It just means that Gibson frankly doesn't give a damn what anyone else thinks.
Apocalypto is as complicated as the man who created it. The first observation I had was that the film was often best when it was at its simplest. Unfortunately Gibson doesn't allow these moments to dominate with the impact they actually possess. There are inexplicable moments of slapstick that can only be explained by Gibson's love for Three Stooges comedy. While that kind of buffoonery was welcome in the Lethal Weapon franchise, it is painfully out of place here. There is also a trend toward modern translations and phrases that are equally out of place. I'm obviously not learned in the Mayan language, so I can't be sure if these phrases are actually what is spoken or simply misrepresentation in the subtitles. There is no question that the cinematography here is outstanding. The lush Mexican locations were well scouted and serve a great purpose in the overall realism of the film. Still, these beautiful locations provide a stark contrast to the brutality and violence often on display. The musical cues are also outstanding. The exotic rhythms and tones invite the viewer to become emotionally involved in the story. Finally, the cast is an excellent group of relative unknowns. Most of the actors are true native American descendents from as far north as Canada and into Mexico. Everything about this production gives you a startling visceral experience that I admit I haven't felt in very many films I've seen. I missed this one on the big screen. I was admittedly put off by the Mayan language of the production. So my first experience was this DVD, which still gave me a relatively large screen experience.
Posted in: Disc Reviews by Gino Sassani on May 1st, 2007
“Gotta love me!” What’s not to love about this cute Disney comedy featuring the most sophisticated puppetry ever created for a television show? Sure, the series has taken its share of hits for being a little too preachy. But even an old conservative like myself really can’t find much to fault in the issues tackled by Dinosaurs. There’s nothing wrong with message entertainment as long as it actually entertains. As a long time Star Trek fan I’m no stranger to morality tales. Truth be told, the issues are simplified e...ough that I don’t get what all the complaining been about. This set brings us the final two seasons of the series. An added bonus is the inclusion of a handful of episodes that never did air.
Nothing changed in the makeup of the series from the first two years, so I’ll repeat the setup I gave you for that release: Each character was a sophisticated animated puppet as well as a suit performer. In all, it took four people to bring each character to life. Combined with the familiar voice talents of the likes of Sally Struthers and Sherman Helmsley, a “man in a suit”, and 2 animatronics puppeteers, these hysteric prehistoric characters were brought remarkably to life. Like The Flintstones, Dinosaurs was modeled after the popular 50’s comedy The Honeymooners. Earl was very much a Jackie Gleason clone from his “king of my castle” attitude to his bulky frame. Like Ralph, Earl had a meek and somewhat simple minded pal. Roy was as much an Art Carney clone as Earl was Ralph Kramden. Even Roy’s voice echoed Norton. The show diverged from its Honeymooner roots with the addition of two children. Robbie was very much a rebel against the sins of his society. Charlene was the typical valley girl who cared more about the latest fashions than anything else. Fran, the mother, was a somewhat modern woman who still managed to juggle independence with traditional roles. Finally the best laughs and lines came from newly arrived Baby Sinclair. His “Not the momma” , “Again!” and “Gotta love me” chants became pop culture mainstays.
Posted in: Disc Reviews by Gino Sassani on April 20th, 2007
As I watched the DVD for Deja Vu I had this uncanny feeling that I’d seen it all somewhere before. Suddenly it hit me. I had seen it all before. It was a darkened multi-plex last Thanksgiving weekend. That’s when I saw the film for the first time and was somewhat intrigued by the originality of the story. I have to say that watching it again on DVD, I think I liked it more the second time around. The basic concept is perhaps not original at all. It is the framework of the idea that I found refreshing. The film also...sparks more than a casual philosophical debate that brings in such high concepts as morality and paradox. This is certainly a film worth thinking about, and that is all too rare today.
Another area in which this film excels is the casting. It’s not that these are the most stunning performances I’ve seen. What I admire most here is the way the actors easily blended into their parts like a chameleon disappearing from a predator. None of the portrayals leap from the screen and dazzle you with their art, but you almost instantly accept all of them as the characters they play. For such a well known actor like Denzel Washington that is no small feat but, I believe, one of the best compliments one can pay to an actor. Paula Patton is stunning without looking like a typical sex symbol.
Posted in: Disc Reviews by Archive Authors on February 26th, 2007
The Prestige surprised me like no other film has since The Usual Suspects. The entire film plays out like a good bit of misdirection, slight of hand and illusion, with some pseudo-science thrown in for good measure.
Robert Angier (Hugh Jackman, X-Men) and Alfred Borden (Christian Bale, Batman Begins) are rival magicians, both inspiring to be the best the world has ever seen. They began as partners, working together as assistants to an established magician, but when a trick goes terribly wrong, their relationship is forever changed. When each man sets out on his own, their rivalry grows as fast as their individual careers, with each of them suspicious of the other, and always striving to learn the other's secrets. The question is, who will win in the end, and what will be the cost of victory?
Posted in: Disc Reviews by Archive Authors on February 14th, 2007
In the great tradition of Hollywood rehashes, The Guardian applies a new coat of paint to a tried-and-true formula. In this case, we're talking about the story of Top Gun with Coast Guard rescue swimmers in place of Air Force fighter pilots. Oh, and maybe throw in a little Officer and a Gentleman for good measure.
Stop me if you've heard this one. They're the elite, the best of the best. Their training program is the most difficult in the world, and it will weed out anyone who can't cut it in their dangerous profession. One man is a legend in the profession, now the lead instructor at the school. The other is a cocky young recruit, with tons of raw talent but always "this close" to throwing it all away. The instructor recognizes the recruit's ability, but questions whether he can be trusted in a real life or death situation. Their relationship starts out antagonistic, but before the tale is finished, they'll find a common ground and shared respect, and the teacher will pass his torch on to the student.
Posted in: Disc Reviews by Archive Authors on December 16th, 2006
Well as far as girl groups go, I suppose one could do worse than the Cheetah Girls. Something that is a pretty clear production of the Disney network, the only recognizable thing about the group itself is the appearance of the big-boned Raven Symone, otherwise known as the youngest Cosby kid.
And it appears that several different plot devices occur through the film. You've got the Help! or other delirious fans of young groups. Then the girls travel to what appears to be Spain after maxing out their success in the US, so they decide to go without really going, using enough exterior shots to match up with the sound stage scenes. Then you've got the whole thing about them wanting to make it big, and I think at one point one of the girls falls in love, but I could be mistaken on this.
Posted in: Disc Reviews by Gino Sassani on November 30th, 2006
Five years seemed to go by in the blink of an eye, but Sydney Bristow and friends have gone on their final mission. The final season brought along the expected plot twists, new faces, and clever disguises just as the previous four had, but something was definitely missing by now. With J.J. Abrams moving on to other things like Lost and Start Trek XI, it seems that Alias was left to fend for itself. Now, granted, it had been a while since Abrams was involved in the day to day running of the show, but by year 5 it se...med to also be lower on everyone’s priority list. It was the lowest ratings for many episodes. The introduction of Prophet Five never really made it out of the awkward stage. While it was clear that at times Alias was trying to return to the beginning in tone and delivery, the same tricks don’t seem to always work the second time.
Cast additions dominated this season cut short. Rachel Nichols is an attempt to remind us of our first introduction to Sydney. She also has been deceived into working for a CIA pretend organization called The Shed. Rachel Gibson has a more technical skill set, but takes to the APO as did Sydney. Amy Acker has the far better new role as Kelly Peyton. Peyton is a bit of a villainous foil that we could have actually used more of. Finally, I think we were all getting a little tired of Rambaldi. It would have served Alias far better to have moved on at some point. (I’m talking years ago.) By the last episodes all they were trying to do is wrap things up, and it ended up causing some contrived finishes that did not do the show or its legion of fans justice.
Posted in: 2.35:1 Widescreen, Buena Vista, Disc Reviews, Dolby Digital 2.0 (French), Dolby Digital 2.0 (Spanish), Dolby Digital 5.1 (English), Drama, DVD by Archive Authors on October 28th, 2006
Synopsis
Don Haskins may not be as well-known as Jackie Robinson, Jim Brown, or other historical figures that have helped integrate sports with black players, but the impact that Haskins had on college basketball is arguably more significant than any coaching strategy could have possibly introduced, and it’s those events for which Haskins was at the helm that unfold in Glory Road, which some have unfairly labeled as producer Jerry’s Bruckheimer’s basketball equivalent to Remember the Titans.
Posted in: Disc Reviews by Archive Authors on October 6th, 2006
Synopsis
I thought I knew all about Stick It based on the cover of the disc: “From the Writer of Bring It On”. That’s it, game over. What I could expect was a film where the girls ruled the show, the adults, if they could be found, were pretty marginal, and there would be a lot of ass shots. But despite all the semi-glorified ass shots, Stick It isn’t necessarily a bad movie. In fact, I kinda liked it. Maybe it’s all the ass exposure, I don’t know. Whatever the reason, the 103 minutes ...f Stick It start with Haley Graham (Missy Peregrym, Catwoman), your proverbial rebel with a load of talent who keeps pissing it away by rebelling on anything and anybody. And as punishment for vandalizing a house, her father (and yes, that is Uncle Rico himself, Jon Gries, from Napoleon Dynamite) gets her to rejoin a gymnastics academy she dropped out of as part of her restitution, community service, etc.
Posted in: Disc Reviews by Archive Authors on October 3rd, 2006
Synopsis
Being as I’m rather baffled by what’s going on, as once again Mr. Late-to-the-Party, here’s how the box summarizes what’s up this season: “discover Bree’s new life without Rex, Lynette’s chaotic return to the working world, and what becomes of Susan’s on-again, off-again relationship with Mike.” And that’s just for starters, of course. Let’s not forget the descent of Rex’s OTT mother on Bree, and Eva Longoria’s fight with the nun in the church.
