Posted in: Disc Reviews by William O'Donnell on December 5th, 2011
The latest incarnation of Deep Purple is going the route of many “classic” rock and/or metal bands, and are putting being accompanied by a symphony for a special release. This particular concert closed out the 2011 Montreux Jazz Festival.
Many do not realize just how powerful a symphony sound can be without ever hearing one live. For this concert film, it helps when a heavy metal band is present to be matched and/or enhanced by the sheer boom that is power of a symphonic sound to help make for a nice example. The frequently bluesy riffs of Deep Purple, coming from songs both new and old, are complimented well by a large assembly of strings and horns. It should be noted that this is not a full symphony, but something similar to the size of a Count Basie orchestra setup. In fact, there are some songs where the symphony do not play at all, such a “Space Truckin'' whose chunky riffs might be best left alone.
Posted in: Disc Reviews by William O'Donnell on December 3rd, 2011
Somewhere, somehow, Usher has been dubbed the reigning “King of R&B.” I understand his sales are immense and popularity is undeniable, but I am hearing his name being said in the same sentence as James Brown and Michael Jackson. Those are insanely high standards to live up to, so I was was expecting a lot from the “OMG Tour” live performance.
Amidst scantily clad women, soaring lasers, massive video screens, a hyperactive backing band and sweating buckets in front of a sold out crowd, Usher does an 19 song long Michael Jackson impression. Am I watching the next King of Pop? Or (lord help me) King of R&B? (may the ghosts of Motown have mercy on whomever anointed Usher with that moniker). No, I am not. I am, however watching an extremely smooth dancer, a hard working entertainer, and charismatic singer lead an enormous stage production with a confident, cool professionalism.
Posted in: Disc Reviews by Michael Durr on December 1st, 2011
My parents were always an oddball lot when it came to music. My mom liked the crooners and if she ever did touch rock and roll, it was something very light and airy. My dad however was a totally different animal. He listened (and still does) to Led Zeppelin, the Moody Blues and Queen. But perhaps one of his favorite albums of all time is Paranoid by Black Sabbath. The front man for Sabbath is the one and only Ozzy Osbourne. I find myself in a fortunate position where I get to review his documentary, God Bless Ozzy Osbourne.
As we open up this documentary, we are told that the makers of this movie have spent the last two years on the road with Ozzy Osbourne. Nearly everyone survived. We visit Argentina as one of Ozzy’s tourstops. We get a very candid look at Ozzy as he puts on makeup, exercises his body and his voice and his slow walk to the stage. He seems to be an everyday normal heavy metal singer but this person who is always been labeled as “Rock n Roll’s definitive crazy person” has a special tale to tell.
Posted in: Disc Reviews by M. W. Phillips on November 23rd, 2011
“You can blow out a candle, but you can't blow out a fire. Once the flames begin to catch, the wind will blow it higher”
Peter Gabriel, the flamboyant original front man for Genesis from 1967 to 1977, left that band to pursue recording his own solo albums. Although none of his early albums scored a top 40 hit, they were deeply loved by the art house music crowd. Gabriel’s penchant for exotic world musical instruments, dark moving lyrics, and complicated arrangements built on his fiercely loyal following.
Posted in: Disc Reviews by M. W. Phillips on November 23rd, 2011
Let me get this out of the way first off: I am not a big fan of emo-pop, so maybe I’m not the best person to review Placebo. The whiny nasal vocals and amazingly repetitive hooks tend to drag, and I find myself just wanting to slap the band and tell them to man up. That said, I should think if you are a fan of the band, you will love this nearly three hour concert disc filmed at London’s Brixton Academy in September 2010 during the band’s tour for their album Battle for the Sun.
Placebo is not a band that has achieved the same level of popularity in North America as they have abroad. Their “emo” stylings have spawned numerous top ten singles in the UK. The three-piece band is very tight on stage, and their sound is pristine live. The striking stage visuals are complemented by all sorts of digital post effects seamlessly inserted into transitions (maybe a few too many post tricks, as it seems to detract from the show, drawing attention to the video editor instead).
Posted in: Disc Reviews by Gino Sassani on November 8th, 2011
"We skipped the light fandango, turned cartwheels 'cross the floor. I was feeling kinda seasick but the crowd called out for more. The room was humming harder as the ceiling flew away. When we called out for another drink the waiter brought a tray."
The lyrics are about as familiar as any that have been written in the last 60 years of rock music. Whiter Shade Of Pale is one of the most covered songs in history. From The Box Tops to Joe Cocker. The list includes such bands as ASA, The Dells, Willie Nelson and reggae artist Marlene Webber. But the lyrics belong to Keith Reid, and the original version belongs to the band Procol Harum.
Posted in: Disc Reviews by William O'Donnell on November 6th, 2011
Somewhere between Iron Maiden and Pink Floyd lies Queensryche's concept albums Operation Mindcrime parts one and two. Part One was released in 1988 and has since been heralded by many as one of the finest heavy metal albums (concept or otherwise) of all time. The sequel arrived in 2006. This concert film is from the subsequent tour that featured the band playing both albums in their entirety, back to back, with actors, animations, and an elaborate stage setup to perform this rock opera.
The plot follows a man who has been coerced into become an assassin of political figures. The sequel is a revenge story after he is jailed for his actions. A small team of actors fill in the roles that lead singer Geoff Tate does not.
Posted in: Disc Reviews by William O'Donnell on November 2nd, 2011
Here are four evenings music fans did not anticipate coming, yet anyways hoped for. In 2005 Cream reunited for the first time since their breakup (save for one performance when they were inducted into the Rock n Roll Hall of Fame in 1993) for four concerts at the legendary Royal Albert Hall. The bad blood between the members of Cream was almost as famous as their influential music. With that in mind, it is wonderful to see these extremely talented men play just as tightly as they did in the 1960s, and some might argue that they've never played better than at these shows.
The set list is a rich mixture of chart topping originals (White Room, Sunshine of your Love...), classic covers (Born under a bad Sign, Crossroads...) and even some songs that the band had never played live before, such as 'Pressed Rat and Warthog.' The set that appears in this film is cobbled together with clips from each of the evenings, most likely to give us the best possible concert experience. As well, along with the songs, Ginger Baker gets a lengthy drum solo and, of course, Eric Clapton is alloted many opportunities to demonstrate some of the smoothest Blues guitar playing that has ever blessed our listening ears.
Posted in: Disc Reviews by William O'Donnell on November 2nd, 2011
Bubokan is one of those venues that has become a goal for any major band. Dream Theater had toured Japan numerous times over the course of 12 years but never yet rocked this venue. Japan is, and has been, one of those markets that tends to embrace things differently than North America or Europe; and Progressive Metal is not exactly rocking the Top 40 stations (at least, not since RUSH were in their prime...and even then...). It was only a matter of time that the most relevant “Prog” band playing today would make it to Budokan, and they celebrated by making it into a concert film.
Each member of this group is a virtuoso at their instrument. Taking time for instrumentals or solos are rather commonplace for arena concerts. Instead of the standard guitar or drum solo, all but the lead singer of the group would flex their progressive metal playing muscles while putting on a clinic of just how flashy a musical education can be when the most technically impressive of scales and rhythms are played at breakneck paces and mixed with very strange time signature changes.
Posted in: Disc Reviews by Gino Sassani on October 6th, 2011
Yes formed in 1968 and instantly became a pioneer in the area of progressive rock. The band utilized classical trends and ideas to create epic musical pieces that were often over 10 minutes in length. While that made AM radio success more fleeting, the band was huge at its peak, joining the ranks of Emerson, Lake and Palmer in the genre as one of the most endearing and enduring bands of the era. While there have been many musicians to come and go over the years, the most popular lineup includes Jon Anderson on vocals, Steve Howe on lead guitar, Chris Squire on bass, Alan White on drums and Geoff Downs on keyboards. Certainly, they haven't enjoyed the same amount of success in recent years, yet the band manages to survive in one form or another to this very day.
Eagle Rock Entertainment has given us a chance to drop in on our old friends and see how the last 43 years have treated the band in their Blu-ray release of Yes Symphonic Live. The concert takes place in Amsterdam in 2001 and is part of the band's triumphant tour with a full orchestra. It's something they hadn't really done quite like this before. The tour was intended to promote their latest release Magnification which features the return to the long-form songs and classical roots. It's likely the biggest concert tour the band has given in respect to arrangements and stage presence. They still appear to have a spark even if you won't find Howe or Squire moving about as frantically as they once did. Of all of the band members Anderson appears the least worse for wear and has incredible energy and a voice as strong as you remember from the glory days.