Eagle Rock Entertainment

It is concert time folks and I got another good from the folks at Eagle Rock Entertainment. Hope my audience today likes the Eighties rock and roll because we got a doozie of a band tonight. They are The Pretenders famous for such songs as Message of Love and Back on the Chain Gang. Like many bands of their time, they are formed from the heart of England but they have fully embraced the American way. But without further adieu, let's go to the Wiltern Theatre in Los Angeles. Maybe they can “Bring out the Biker” in all of us (once I figure out what that means).

The Pretenders were formed in 1978 out of Hereford, England. The original lineup consisted of Chrissie Hynde as lead singer and on rhythm guitar, James Honeyman-Scott on lead guitar, Pete Farndon on bass and Martin Chambers on drums. They were named after the Platter's song The Great Pretender and would go on to release their first album (self-titled) in the beginning of 1980. It would eventually reach platinum but take over two years to do so.

Somehow in addition to my love for bad action movies and cartoons, I have developed another feather in my cap as being one of the people on this site that regularly reviews concerts and musical documentaries on dvd or blu-ray. This is despite the fact that about the only musical talent I possess is the ability to sing glam metal or hair band rock. Okay, perhaps I can sing some other rock songs too but I would not consider myself a musical aficionado. So today’s musical act to review? That would be the Counting Crows.

Most people when they hear the band name Counting Crows think of the song, Mr. Jones, a very curious alternative rock hit that blew up the radio rock airwaves in late 93 and early 94. The truth is that song was an unexpected hit for the band who sang the song out of fun and fantasy. Lead singer Adam Duritz ’s childhood friend, Marty Jones (Himalayans bassist) was one of the inspirations for that song that spoke of the desire of musicians who wanted it to make it big.

Hard-rock guru of the seven seas (as long as you count the porta-johns) here with another musical review courtesy of Eagle Rock Entertainment. This one is entitled: Bad Co.: Live at Wembley. The concert played on April of 2010 to a packed house. As the booklet inside the package indicates, “...for a band to achieve this level of brilliance is extremely rare, to capture it on film, nearly impossible.” Well that is exactly what they did and it is my pleasure to bring that review home to you.

Bad Company (or Bad Co. to their fans) was actually a supergroup that formed in 1973. The original line-up consisted of Free former members: singer Paul Rodgers and drummer Simon Kirke. It also included former Matt the Hoople guitarist Mick Ralphs and King Crimson bassist, Boz Burrell. Their first album sharing the same name as the band would go on to sell 5 million copies in the US alone and have three hot singles.

Bands tend to change members about as often as I change my disposable razor. Heck, in some cases perhaps more often. (I really need to get a new razor) Whether it is a lead singer or perhaps a drummer, in some cases nobody is safe when people start arguing (ask Michael Anthony of Van Halen). But for this review, I was presented with a band that had changed members quite a few times. In fact, only one of the original members remains and he is the drummer. Meet Deep Purple.

Deep Purple was formed in the late 1960’s. The original lineup included Jon Lord, Ritchie Blackmore, Nick Simper, Rod Evans, and Ian Paice. The band was originally called Roundabout but after their first tour quickly changed their name to Deep Purple after Blackmore grandmother’s favorite song. They broke thru the rock world after and released three albums numbers that would do quite well in the US as well as abroad in the UK.

A good friend of mine and I have had long-standing difference of opinion about Black Sabbath. He has no interest in anything post-Ozzy. I continued to buy Sabbath albums though all the band’s different incarnations, and while some releases did, I confess, require a greater degree of loyalty than others, the Ronnie James Dio studio albums (Heaven & Hell, Mob Rules, Dehumanizer) have always been favorites of mine. So the events of the last few years were something of a roller coaster ride for fans of my ilk, the joy of a new album (The Devil You Know, with this configuration of the band rechristened Heaven & Hell), followed by the shock and sadness following Dio’s untimely death. This release, a record of a 2007 concert, is a fitting valediction to a great band.

The fifteen songs are a fine selection. Doubtless, each of us will miss one favorite or another. I’m sorry that “Turn Up the Night” and “Buried Alive” were left off the playlist. But I can’t complain about any of the songs that are included. All three albums are well represented, and the absolutely necessary pieces – “Mob Rules,” “Children of the Sea,” “Die Young,” “Heaven and Hell,” “Neon Knights” – are all present and correct. Also performed are two songs – “The Devil Cried,” “Shadow of the Wind” – that were (along with “Ear in the Wall”) included on the Dio Years collection and heralded the band’s return to active songwriting.

More often than not, I don’t listen to too many female musicians. Most of them fall into the hard rock (Lita Ford, Donnas) or 80’s/90’s pop dance (Taylor Dayne, Sheena Easton). Occasionally, I will be wowed by good looks and a magical voice. I am a man after all. But when I received Sheryl Crow: Miles from Memphis – Live at the Pantages Theatre, on Blu-Ray, I was not sure what to think. Sure, she had looks but Crow’s music is ever-changing. However, I am certainly willing to give it a listen.

Most people know Sheryl Crow from her multi platinum albums, and selling well over fifteen million records domestically and probably a good thirty five million records worldwide. However, her start was kinda ominous. When she left college, she was teaching music to elementary school kids in Fenton, Missouri. Then came a couple of McDonald’s and Toyota commercial jingles. Before she knew it, she was a backup vocalist for Michael Jackson during his Bad tour.

As one could probably guess from my tender age of thirty five years, I listen to lots of 80's music. Not only did I grow up in it, the music was energetic and often thoughtful (without being too depressing). But the thing I remember most about the music on a whole is the brilliant videos behind them. David Byrne of Talking Heads was the head (literally) of one of my favorites, Burning Down the House. A great musician and pop legend, David Byrne is back to entertain us in Ride, Rise, Roar.

David Byrne was born in Scotland in the spring of 1952. He knew how to play the guitar, accordion, as well as the violin before he even entered high school. David went through a couple of minor bands before landing his first major gig with the Talking Heads in 1975. The band went on to do great things and several of their albums went gold with sales well over 500,000 copies. Unfortunately, the group broke up in 1991 after creative differences and David Byrne went on to a solo career.

Rory Gallagher was somewhat of an enigma in the British music scene. While he never did have the breakout hit or career that he worked so hard to achieve, he has managed to develop quite a cult following over his troubled career. His roots went deep into the British blues scene where he first received some notice in the band Taste. But Rory was a force of nature and couldn't be contained in the local scene. He grew up in the small town of Cork in Ireland and managed to fight his way onto a world stage by the time he reached his 20's. His music was a unique blend of blues and hard-edge rock and roll. His voice wasn't ever described as smooth. He belted his words out in screams and shrieks. He was all about the energy, connecting with the audience live far more effectively than he did through his recordings. He was the kind of guitarist that flew across a fret board like a supersonic jet flying over clear calm skies.

Rory Gallagher died of liver failure in 1995. He lived hard, and it obviously took its toll on his heath. He didn't really get into the drug scene, but he could put away the ale. He was a man forever in motion. This concert/documentary from Eagle Rock is a perfect window into the lifestyle and music that was Rory Gallagher.

There is a place in London of the United Kingdom that is down in the Royal Borough of Kensington and Chelsea that used to be the first Church of Christ. However, throughout the years the populace decreased that flowed into the church and it became a shell of its former self. Still a goregous location, in 2001 it became home to the Royal Philharmonic Orchestra. That building is called Cadogan Hall. Fast forward to 2009, a band called Marillion decided to play there which led to this 2011 release.

Marillion is classified as neo-progressive rock music. If you are not in the know, you might ask yourself, what the heck is neo-progressive rock music? Well according to what I could find, it is deeply emotional music with dramatic lyrics and an almost theater like quality on stage. One really won't see guitar and drum solos on the spur of a moment. They will be carefully staged with help from other instruments such as keyboards and percussion. If you are thinking of influences such as Genesis or Yes, you would be in the right area.

Musically, I've been told before that I'm not that broad. I primarily like my hard rock and it doesn’t matter whether it is a flashy piece from the 80's or a grungy alternative piece from the 90's. But there is something that a lot of the music I listen to has in common with each other. A great guitar track. From the brilliance of an Andy Timmons to the soothing energetic sound of a Tom Cochrane. It is only fitting that a blu-ray capturing the guitar god simply known as Jeff Beck graces my door step. Furthermore, he is having a party honoring the late Les Paul. This ought to be a treat.

There is a concert inside the Iridium Jazz Club in New York City tonight. Let’s see who is playing. Well, there is Darrel Higham on guitar and vocals. He’s been a lead guitar with rockabilly bands since the late 80’s. Then there is Darrel’s wife: Imelda May, a fairly established Irish singer who has sang with many greats and loved the world over. Then there is Al Gare on bass who has often played with the husband and wife combination.