Posted in: Disc Reviews by Archive Authors on March 7th, 2006
Ahh, Moonlighting. For people of my generation, this may be the golden age of television. That's not to take anything away from I Love Lucy or The Andy Griffith Show, but when you grew up in the 80's, there was this, L. A. Law and Miami Vice. For my money, Moonlighting was the best of the three. Even by today's standards, it is extremely rare to find a show such as this. A genuine drama/mystery program that succeeds in being very, very funny. The fact is, the entire show was ...uilt around the skill of a new actor on the scene named Bruce Willis, and had he been anything less than stellar in every single scene that he was in, the program would have crashed and burned. Suffice to say, the show soared. Cybill Shepard was both beautiful and clumsy, and quirky character work by Allyce Beasley and Curtis Armstrong filled in the supporting plotlines, but it was Willis who stole the show every week. By the time the series ended, he had made himself a superstar.
Season Three may very well be the best season of this shows five year run. On the one hand, the early introductions and quirks of the first season had been worked out. On the other hand, we are still in the midst of the brilliant episodes that came before David and Maddie took the plunge, so to speak. These episodes are the cream of the crop. If you are thinking about trying out this series to see if it is for you, Season Three actually might not be that bad of a place to start. It's cheaper that the combined Seasons One and Two release, and you don't necessarily need the back story to dive right in and have fun.
Posted in: Disc Reviews by Archive Authors on February 28th, 2006
Wildfire has all the subtlety and charm of an ABC After School Special. Truth be told, the pilot episode reminded me a lot of Showgirls, but instead of becoming a pole dancer, this girl is becoming a horse trainer. The basic elements are still the same, though. A girl with a rough past gets an entry-level position at her dream job, and must work her way up the ranks. Only this show is on ABC Family. Gone is all the glitz and flash that tried to cover up the horrid plot of Showgirls. Withou... all those distractions, the viewer is sadly left only with lame, tired dialog and incredibly predictable plot lines to keep them warm.
If this was a dog show, and you asked me what I thought, I'd say “woof”. However, it's a horse show. Therefore, I say “neigh”.
Posted in: Disc Reviews by David Annandale on February 25th, 2006
Synopsis
Donnie Wahlberg plays a cop whose past, to say the least, is checkered. He is drawn into a very personal confrontation with Jigsaw (Tobin Bell) when the killer kidnaps his son. Jigsaw wants Wahlberg to sit and listen to him if he wants his son to live. The boy, meanwhile, is trapped in a house where the air is slowly filling with a toxic nerve agent, and surrounded by a group of people who, desperate as they are to escape and to find antidotes to the poison, also, did they but know it, have ...ood reason to hate the teen in their midst.
Posted in: Disc Reviews by Archive Authors on February 23rd, 2006
Synopsis
What distinguishes Nicolas Cage from other more mainstream actors is that his choices of independent films, providing him the opportunity to take on a wide variety of roles that broaden his range, while periodically taking on the occasional Jerry Bruckheimer production to maintain his box office gravitas and make some money to allow him to work the indie films. It’s a circuitous route that helps to benefit the viewer. Sometimes those lower-level films are hits, while others miss.
Posted in: Disc Reviews by Archive Authors on February 20th, 2006
Each year there are quality films that slip through the cracks for one reason or another. Lord of War is one of those movies. At first look, I would blame this film’s lack of financial success on the marketing department. It was hard to get a feel for the film through the trailers and commercials.
What was it about? A gun salesman? With Nicolas Cage and a bunch of spent bullet casings at the front and center of the ad campaigns, one might think that this was another Jerry Bruckheimer action-fest muc... like past Cage vehicles The Rock or Con-Air. But Lord of War could not be more different than those films. OK, so maybe it’s not the marketing department’s fault after all. Lord of War is a tough movie to pin down. And in today’s age of fast food cinema, it’s no surprise that Lord of War was pushed to the back of theaters upon its release.
Posted in: Disc Reviews by Archive Authors on February 19th, 2006
The idea of a gross-out comedy is nothing new. There have been some extremely funny gross-out comedies like The 40-Year Old Virgin and The American Pie Trilogy. However, there have also been some extremely boring and stupid gross-out comedies like National Lampoon’s Van Wilder and Deuce Bigalow: European Gigalow. The key to a successful gross-out comedies to is have a smart plot and jokes that actually make sense and aren’t just made for a quick laugh. While there are some funny sequences ...n Waiting…, the film just lacks the overall spark and humor of a good comedy.
Basically summing up the plot of the film; Monty (Ryan Reynolds), Serena (Anna Faris), and Dean(Justin Long) star in this film about a bunch of waiters that are simply trying to show their customers how awesome the service can be at the restaurant ShenaniganZ can be. Monty’s job, it seems, is to show the new guy Mitch (John Francis Daley) around the restaurant, showing him everything from where the condiments are kept to a rather vile game that ends with the offender’s butt being kicked. (I won’t go into full detail as it seemed like Director McKittrick was trying to bring some energy into the film with a gross-out concept that falls extremely flat.)
Posted in: Disc Reviews by David Annandale on February 9th, 2006
Synopsis
FBI trainee and psychic Caterina Scorsone is suddenly graduated because her abilities are needed on a missing person case, and so begins her partnership with borderline rogue FBI agent Vivica A. Fox. And there’s the premise set up: each episode, someone else is missing, and CSI meets the X-Files, but with none of the panache of either show. The dialogue is pseudo-hard boiled, and Fox is no more an federal agent than I am the Pope (I highly doubt those stiletto-heeled, snakeskin boots are eit...er regulation or practical). The show is competently put together, but flat and uninspiring, the investigation feeling like tired motions being gone through. If the premise grabs you, you might find a modicum of entertainment here, but that’s about it.
Posted in: Disc Reviews by Archive Authors on February 2nd, 2006
In the era of the popularity of documentaries, it seems that everywhere we look a new documentary is coming out about another subject. From Michael Moore’s look into the Bush administration’s ties with the Sauds in Fahrenheit 911, to the recent look into the world of penguins in March of the Penguins, each documentary holds something special as they bring us to a world we may have never known if it not for these filmmakers. One of the more special documentaries in recent time is an extremely powerful na...ure documentary called Grizzly Man.
Grizzly Man deals with a man named Timothy Treadwell who, for 13 summers, spent his time living in Alaska’s Katmai National Park and Reserve investigating grizzly bears. The film is like no other documentary I have ever seen. It has a certain level of power that is unheard of. The director of the film Werner Herzog, nor the actual documentary, approve of what Treadwell is doing. It’s also not too concerned with presenting the animals as marvelous creatures. The film was assembled by Herzog from some 90 plus hours of video that Treadwell shot in the wild directly interacting with these bears. Treadwell never showed any fear, despite Treadwell knowing and once saying ”If I show weakness, I’m dead. They will take me out, they will decapitate me, they will chop me up into bits and pieces---I’m dead. So far, I persevere.” Low and behold, this is exactly what does occur to Treadwell and his girlfriend.
Posted in: Disc Reviews by Archive Authors on January 28th, 2006
Oliver Stone has developed a well-deserved reputation for injecting conspiracy tales into his films. A veteran of Vietnam, he has developed quite a case of drug-induced paranoia over the years. While this probably makes him a real drag at parties, it makes for some really interesting films... especially when said films are based on actual events. Audiences can drive themselves crazy trying to separate fact-from-speculation-from-rumor-from-flat-out-fiction, and that kind of thing is great fun for somebody like me.
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Posted in: Disc Reviews by Archive Authors on January 12th, 2006
I have said it before, and I will continue to say it as long as it is relevant... these Saturday Night Live releases are the perfect product for the PSP. They are short, funny and get right to the point with little depth or exposition required. It is easy to drop in and watch a skit here or there during your morning commute, waiting for a cup of coffee or while killing time before the big game. Of course, it is also easy to burn through a full hour by spinning the entire disc, as Ferrell is just so funny that it is s...metimes hard to stop at a single skit or two. In fact, out of all of the new SNL discs that have been produced, I feel that this particular title is the best of them all. The thing is, once you pick up one volume of the Will Ferrell set, you will most certainly go out and pick up the second. Fans of Bill Braski, Dubya and James Lipton, your time has finally come.
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