Posted in: Disc Reviews by Archive Authors on July 30th, 2006
Synopsis
I’m probably one of the few remaining “critics” that wasn’t familiar with the Showtime original series Weeds, and when Mary-Louise Parker (Fried Green Tomatoes) won a Golden Globe for Best Actress, like some other people who haven’t seen it, my response was “what the hell for?”
Posted in: Disc Reviews by Archive Authors on July 27th, 2006
Synopsis
In 1908, an inbred hillbilly (played by, who else, Newhart’s William Sanderson) had decapitated a family member, and is brought to a spooky asylum. A maniacal intern realizes that the face-like deformity on the man’s back is actually intelligent, and his obsession with cracking the mystery unleashes all sorts of horrors.
Posted in: Disc Reviews by Archive Authors on July 25th, 2006
Synopsis
Tyler Perry once again dons multiple costumes to incarnate several characters, most prominently Madea, the no-nonsense but mischievous matriarch of a very fractious family. She is ordered by the court to take in a runaway as a foster child, and that project of reclamation joins that of helping out her nieces. They have a mother from hell. One sister is struggling to learn how to love again, while the other is being forced into marriage with the hideously abusive Blair Underwood.
Posted in: Disc Reviews by Archive Authors on July 5th, 2006
Synopsis
Anthony Michael Hall steps into Christopher Walken’s considerable shoes as Johnny Smith, a man who wakes up after years in a coma to discover that not only has life moved on without him, but he has psychic powers, and with them comes visions of politician Greg Stillson (Sean Patrick Flanery, taking on the role essayed by Martin Sheen in the Cronenberg film) bringing about some kind of apocalypse. Smith’s struggle against Stillson makes up the central arc of the series, and this season...opens with Smith trying to stop his friend Rebecca from attempting to assassinate Stillson, and act that will result in her death.
Posted in: Disc Reviews by Gino Sassani on June 7th, 2006
You might not know this, but there are two Jackie Chans. The original Chan was an intense martial artist. His films were quite serious and action packed. While humor was always an element to his style, these early films did not really capitalize on that element. The Asian productions were nearly a genre unto themselves. Still, international stardom was elusive to this talented actor.
The second Jackie Chan is the man most Americans are familiar with. Still a talented martial artist, these films show a lighter side to the actor. Chan has become a character of his own like any James Bond or Jack Ryan. Whatever the character he’s playing, what we’re paying to see is Jackie Chan. In these films, Chan allows his own disarming charm to be the creative force in the film. Humor is always served in generous proportions. At times he is almost the caricature of his former self.
Posted in: Disc Reviews by Gino Sassani on June 2nd, 2006
ALF is back, and just as funny as ever in this third season of mayhem. Unfortunately, we are again treated to syndicated cut versions of the show. Still, this appears to be all we’re going to get. Not sure if I mentioned it before, but having the episode titles has pointed out that each ALF episode uses a song title as the production name. This season songs like Stop In The Name Of Love, Funeral For A Friend, and Stairway To Heaven are represented. There are quite a few more “fantasy” episodes here. ALF is shown what life in the Tanner household would be without him. He dreams of hosting The Tonight Show. The laughs are still in high gear.
Video
Posted in: Disc Reviews by Archive Authors on May 14th, 2006
Here's the dilemma with these kinds of movies; it's hard to successfully fit a hard R story into a PG-13 package. Usher is a big draw in the under-18 market, so the challenge is to take a strong dramatic story and mold it to hit that balance between Hard Eight and Raise Your Voice. However, I have said it before, and here we go yet again... movies that try to appeal to everybody will successfully appeal to nobody. This is a movie that is a bit too racy and violent for your average 12-year-old girl, but way too soft for adults.
The plot is the same kind of thing you have seen time and time again. Usher plays a Hip-Hop DJ trying to break into the music business on a national scale. One night at a party, he saves the life of his friend's father, who is a Mafia boss. As a result of his heroism, he is made to be the bodyguard of the boss' daughter (despite the fact that he has no experience in such a role). Naturally, he soon falls in love with the bosses' daughter, and a conflict of interest ensues.
Posted in: Disc Reviews by Archive Authors on April 20th, 2006
posted by Kim Lee
UFC 1 is where it all began… in the OCTAGON! 8 deadly fighters go head to head in the octagon (steel cage) where two men enter but only one man leaves victorious. These fighters battle it out in a tournament style no holds barred, bare knuckle (no gloves allowed) combat. There are No Rules, No time limit, and No judges.
Posted in: Disc Reviews by Archive Authors on April 6th, 2006
Hmm. Another made for television sci-fi series. Most of the recent sci-fi made for television series have been quite disappointing mainly because they usually run too short, are horrible condensed forcing the creators of the show to either A. introduce characters very quickly, B. have extremely poor set design, or C. have another random plot that has been done a million times over. While The Triangle plot is nothing brand new, the director by Craig R. Baxley with production by Bryan Singer (X-Men) and D...an Devlin (Independence Day) help bring a bit of higher quality to the project.
The basic plot to this mini-series is; A team of specialists races to solve the mystery of why an alarming number of cargo ships are disappearing into the Bermuda Triangle. Made by Craig Baxley and genre veterans Dean Devlin and Bryan Singer, we naturally get scenes filled with tons of FX effects. One of the more surprising positives for this series was the cast. Boasting such actors as Sam Neill and Catherine Bell, the acting level is taken to the next level. The direction was quite surprising with a lot of the scenery and acting feeling top notch. The show, if you didn’t know it was a mini TV series, could have easily passed off as a film.
Posted in: Disc Reviews by David Annandale on March 10th, 2006
Synopsis
Three directors, three doses of uncompromising Asian horror. The first, and nastiest, is “Dumplings” (directed by Fruit Chan), which tells the story of a woman who purchases some very expensive dumplings said to restored youth. What is the secret ingredient? The worst thing you can think of, trust me. And the film leaves nothing to the imagination. Where others would imply the horror and let your imagination do the rest of the work, “Dumplings” gets your imagination working, and then tops it... Nasty stuff indeed.
