Posted in: Disc Reviews by Archive Authors on May 2nd, 2008
A couple of years ago, I was out a trip to New Jersey on business with my boss. When we got there, he wasn’t feeling well, so I had him sit down while I went to the clinic down the hall to see if some medical attention could be given to him. As I turned the corner with an attendant, that’s when I saw him hit the floor. After a few moments of stabilization he was taken to the hospital, where it was determined that he had a stroke. A co-worker and I stayed with him for the duration of the next couple of days until his family could get there, and over that time, he suffered several smaller strokes in the process. One minute he could talk rather lucidly, and like flipping a switch his facial muscles would sag and be nonresponsive. Once his family came, we managed to get the chance to come home, and he spent several more days in the hospital, remarkably without any repercussions from this incident, and came back to work, where we still talk (I’ve moved to another company) and share the occasional gallow humor about what happened.
Posted in: Disc Reviews by Archive Authors on April 3rd, 2008
So what did we all learn with the Joel and Ethan Coen’s latest opus, an adaptation of the Cormac McCarthy novel No Country For Old Men? Well, suffice to say, along with the creative resurgence of the brothers, we get a film that’s part modern-day Western, part action, part comedy and even perhaps part-horror, but in the adoration and adulation, to want to pin the film down as something is to forget that above all else, the film is a tale about changing times, told by someone who’s seen better days and is nostalgic for them. It’s that story that seems to be ignored to a certain degree by people, which oddly enough is ironic considering the title of the film.
Posted in: Disc Reviews by Michael Durr on February 26th, 2008
Dorky romantic comedies have been around forever. Usually there is nothing I can't stand more than some movie telling me how people fall in love when it never happens like that. Like a street walker falling in love with a rich guy or the nerd getting the cheerleader or a dozen people having sex with some girl named Jenna. (well maybe on the last one) Love is mystical and special but it rarely has any set pattern that makes sense. So what would happen when I watched a dorky little New Zealand romantic comedy that featured two people in animal costumes? Hopefully not the norm.
Posted in: Disc Reviews by Gino Sassani on August 14th, 2007
In the advertisements we are promised a thrilling heist film. I’m happy to report that those promises were quite wrong. The heist is pretty lame and never keeps up with the many superior attempts. Honestly, we’ve had too many of these multiple twist heist films, culminating in the Ocean franchise which went two films too long. Instead, what we get here is something far better. The Lookout is a compelling character study brought off entirely by a sweet performance by the lead. Who would have believed that Joseph Gordon-Levitt, the dweeb kid from 3rd Rock From The Sun, had pretty nice acting chops?
Posted in: Disc Reviews by Gino Sassani on July 17th, 2007
Style over substance. Why is it so rare that we find quality in both at the same time? I suppose I might be showing my own age here, but Renaissance is an extremely hard film to watch. The high keyed image offers no middle tones at all. The result is a stark black and white that offers a strain on my eyes. I understand the idea was to recreate the experience of reading a graphic novel (that’s comic book to my generation). Still, I wasn’t reading a comic, was I? It took the French film crew 7 years to create this film.
Posted in: Disc Reviews by Gino Sassani on June 29th, 2007
As you might imagine, I am often asked for my opinion on the films I see. Inevitably I’m called upon to compare the film with some other work, which is at best quite unfair and at worst simply impossible to do. But I’ve gotten good at the game. So let us play it now. We’ll call Neverwas One Flew Over The Cuckoo’s Nest meets Alice In Wonderland. Unfair, some might say, for they are actually the very same story. When you look at it carefully enough, they really are, although important differences do exist. My point i...
Posted in: Disc Reviews by David Annandale on May 18th, 2007
Synopsis
Peter O’Toole plays Maurice, an actor now reduced largely to playing corpses (or near corpses) and watching his days fade away in the company of his similarly elderly friends. Enter Jessie (Jodie Whittaker), the grand-niece of one of those cronies. Maurice is taken with her, and the story then takes a decidedly Pygmalion-esque turn as sullen young woman and ageing Lothario learn from each other.
And then there’s the question of sexuality, which divides audiences and critics (though...
Posted in: Disc Reviews by Archive Authors on April 12th, 2007
The Queen is all about Helen Mirren’s performance. All of the buzz I heard leading up to the Oscars was about Mirren’s remarkable turn as the queen bee herself, Elizabeth II of the United Kingdom, and rightfully so.
The film presents an intimate perspective on the royal family during the week of Diana’s death. Despite her majesty’s very public persona, she is actually a very private person, bound to tradition. She’s at odds with new prime minister Tony Blair (Michael Sheen, Blood Diamond), who...
Posted in: Disc Reviews by Archive Authors on March 8th, 2007
Synopsis
This documentary follows six seasons of the Roosevelt Roughriders girls’ basketball team. Initially, the focus was going to be the work of their unorthodox coach, economics teacher Bill Resler. What he did is interesting in and of itself, turning the team into a real force to be reckoned with. But then into this middle-class, largely white setting comes Darnellia Russell, inner city girl with inner city problems, and colossal talent. The film follows her integration into the team, and when p...
Posted in: Disc Reviews by Archive Authors on April 14th, 2006
Synopsis
What is it about a comedic film about death set in the English countryside that people have to equate it to Waking Ned Devine? Now granted, that film was a crowd pleaser and is a pleasure to watch, but let’s not stigmatize the films that have been released after it. Consider the case of Undertaking Betty, a film about a funeral director named (really) Boris Plots (Alfred Molina, Spider Man 2) who has known Betty (Brenda Blethyn, Beyond the Sea) for quite some time, but h...
