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Shrink is an exploration of loss.  Henry Carter (Kevin Spacey) is a celebrity psychiatrist with an A-list clientele.  Henry attempts to juggle his career with his ongoing personal battles and he begins to breakdown.  The loss of his wife to suicide sends him into a downward spiral of alcohol and substance abuse.  It is not until he agrees to his first pro bono case with a young girl (Keke Palmer) that Henry attempts to rebuild his life. 

What do a messy divorce and a clan of flesh eating cannibals have in common? Well, in both cases someone gets their heart eaten out. They also share plot points in Offspring. Lionsgate brings back their popular Ghost House Underground series from last October. The series title likely borrows a bit from the old Grind House Theater that Quentin Tarantino brought back to fashion in the last couple of years. I assume it is intended to denote a horror film that skirts the art house scene. So, how does Offspring fit into that mold?

Written by Ashley Orr

Despite its over-animated cover, Battle for Terra, directed by Aristomenis Tsirbas, was a surprisingly interesting flick. With an all-star cast playing the voices, this movie takes animated sci-fi and marries the ideas of philosophy and entertainment in an unusual way.

The movie takes place in an alternate universe some time in the future. Mala (played by Evan Rachel Woods), a smart and ambitious Terran, gets caught up in the mix of things after humans attack her planet and she decides to help one of them, Lt. Stanton (played by Luke Wilson), as he tries to return to his battalion.

Written by Adrienne Ambush

Before there was American Idol, before there was So, You Think You Can Dance and definitely before there was Dancing with the Stars, there was Fame.

Based on the 1980’s movie with the same title, Fame is a comedy/musical series about a group of gifted students and their faculty members, all of whose dream is to sing, dance, act, and play music.

Written by Adrienne Ambush

Before there was American Idol, before there was So, You Think You Can Dance and definitely before there was Dancing with the Stars, there was Fame.

Based on the 1980’s movie with the same title, Fame is a comedy/musical series about a group of gifted students and their faculty members, all of whose dream is to sing, dance, act, and play music.

“On the full moon of the seventh lunar month, the gates of Hell open and the spirits of the dead are freed to roam among the living” – Chinese Myth.

I wonder if there’s a roaming charge on that plan. Lionsgate brings back their popular Ghost House Underground series from last October. The series title likely borrows a bit from the old Grind House Theater that Quentin Tarantino brought back to fashion in the last couple of years. I assume it is intended to denote a horror film that skirts the art house scene and Seventh Moon certainly fits that description.

The people at Warner Bros recently decided to adopt a new strategy when dealing with some of their back catalog. They would propose a printing on demand option or what they would dub the “Archive Collection”. This would allow collectors to own classics of long forgotten films and keep costs at a minimal to Warner Bros. One such movie was named Lightning Strikes Twice which came out in 1951 with Ruth Roman. Hopefully this one was a gem and not something that should be long forgotten back in the vault.

My history with romantic comedies is not a good one. Okay, I cried at the Notebook. *Looks nervously at the man card floating in his wallet*. So, what I cried at Rocky and Bloodsport too. I feel better now. But normally, I look at romantic comedies and want nothing to do with them. But every once in a while, along comes a romantic comedy with a decent cast and a somewhat different story. Even though I can see the ending coming a mile away, hopefully the journey there is interesting and thoughtful.

Medium made a jump in its 5th season. NBC axed the show, but the folks at CBS decided to pick it up and continue the series. It’s not a huge leap, actually. CBS was already showing the similar and better Ghost Whisperer, and the series was produced by the CBS parent company, Paramount. That means that the production team pretty much stays intact and the show doesn’t really suffer any kind of transition. The same can be said for the release. The packaging and production values are pretty much identical to the previous four years.

The Strawberry Shortcake Movie: Sky’s the Limit definitely surprised me. As I turned this 96-minute movie on I expected to be bombarded with female stereotypes: flowers, butterflies, and the color pink. Though Strawberry didn’t fail to deliver these dainty, feminine elements, it also offered six very strong and independent female characters.