Studio

What can I say about Showtime’s huge hit, The L Word? If you don’t already know what this show is about, and I was surprised at the number of people I talked to who didn’t, then I’m pretty sure this isn’t the show for you. Remember the old days when you used to watch Sesame Street, and each day the show would be brought to you by a letter and number of the day? Today this review is brought to you by the letter L and the number 6. L stands for lesbians, and 6 is how many seasons the series would be fated to last. Unlike that adorable count, I won’t be able to take you through the count, as I have never seen the show before last season and so only have seen 2 season releases.

Cheesy horror-fests can often be cringe worthy. Take a couple of actors, have a few supporting ones that die and put them in a plot where either they face some giant disgusting creature, a ridiculous serial killer or a lot of little pests. The heroes no matter how bumbling they might be somehow come out with the victory and the rest is cinema magic. We received one such movie with the title: Infestation. Maybe this would be the one that is a little better than the rest?

A mysterious figure digs up the shattered remains of an android in the desert wastes of a very grim, polluted future. The man brings the head and hand in for barter, and they are picked by Hard Moe Baxter (Dylan McDermott, in a role that nicely deconstructs Mad Max). Moe takes the hardware back to the flat of his artist girlfriend (Stacey Travis), who incorporates the pieces into a sculpture. Unfortunately, these remains are part of the M.A.R.K. 13 military droid, and when Moe absents himself, the robot reactivates and goes on the rampage.

If Santa’s making a list, he won’t have to check it twice when it comes to these cheerful little tykes. Lionsgate brings back their popular Ghost House Underground series from last October. The series title likely borrows a bit from the old Grind House Theater that Quentin Tarantino brought back to fashion in the last couple of years. I assume it is intended to denote a horror film that skirts the art house scene. So, how does The Children fit into that mold?

Written by Adrienne Ambush

Imagination is better than knowledge – Albert Einstein

In a film where humans play minor characters, Aussie & Ted’s Great Adventure is about Aussie, a loveable dog, embarking on a journey to return his young owner’s stuffed animal back to her.

Written by Adrienne Ambush

Imagination is better than knowledge – Albert Einstein

In a film where humans play minor characters, Aussie & Ted’s Great Adventure is about Aussie, a loveable dog, embarking on a journey to return his young owner’s stuffed animal back to her.

Written by Alexis Quinn

If Nip/Tuck were in the dictionary, chances are you’d find the word “controversy” somewhere close by.

With its raunchy, over the top sex scenes and somewhat offensive plot lines securely intact, season 5 is split up into two separate parts which aired about one full year apart. Because of this, instead of selling the season as a complete DVD set, it’s currently only available as part one and part two, leaving you wondering why they didn’t just wait to release the entire season as a whole.

“What is sacrifice? What does it mean to make a real difference?”

What do Al Gore and horror films have in common? To begin with both have been making money trying to scare the crap out of you. The second is that the plot of The Thaw sounds like it could have been penned by Captain Al himself. Lionsgate brings back their popular Ghost House Underground series from last October. The series title likely borrows a bit from the old Grind House Theater that Quentin Tarantino brought back to fashion

“Its cold outside, There's no kind of atmosphere, I'm all alone, More or less.
Let me fly, Far away from here, Fun, fun, fun, In the sun, sun, sun.

I want to lie, Shipwrecked and comatose, Drinking fresh, Mango juice, Goldfish shoals, Nibbling at my toes, Fun, fun, fun, In the sun, sun, sun…”

If you recognize that silly ditty, then you know it can only mean one thing. After 10 long years of silence, witness the return of the BBC science fiction comedy, Red Dwarf. With the huge success of the rebirth of Doctor Who, it really shouldn’t come as much of a surprise

Mitch Fatel gained a lot of his credentials in stand up comedy by touring clubs around New York City since he was 15.  His genre of perverted sexual comedy is a guilty pleasure of the late night hosts: Jay Leno, David Letterman and Conan O'Brien have him on regularly to perform and act as a correspondent.  Mitch has released two comedy CD's (Miniskirts and Muffins and Super Retardo) that were very successful prior to this Comedy Central special.  To say that his style of comedy is low-brow is the understatement of the year. However, I found myself laughing at some of his material and needing some time to reflect on myself shortly thereafter.