Posted in: Disc Reviews by David Annandale on August 10th, 2009
After an opening, fragmentary montage of a traffic accident, we encounter Melvin Devereux (John Savage), standing in front of his father's grave, making a few cynical remarks apparently in the wake of dad's funeral. Then, after a strange conversation with a mysterious woman (Sandi Schultz), Devereux begins to make his way home. But his route is blocked by one obstacle after another, and his journey becomes ever longer and ever more frustrating as he drives down the empty roads of the Louisiana countryside. He is then plagued by a hearse, which will not let him overtake, and that turns up wherever he goes. Soon he becomes obsessed with catching the hearse, after seeing his name on the coffin inside.
Posted in: No Huddle Reviews by Michael Durr on August 9th, 2009
There are a handful of actors and actresses on this planet who you could say gained more by their death rather than their entire life. One of these actors was James Dean. James Dean was born on February 8th, 1931 in Marion, Indiana. In the next 24 years, he would bridge himself to stardom. But arguably, he wouldn't receive that iconic status until he died on September 30th, 1955 in a horrible car accident in his Porsche 550 Spyder in Cholame, California. The people at Hollywood Select Video decided to release a 2-disc collection of various television pieces he did before his most recognized three films: Rebel Without a Cause, Giant & East of Eden. These pieces give an interesting look at the rise of a legend.
Posted in: Disc Reviews by David Annandale on August 9th, 2009
Dr. Stephen Arrowsmith is a haughty scientist who sees himself above such petty concerns as ethics. He has married his wife Muriel (Barbara Steele) for her money, and when he catches her in the arms of one of the servants (Rik Battaglia), he tortures and kills them both, cuts out their hearts, and uses their blood to create an elixir of youth for the maid/co-conspirator Solange (Helga Liné). He then marries the psychologically fragile Jenny (Steele again, now blonde), Muriel's heiress, planning to drive her insane and take control of the his dead wife's fortune. Sure enough, Jenny starts seeing things, but the ghosts she is seeing are real.
Posted in: Disc Reviews by David Annandale on August 7th, 2009
Cult Epics continues its love affair with director Tinto Brass, and here once again delves into one of his early works. For my money, for all that his later erotica is handsomely shot and produced, what I'm seeing of his 1960s output (so far Deadly Sweet and this) is far more interesting. If 1967's Deadly Sweet was demented, it at least followed a semi-recognizable mystery plot. The Howl (1969), on the other hand, defies description. It is basically a surreal picaresque, as a young woman (Tina Aumont) flees her wedding with a stranger (Luigi Proietti) who gives her a come-hither look. Already, this sounds far more sensible than the film really is. The couple race from one lunatic encounter to the next: a resort hotel apparently designed by Sade; a naked, cannibalistic philosopher and his family, and on we go.
Posted in: Disc Reviews by Gino Sassani on August 7th, 2009
Who doesn’t remember the original Witch Mountain films from Disney back in the 1970’s. They were clever family films. They were camp, to be sure. But, most of us remember them fondly, if not as particularly outstanding films. While Disney’s reimagining of the franchise doesn’t have a great deal in common with those earlier films, you can pretty much describe the reaction as being spot on. Race To Witch Mountain isn’t going to be breaking any box office records, but it is the kind of film you get a pretty warm feeling for, and like its predecessors, you’ll end up remembering it with fondness.
Posted in: Disc Reviews by Gino Sassani on August 7th, 2009
An ancient facility beneath Antarctica becomes the launching platform to the lost city of Atlantis. Atlantis is buried beneath an ocean in another galaxy and can only be reached with an additional symbol on the Stargate. Because of power limitations this trip, at least for the time being, is a one-way adventure. A crew of scientists and military officers from many countries assemble to explore the Pegasus Galaxy from the Atlantis gate. Led by scientist Dr. Weir (Higginson) and Maj. John Sheppard (Flanigan) they take over the Atlantian command center and begin to explore. In their initial investigations they accidentally awaken the area’s top bad guys, The Wraith. These vampire-like beings suck the life-force out of humans.
Posted in: Disc Reviews by Gino Sassani on August 7th, 2009
“Now this might be the room of any small boy, but it happens to belong to a boy named Christopher Robin, and like most small boys, Christopher Robin had toy animals to play with. And together they had many remarkable adventures in an enchanted place called The Hundred Acre Wood. But out of all of his animal friends, Christopher Robin’s very best friend was a bear called Winnie The Pooh.”
“Oh Bother”A.A. Milne was quite an eclectic writer. He wrote murder mysteries that even appeared on Alfred Hitchcock Presents. From that fertile mind would also come a place known as the Hundred Acre Wood.
Posted in: Disc Reviews by Gino Sassani on August 7th, 2009
“In a time before many can remember, our planet faced its greatest challenge. A warlord named Piccolo came from beyond the stars, bringing darkness and chaos to our once peaceful world. Aided by his disciple Oozaru, the evil pair brought the human race to the brink of annihilation. Cities and countries crumbled beneath them. Countless lives were lost, but finally a group of brave warriors created the Ma Fu Ba, a powerful enchantment that imprisoned Piccolo deep with in the Earth. With his master captured, Oozaru disappeared and balance was slowly restored to our world. And so it has remained for thousands of years…until now.”
Let me begin by stating that I have not had more than a passing exposure to the hugely popular Dragonball anime works.
Posted in: Disc Reviews by David Annandale on August 6th, 2009
Daisato (director/co-writer Hitosi Matumoto) is having his daily life filmed by a TV crew. This life is pretty depressing. He doesn't make much money, his wife has left him, and his neighbours hate him. His job isn't exactly low-stress, either: he is Big Man Japan, a hereditary job that involves defending Japan against monster attacks. So whenever he gets the call, he has to run to the nearest power plant, get himself zapped until he grows into a 50-foot giant, and do battle with various bizarre creatures (one looks like a plucked chicken with a huge eyeball/penis appendage). But though he does his best, his ratings are down, his show is broadcast in the dead hours of the morning, his agent appears to be taking advantage of him, and there's a new monster in town that mops the floor with him on their first encounter.
Posted in: Disc Reviews by William O'Donnell on August 6th, 2009
The story originally seems to set itself up to be that of redemption for a young man who is fresh out of jail. While this story is around, there seems to be parallel stories that arise as subplot but soon race alongside the original tale like proverbial track horses (and horses also just so happen to be the nexus for said plots). Just as one seems to buck into the lead, another comes along to grab the focus.
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