Posted in: Disc Reviews by David Annandale on July 22nd, 2009
This, the final season of the series, opens with Samantha (Elizabeth Montgomery) and Darrin (Dick Sargent) on a European tour. This means stock shots of various European landmarks before we return to rather unconvincingly dressed-up studio backlots. There are a few two-parters in the mix, including the opening episodes, where Samantha is zapped back to the court of Henry VIII, and a late-season adventure where the time travel goes the other way, and George Washington is brought forward to the present. Special note should be made of Episode 3, where the Loch Ness Monster shows up, in all his googly-eyed, man-in-a-costume glory.
Posted in: Disc Reviews by David Annandale on July 22nd, 2009
As a Henry Mancini score swells with unapologetic cheese, we are swept into the world of the luxurious St. Gregory Hotel in San Francisco. Owned by aging matriarch Bette Davis (replaced, when she had to pull out due to illness, by Anne Baxter, as her sister-in-law), the Hotel's General Manager is James Brolin, who has lots of time to wander around the lobby greeting the various guest stars. In other words, he's Mr. Roarke to the St. Gregory's Fantasy Island. What follows is pure fromage of the Aaron Spelling variety, with every other guest star a fading Familiar Face, no end of improbable crises, painful comic relief, unintentional comedy gold in the dramatic moments, and much of the feel of a 1970s disaster movie minus, sadly, the disaster itself (but you can always re-watch The Towering Inferno to make yourself feel better).
Posted in: Disc Reviews by David Annandale on July 20th, 2009
In 1954, Coco Chanel (Shirley MacLaine) unveils her first collection in 15 years. The reception is disastrous. As she struggles to bounce back from the fiasco, she flashes back over her life. The bulk of the film then follows the young Chanel (Barbora Bobulova) and her love affairs, first with a callow playboy (Sagamore Stévenin), then with the Englishman (Olivier Sitruk) who will be the great love of her life. Along the way, we see a little bit of her development as a fashion designer.
Posted in: Disc Reviews by Archive Authors on July 17th, 2009
The List is adapted from a novel of the same name written by Robert Whitlow. After returning home from his father’s funeral, Renny Jacobsen (Chuck Carrington) discovers he is the inheritor of his family’s seat in a secret society founded during the civil war. However, Renny suspects the society’s activities are more troubling than they lead on and decides to examine them more closely. When his inquiries are uncovered by the group’s leader (Malcolm McDowell) Renny becomes targeted by a mysterious force that has the power to destroy him and the people he holds close.
Posted in: Disc Reviews by Gino Sassani on July 10th, 2009
“It’s like one of those fatal attraction things, like they show on the Donahue Show, you know?”
It might not have exactly been “fatal”, but the attraction that Jack Lemmon and Walter Matthau had for each other, and we still have for them, is on perfect display in Grumpy Old Men. Then again… it might just as well have been fatal, if not fate. The two men died just months from each other. Matthau left us in July of 2000, and just under a year later in June of 2001 we lost Jack Lemmon. Chris Lemmon, Jack’s son, doesn’t think it’s entirely a coincidence. He told me in a recent interview that the men loved each other. He joked that “if Walter had played golf, he’d have married him.” Whether it was the chemistry these guys had off screen or just their natural abilities, might be hard to pin down.
Posted in: Disc Reviews by David Annandale on July 9th, 2009
In a mythical world, a series of apocalyptic prophecies are coming true. These events presage the awakening of a world-devouring dragon. Dragon hunters are needed more than ever, but all of the knights of yore are dead or insane. The only game in town is a couple of misfits: Lian-Chu, who still bears the trauma of the night his village was destroyed by the dragon, and his friend Gwizdo, a two-bit con artist. They are accompanied by Hector, a strange little scene-stealer who might be a rabbit or a dog. Zoe, the excitable niece of the decrepit and blind king, recruits the motley crew to defeat the evil, and off they go, journeying to the end of the world to face terrible danger.
Posted in: Disc Reviews by Gino Sassani on July 7th, 2009
I tend to wince a bit when I see these films that star wrestling names and are produced in conjunction with one of the WW A-Z’s. I’ve come to believe that WW means “Won’t Wow”. Along comes John Cena and this latest cooperative film, 12 Rounds. I have to say I was somewhat surprised to find that it was a pretty good action thriller, if a bit implausible. I’m willing to overlook certain aspects of inplauability, if you take me on a thrilling enough ride and try not to totally insult my intelligence. For the most part I found that to be the case here.
Posted in: Disc Reviews by Gino Sassani on July 7th, 2009
“Believe me, that weren’t no shark.”
Sea Beast began life with the title Troglodyte, but I’m not sure what that had to do with anything on this movie. Perhaps someone just thought it was a clever name, but realizing they didn’t have a clever film to go with it, they decided on the more mundane Sea Beast. Whatever the reason and whatever the title, nothing can change the fact that this is one really bad horror film.
Posted in: Disc Reviews by Gino Sassani on July 6th, 2009
“If you look closely, you’ll find that everything has a weak spot, where it can break….”
The same can be said for Fracture. There are plenty of flaws, and if you look hard enough you can find a lot of problems with everything from the story to the performances. Thankfully these flaws are quite minor and require the kind of scrutiny that would likely ruin almost any movie experience. I taught law for about 7 years and make it a bit of a (bad?) habit to look for the errors in court and legal procedures.
Posted in: Disc Reviews by David Annandale on July 6th, 2009
When Terence Malick's latest effort hit the theatres, he had trimmed it down to 135 minutes. Early critics had seen a version running 150 minutes. This version is longer yet, clocking it at 172 minutes. Most of what I said about the previous DVD release holds, and so I'm reproducing it here, with additional comments as necessary.