Posted in: Disc Reviews by Gino Sassani on June 22nd, 2010
MacGyver (v) To act in an extremely resourceful manner. To utilize everyday items in unconventional ways to achieve a difficult task. I predict it will not be long before you can open your trusty copy of Webster’s and find this character has officially entered our lexicon. There is little doubt but that it is an unofficial part of it now. Crossing over from the realm of pop culture and into our language is a phenomenal achievement for a television show.
I came to the MacGyver party rather late. Like everyone else on the planet, I was certainly aware of the show and the clever abilities of the lead character. Still, with so many other shows to watch, I never saw a complete episode. Then came Stargate SG-1. This was another series I at first avoided. I thought the original film was OK but nothing I’d care to see week in and week out. One day while my wife was taking our neighbor’s dog to the vet I was bored and sat down to an episode on Showtime. I was hooked, not only on the series, but the characters, along with their alter-ego actors. Richard Dean Anderson I found most compelling. I must admit to confusing him at first with the Richard Anderson of The Six Million Dollar Man fame (Oscar). Finally I sat down to some MacGyver on DVD.
Posted in: Disc Reviews by Gino Sassani on June 22nd, 2010
"The Douglas family is back and ready for seconds in volume two of the second season of My Three Sons. Join America's favorite pipe-smoking single dad Steve Douglas as he raises sons Mike, Robbie, and Chip with a winning combination of laughter, love and world-class fatherly advice."
Just to look at it you would think that My 3 Sons was a Disney production. Its star Fred MacMurray had appeared in many Disney films of the 50’s and 60’s and is most likely recognizable from those appearances. Two of the three boys were also known for work with Disney. The eldest boy, Mike, was played by Tim Considine, who starred with MacMurray in Disney’s The Shaggy Dog. Middle son Robbie was played by a former Mickey Mouse Club Mouseketeer, Don Grady. The youngest son, Chip, was played by Stanley Livingston, the only non Disney alum in that group. Another reason for the confusion is the decidedly Disney-like material the series covered. Steve Douglas (MacMurray) was a widowed single parent who was trying to balance his job with that of raising his three sons. Most of the stories involved the warm and fuzzy heartwarming stuff that Disney had pretty much cornered the market on in the films. Whatever troubles arose, no problem was so bad that a heart-to-heart talk couldn’t fix it. The style would prosper and continue in the form of 70’s shows like The Brady Bunch. The four guys were also joined by Steve’s father-in-law, Bud, played by I Love Lucy favorite William Frawley. That was no surprise, since the show was actually produced, not by Disney, but the Desilu studios.
Posted in: Disc Reviews by Gino Sassani on June 18th, 2010
You may not know the name Patricia Highsmith, but you do know her work. She penned the novel that brought us Alfred Hitchcock's excellent thriller Strangers On A Train. You might also know her character Thomas Ripley, who was the subject of several of Highsmith's novels including the famous The Talented Mr. Ripley. Most of these works appeared in the 1950's and 1960's. Still, her work has been tapped for motion pictures right up through the most recent film The Cry Of The Owl.
Now see if you can follow any of this. The film is a cooperation between an American company and Britain's BBC as well as a French company. The lead is Paddy Considine, a Brit. Of course, he's playing an American in the film. The film is set in some undisclosed, but presumably New York, American big city and a surrounding small town. But, the film was lensed in Ontario, Canada. Got that? It's very much an independent-feeling film and is a direct-to-video release.
Posted in: Disc Reviews by David Annandale on June 4th, 2010
For anyone who still engages in serious debates over who would win, Thor or the Hulk, here is a series that will send you into paroxysms of nerd joy. The premise here, in the spirit of violent apples and homicidal oranges, is to scientifically (more or less) explore who would win in one-on-one battles between an Apache and a gladiator, a viking and a samurai, a Spartan and a ninja, and so on. We even have the IRA versus the Taliban. Weapons, armor, and tactics are all examined, demonstrated, and fed into a computer. The data is then dramatized at each episode's climax.
It really is difficult to respond adequately to this specimen. This is one of those ideas that is utterly whacked, but has also been pretty obviously lurking in the male psyche since time immemorial. The presentation is pure cheese, all flashy graphics and clenched-teeth narration, and the actual battles have more than a whiff of Kirk versus the Gorn about them. If you want great fight choreography to go along with your strange pairings, you're probably better off sticking to playing Soul Caliber IV. All the same, the sheer oddity of the enterprise makes it hard to tear one's eyes away.
Posted in: Disc Reviews by Gino Sassani on June 1st, 2010
“William Banks has saved 257 people from addiction to drugs, sex, and gambling. He’s not a cop. He’s not a superhero. He’s just a man with a calling. This is his story.”
What he is, is Benjamin Bratt, returning from the thespian dead as William Banks, better known to the show’s fans as The Cleaner. Bratt hasn’t been seen much since he left the gig at Law & Order. I almost didn’t recognize him here. But he’s returned in style. The Cleaner has all the characteristics of a police procedural series with a lot more excitement. His methods are often harsh. He’s your worst nightmare of an intervention. When Banks is called in, you haven’t hit rock bottom. Rock bottom has just hit you. The character is a recovering addict himself and does this as a way of making amends. Of course he doesn’t work alone. He’s assembled a kind of Impossible Mission Force-style team that helps with each case. Together they form a private company that a family member can call when they tire of a friend or family member’s addiction. The series was based on the real life story of Warren Boyd, who also acts as one of the show’s producers.
Posted in: Disc Reviews by Michael Durr on May 26th, 2010
In this line of work, you have a tendency to see a lot of copycat television shows. These shows emulate a popular type or specific series and are usually content with mediocre ratings. However, out of the fire of the various copycat shows, we sometimes get a diamond in the rough. This is a diamond that people will shrug off and proclaim as anything but worthwhile television viewing. But once they actually sit down and watch a few episodes, they’ll be hooked for good.
When we left season one of Flashpoint, the Strategic Response Unit wasn’t one hundred percent. Jules (played by Amy Jo Johnson) had been shot and her secret boyfriend, Sam Braddock (played by David Paetkau) realizes that Jules might break up with him. The reason for this is that she thinks the relationship is putting a strain on the team which she has put first.
Posted in: Disc Reviews by Gino Sassani on April 27th, 2010
Lucille Ball was originally a radio personality starring in a popular comedy, My Favorite Husband. It was here that she began to develop the character she would continue to play for decades in television through several shows, all bearing her name in one form or another: I Love Lucy, The Lucy Show, Here's Lucy, and Life With Lucy. See the pattern? Anyone who was a fan of the radio show would instantly recognize the red-haired actress even though they had never actually seen her on the radio. That exaggerated cry was already a staple of her physical comedy, even when she couldn't be seen. She had also toured for many years with her real-life husband Desi Arnaz. When they could not convince a network to film a pilot of a show featuring both of them, they made it on their own dime. CBS was so impressed with the pilot they reimbursed the couple, and in 1951 I Love Lucy hit the airwaves.
Lucy played the character she had already perfected on radio and on the stage. Desi played her husband, a Cuban bandleader who headlined at the Tropicana. Lucy was always trying to find a way to get into Ricky's act. She had no talent, but that never stopped her, usually embarrassing Ricky along the way. The couple lived in an apartment owned by the Mertzes, Fred (Frawley) and Ethel (Vance). They were not only the Ricardo's landlords but also their closest friends. Ethel would often find herself talked into one of Lucy's crazy schemes. The show also found comedy fodder in Ricky's thick Cuban accent. Sometimes his mispronunciations caused hilarious misunderstandings. William Frawley as Fred had the job of playing straight man most of the time. It was a thankless job, to be sure, but he was perfect at it. He didn't talk as much as the others, but he had some golden moments over the show's very successful six year run. During that time the series never once fell below number three for the entire year in ratings.
Posted in: Disc Reviews by Michael Durr on April 22nd, 2010
Despite its rather crass and offensive material, Drawn Together lasted three seasons and thirty six episodes before Comedy Central pulled the plug in March 2008. The show featured parodies of popular cartoon characters or archetypes and brought that together in a very funny style that delighted fans who were partial to shows such as Family Guy or Robot Chicken. So it was only natural that when the episodes ended, they would look to other production avenues, like direct to dvd.
*Warning. This review does have a little bit of salty language or describes risque situations. If you are a child, please do the right thing. Clear your browser history and cookies after you read this review. You have been warned, thank you.*
Posted in: Disc Reviews by Gino Sassani on April 21st, 2010
“Man lives in the sunlit world of what he believes to be reality. But there is, unseen by most, an underworld, a place that is just as real, but not so brightly lit, a darkside.”
Not since the likes of Rod Serling’s Twilight Zone or The Outer Limits has there been a really good sci-fi/horror anthology until 1984’s Tales. Not to say that each episode was a winner. In fact, most were pretty weak and relatively lame, but when this show was good, it was very good. These tales weren’t any ordinary specter spectaculars, but were told by spectacular story writers, directors, and producers. Look at just this first season, and you’ll find some of the top names in the field involved in one way or another. You’ll see the likes of Stephen King, Tom Savini, George Romero, Robert Bloch, Frank De Palma, and Harlan Ellison. The tales often came with a twist, or at least a big finale in the end. Much like a train’s headlight in a long tunnel, you might have seen it coming from a mile away, but it’s hard to avoid the impact.
Posted in: Disc Reviews by Gino Sassani on April 21st, 2010
Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character that has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a Hollywood cliché, reveal his findings in a crucial moment during the trial. While we may not remember the novels, we all remember the man in the persona of Raymond Burr. Burr had a commanding presence on our screens and enjoyed a well deserved 11-year run as the clever lawyer. What makes this run so amazing is that the show followed pretty much the same pattern the entire time. We always know what’s going to happen, but we wait eagerly for that gotcha moment when Perry faces the witness on the stand. We know when he’s got the guy squarely in his sights, and we can’t sit still waiting for him to pull the trigger. OK, so maybe that’s a little over the top, but so was Perry Mason. From the moment you heard that distinctive theme, the stage was set. To say that Perry Mason defined the lawyer show for decades would be an understatement. Folks like Matlock and shows like The Practice are strikingly similar to Perry Mason. If you haven’t checked this show out, this is your chance. See where it all began.
At this rate, it’s going to be quite some time before you complete your collection. I’m not even sure that DVD will still be a viable format before the end of the series on DVD. It’s another half season, and the episodes continue to fly at us at a snail’s pace. But slow and steady wins the race, and as long as the quality episodes continue to deliver that classic Mason charm and style, I guess folks like us will continue to come back for more.