Posted in: Disc Reviews by David Annandale on February 1st, 2010
Before SpongeBob SquarePants, before The Family Guy, before South Park, before even The Simpsons, there was Mighty Mouse. This revival of the Terrytoons character was a short-lived, but creatively vital series that ran in 1987-88. It wasn't an adult show, like many of its spiritual successors would be, but it was something that hadn't been seen in the world of television animation in a long, long time: it was witty, smart, and expected its audience to be smart, too (and that includes smart kids, at whom the series was ostensibly aimed). However G-rated the show was, it also featured just the kind of manic humour and inventiveness you might expect from a collaboration between the man who brought Fritz the Cat to the screen (Ralph Bakshi) and (among others) the man who would shortly give us Ren and Stimpy (John Kricfalusi). If some of the look of the series is by now familiar (half of the offerings on Nickelodeon share its background design), this is, as Kricfalusi points out on one of the commentary tracks, where that look begins. The show might not have survived long, but creatively it cast a long shadow indeed, and having the entire wonderful series in one spot is a terrific treat. As far as the creative possibilities for TV animation are concerned, Mighty Mouse surely did save the day.
The menu features some pretty ferocious aliasing, which had me worried about the cartoons themselves. Fortunately, that concern was misplaced. The shows looks great, with only the occasional, very minor grain to deal with. The image is very sharp, and the colours equally strong. The series looks as good as, if not better than, it did on the day of its broadcast.
Posted in: Disc Reviews by Gino Sassani on January 5th, 2010
Few television situational comedies have produced the stable of A-list stars that this one did. Every one of these cast members were relatively unknown at the time that Taxi was taking fares on our television sets each week. Not so today. The cast was so remarkable that it is here that I decided to spend much of my review. The episodes were often funny, even more often hilarious. But after all of these years, it is the characters that are most remembered by the fans. Yeah, we all have our favorite moments. Many of them in this release. And I’ll get to those moments, but first:
Playing the hard-nosed and lecherous dispatcher for The Sunshine Cab Company was Danny DeVito. He spent most of his Taxi days sitting in a cage barking orders and insults with equal frequency to the crew of drivers in the garage. Each of them had dreams beyond the yellow sedans, and Louie took great pleasure in watching them try and ultimately fail to achieve their dreams. Of course, DeVito went on to star in a boatload of feature films and never looked back.
Posted in: Disc Reviews by Gino Sassani on December 15th, 2009
"Space...The Final Frontier. These are the voyages of the Starship Enterprise. Its 5-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before!"
Paramount was bold indeed when they undertook the remaster project of the original series. Not only did they clean up the prints, but they took the decidedly risky option of redoing most of the f/x shots from the original prints. We all know just how cheesy the old work looked when compared to today’s computer abilities. You could see a box around spacecraft that allowed the obvious cutout to maneuver through a cardboard star field. There were often mix-ups where phaser shots would be used for photon torpedo commands and the opposite. The planets often utilized matte paintings that look somewhat ridiculous now. We forgave these flaws with a complete understanding of the limitations the crew had at the time. While Star Trek showed us computers that were remarkably similar to the PC’s we use today, down to the floppy drives of our own yesteryear, the use of computers to create f/x was still many years away. So Paramount decided to “fix” these “flaws” and make much of the show look like it might have had it been produced today. It was a serious risk because of the extreme possessiveness fans have for these kinds of shows. Just ask George Lucas how much fans like their sci-fi tinkered with. The project encompassed a few years, and the results are quite attractive. But how do they stand up for the fans?
Posted in: Disc Reviews by Gino Sassani on December 14th, 2009
Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character that has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a Hollywood cliché, reveal his findings in a crucial moment during the trial. While we may not remember the novels, we all remember the man in the persona of Raymond Burr. Burr had a commanding presence on our screens and enjoyed a well deserved 11 year run as the clever lawyer. What makes this run so amazing is that the show followed pretty much the same pattern the entire time. We always know what’s going to happen, but we wait eagerly for that gotcha moment when Perry faces the witness on the stand. We know when he’s got the guy squarely in his sights, and we can’t sit still waiting for him to pull the trigger. OK, so maybe that’s a little over the top, but so was Perry Mason. From the moment you heard that distinctive theme, the stage was set. To say that Perry Mason defined the lawyer show for decades would be an understatement. Folks like Matlock and shows like The Practice are strikingly similar to Perry Mason. If you haven’t checked this show out, this is your chance. See where it all began.
At this rate, it’s going to be quite some time before you complete your collection. I’m not even sure that DVD will still be a viable format before the end of the series on DVD. It’s another half season, and the episodes continue to fly at us at a snail’s pace. But slow and steady wins the race, and as long as the quality episodes continue to deliver that classic Mason charm and style, I guess folks like us will continue to come back for more.
Posted in: Disc Reviews by Gino Sassani on December 14th, 2009
“The man is Richard Kimble and, not surprisingly, the man is tired. Tired of looking over his shoulder, the ready lie of the buses and freight trains. Richard Kimble is tired of running…”
The elusive “one armed man” is one of the best known television icons of all time. The plight of Dr. Richard Kimball has been the subject of numerous imitations and even a feature film staring Harrison Ford as Kimball and Tommy Lee Jones as his pursuer. Tim Daly left the ranks of comedy to fill the shoes of Kimball in a very short lived revival series. While some of these efforts managed to capture the essence of The Fugitive, none can truly compare to the real thing.
Posted in: Disc Reviews by Michael Durr on December 3rd, 2009
Spongebob Squarepants is such the cultural phenomenon that anytime an anniversary or a full length motion picture comes into production, the show can usually get a slew of good actors and sports stars to do a cameo. For Spongebob’s tenth anniversary and third tv movie of the series: he decided to bring out a slew of guest stars. The only question that remained was the hour long episode any good or was it the show’s version of week old bread with those really crusty parts?
Today is the day of the eleventy seventh (that’s 117 for you land dwellers) of the Krusty Krab. It was just yesterday when Spongebob had tasted his first Krabby Patty and knew his life’s goal would be to work at the establishment. Spongebob showers, puts on his clothes including his eager face and goes to the Krusty Krab to clock into work. When he gets there, he realizes that the place is surrounded by customers all eager to get in.
Posted in: Disc Reviews by Gino Sassani on December 3rd, 2009
Who would have believed that you could do a situation comedy based on Nazi Germany and a group of POW’s in World War II? It wasn’t an easy sell. When Albert S. Ruddy first came up with the idea, it was a contemporary story about a group of guys in a normal U.S. prison. There were a lot of problems, mostly with the idea of making your main characters criminals. Of course, that’s not so much the problem today. But this was the 1960’s, and those kinds of “heroes” were not quite as accepted. Eventually the concept developed to put the characters in a prisoner of war camp in Nazi Germany during the World War II. Remember that we were only 20 years removed from the end of the war and the discovery of the concentration camps and all of the horrid images these things evoked in people. Any smart betting man would have given the chance of getting such a series to air at somewhere between zero and Hell freezing over. And when the show was pitched to CBS, that’s exactly what the execs had to say.
Somehow they were convinced enough to do a pilot episode. It was too funny to pass up, even with the more sober circumstances. By the end of that first season Hogan’s Heroes was one of the top rated shows on television. Larry Gelbart often credits the success of Hogan’s Heroes as the precedent that allowed shows like MASH to be sold. Suddenly it was okay to find laughter in such places. The show ran for 6 seasons from 1965 to 1971. The cast would remain completely intact throughout the show’s run. The show would also have to hold off a plagiarism suite from the writers of Stalag 17.
Posted in: Disc Reviews by David Annandale on November 20th, 2009
The title pretty much speaks for itself. Here are four episodes of the sequel that surpassed its inspiration in television longevity. They are as follows: “Relics” (which sees Scotty revived in this brave new world, and finding himself redundant), “The Inner Light” (an amnesiac Picard lives out an entire lifetime on a strange planet), “Cause and Effect” (the Enterprise and crew wind up stuck in a time loop, and must struggle to escape their repeated collisions with another ship) and “Tapestry” (where Picard winds up in the afterlife, which is certainly more than Kirk could say). It's a bit trickier yanking episodes of ST:TNG out of their season contexts than with the original show, given the former's greater emphasis on continuity, but these stories here are all good standalone adventures.
An odd thing is happening here. Because the original show has been so thoroughly remastered, ST:TNG is now the one that looks dated. The CGI is prone to aliasing and a lack of definition, and the image is rather soft. The colours are decent, but though I know there aren't many opportunities to get a tan in space, the flesh tones are sometimes a bit too far on the pale side of things. All of this said, the transfer is still perfectly watchable. The aspect ratio is the original 1.33:1 -- the show is still old enough that widescreen wasn't the standard yet.
Posted in: Disc Reviews by David Annandale on November 17th, 2009
For those Star Trek fans who can't afford the complete season box sets, here's an economical alternative: a single-disc collection of four popular episodes from various seasons. Present here are “Where No Man Has Gone Before” (a propulsion expert's change to the Enterprise's engines propels the crew to the edge of the universe), “Space Seed” (the episode, it need hardly be said, that brought us Khan), “A Piece of the Action” (wherein our gang gets to dress up like 20s gangsters) and “Journey to Babel” (a diplomatic mission turns into a disaster when, among other things, Kirk is stabbed and Spock's father has a heart attack). Strong episodes from a strong series.
The show looks terrific. In fact – purists take note – it looks better than it should. Yes, these are the same remastered prints as the last set of complete season releases, complete with enhanced special effects. So the show not only looks better than it did when first broadcast, it is sharper and has better FX than its Next Generation counterpart. The viewing pleasure is high, then, just not historically accurate.
Posted in: Disc Reviews by Gino Sassani on November 10th, 2009
Finally, this show has really gotten to me. I don’t know what it is about this 8th season, but I was far more interested in the show than I had ever been. Maybe I’ve spent so long with these characters that they started to come alive for me. Maybe I was resistant to a slightly different way of telling stories. Maybe it was that the stories became less about who was with who that I was finally able to enjoy the great courtroom drama and investigation elements of the series. Whatever it was, I am finally a fan.
Most of each episode is dedicated to the investigation of the particular case. For action junkies, this often means flying some sweet high tech aircraft. The show’s primary character, Commander Harmon “Harm” Rabb (Elliott) does a lot of the high flying investigations. He was once an ace pilot who developed night blindness, which essentially grounded him.
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