Paramount

I often have trouble believing that South Park has been around for as long as it has. It’s not just the passing of 11 years but the sheer brilliance in the face of an increasingly politically correct society. It’s like watching old episodes of All In The Family. Who believes that Archie Bunker would have any chance of survival in the 21st Century? It’s no wonder that Norman Lear has become involved in the series. It’s the last remaining vestige of a once great freedom to be ridiculous and offend.

The first season release of Dave’s World is going to upset the show’s fans a bit. Paramount has decided to change the opening theme from Billy Joel’s “You May Be Right” to some jazzy piece that doesn’t come close to saying the same thing. This wasn’t even Joel’s performance of the song we’re talking about on the original. I know that the musical rights issues can be a problem. Shows like WKRP suffered from being loaded with songs and racking up a fortune in royalties for home video release.

While nowhere does anyone actually say it, Caroline In The City is obviously inspired by/ripped off from the popular newspaper comic strip Cathy. Each episode, for a time anyway, would begin with an animated scene from one of the “Caroline” strips. The topic mostly deals with the pitfalls of being a single New York City girl. From these roots there was an often awkward attempt to create a warm and fuzzy romantic comedy that never seemed to find its own focus, let alone footing.

"Space...The Final Frontier. These are the voyages of the Starship Enterprise. Its 5-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before !"

Paramount was bold indeed when they undertook the remaster project of the original series. Not only did they clean up the prints, but they took the decidedly risky option of redoing most of the f/x shots from the original prints.

Family Ties is likely remembered most as the series that launched the career of Michael J. Fox. There’s no question that he owes a great debt to Alex Keaton. It’s almost a bit awkward now to watch him as this young, extremely conservative teenager after Fox has spent so much of his life as a liberal poster boy in the last couple of elections. Politics aside, it’s hard not to credit his performances in Family Ties and the Back To The Future films

“Can you take the dump of death”, or What’s the fastest way to get drunk”. These are the types of questions and answers that make up the Spike TV series Manswers. The idea is that the show answers those pressing questions that you guys out there might have been to afraid to ask. On first look you might get the mistaken idea that this is a copy of A&E’s far superior Mythbusters. On the surface the premise appears the same. Both shows appear to tackle the oddball question and attempt to find the truth behind the BS.

Think of it as Coach meets Newhart. That’s about the best way I know how to describe this somewhat quirky sitcom from CBS. It was mostly intended as a television project for its star, Burt Reynolds. The character would echo Reynolds’ own life somewhat. His character, Wood Newton, was a running back who had moderate success, just as Reynolds himself had. In the show he retired to his rural hometown of Evening Shade.

It should not have come as such a surprise to me what Stop-Loss really is. It presents itself as this generation’s Deer Hunter, but it’s actually just another mindless film that, once stripped down to its essentials, is intended only to further a blatant political agenda. I keep hearing that the film is intended to honor our troops, but it presents all of them as mentally messed up idiots who are a hair away from committing crime sprees akin to Natural Born Killers.

If it's Wednesday, that must mean another batch of SpongeBob cartoons. The lead-off here is the is title episode, a 22-minute piece that recounts the adventures of SpongeBuck SquarePants, our hero's 19th-Century ancestor. The rest of the episodes are an eclectic bunch, and the thematic consistency is less than that of some other collections (there is a vague adventure link that runs through several of the stories). At any rate, the silliness is just as engaging and bizarre as ever, and there are plenty of quick absurdist sight gags to keep you chuckling.

When The Ruins opens, it doesn’t look quite so promising. We’ve got two American couples sharing a vacation in Mexico. They’re reaching the end of their stay and are getting a tad bored with the sun and surf. Enter the foreign stranger who happens to have access to a secret archeological dig and invites the foursome along. Immediately I begin to suspect I’ve seen it all before. I figure the guy’s going to lead them to some isolated torture garden where sadistic maniacs will have their way with the tourists.