Posted in: Disc Reviews by Archive Authors on July 10th, 2005
Prisoner of Paradise is the haunting story of German film and theatre actor, Kurt Gerron. This Oscar nominated documentary follows his rise and fall. Gerron was one of Germany's most popular stage and screen actors before World War II. He was the original singer, in fact, of "Mack the Knife" in Brecht's "Three Penny Opera". Gerron's popularity, however, took a different turn with the rise of Hitler's Germany. Gerron was Jewish and, eventually, was forced to flee. But later he was captured and then hired...to make a propaganda concentration camp film. This documentary is a fascinating tale of history, as well as being a moving character study. The narration by Ian Holm is clinically precise.
Audio
Posted in: Disc Reviews by Gino Sassani on July 9th, 2005
Synopsis
One could make an attempt at witty prose by comparing Jackass to the works of Kubrick, Cassavettes, Scorsese, or what have you. But look, it’s a bunch of guys, some of whom have reputations in other circles, such as skateboarder Bam Margera and acclaimed director Spike Jonze, doing stunts that you may not have thought, dared or remotely considered doing, and keeping parts of the general public off guard. The gang made a huge splash on MTV, and scores of crazed teens wanted to try what these guys we...e doing, and maybe appear on the show. I think the quote from Millhouse on the Simpsons says it best: "All those warnings on TV make me want to do it more". The kids would get burned, broken, what have you, and parents who couldn’t crack the whip hard enough at home decided to sue anyone under the sun, despite the profuse warnings on each show, as well as a timeslot shift early on in the series’ life. So Johnny Knoxville became this decade’s Beavis, which I guess makes Steve-O Butthead. So, after judging (perhaps correctly) there wasn’t anything really left to do on TV, they decided to step things up and do a movie, and a $5 million budget led to a gross of over $60 million. Do they have enough for a sequel with those kinds of numbers behind them? I shudder to think what a sequel could bring.
Posted in: Disc Reviews by Archive Authors on June 26th, 2005
Synopsis
If anything, the third part of the Godfather series of films is symbolic of when too many sequels are greenlighted, and consequently, the film is doomed to fail. More often than not, the reason why these films crash and burn are because of major studios acting like Adelphia executives and wanting more money, and in using the previous films’ successes as leverage, they lose sight of things like quality. It’s happened to other trilogies.
Posted in: Disc Reviews by Gino Sassani on June 24th, 2005
Who doesn’t have a soft spot in their heart, if not their DVD collection, for The Andy Griffith Show? The denizens of Mayberry have been with many of us our entire lives. For most of America, The Andy Griffith Show has become the template for any small rural town. The characters stand as prerequisite citizens in any said town. The town drunk, the local barber, the motherly little old lady, and the corner mechanic all look like Otis, Floyd, Aunt Bee, and Goober to most of us now. Griffith himself brought fine qualities to his role of Sheriff Andy Taylor, but it was Don Knotts as the incompetent but lovable deputy Barney Fife who stole the show. And who was that sweet little boy? He grew up to be a first class filmmaker with plenty of Oscars on the shelf. No question that The Andy Griffith Show started something back in 1960.
Synopsis
Posted in: Disc Reviews by David Annandale on June 21st, 2005
Synopsis
Diabolik (John Phillip Law) is a master criminal, pulling off one spectacular robbery after another to the endless frustration of the police. Ruthless and amoral, he nonetheless deeply loves Eva (Marisa Mell), and will risk everything to protect her. As his crimes become ever more spectacular, and the government teeters on the brink of chaos, even organized crime is pressed into service in order to capture the man.
Posted in: Disc Reviews by Archive Authors on June 21st, 2005
Only could Matt Stone and Trey Parker, the (gulp) geniuses behind South Park, could come up such a wildly crazy (and funny) film such as Team America: World Police. What is so wild about this film you ask? Well, the actors are marionette puppets, every other word is an f-sharp, and almost every big Hollywood actor is portrayed negatively. And what is wrong with this? Absolutely nothing. This film will not be for everyone, but for the loyal fans of South Park, this film is pure bliss. Not o...ly do you get the vulgarity that Parker & Stone are known for, you get it stepped up 10 notches. Who would have thought that puppets could be so entertaining?
There are so many funny, off-the-wall elements/scenes that are brought to light in this film, but here my favorites…
Posted in: Disc Reviews by Archive Authors on June 21st, 2005
Only could Matt Stone and Trey Parker, the (gulp) geniuses behind South Park, could come up such a wildly crazy (and funny) film such as Team America: World Police. What is so wild about this film you ask? Well, the actors are marionette puppets, every other word is an f-sharp, and almost every big Hollywood actor is portrayed negatively. And what is wrong with this? Absolutely nothing. This film will not be for everyone, but for the loyal fans of South Park, this film is pure bliss. Not o...ly do you get the vulgarity that Parker & Stone are known for, you get it stepped up 10 notches. Who would have thought that puppets could be so entertaining?
There are so many funny, off-the-wall elements/scenes that are brought to light in this film, but here my favorites…
Posted in: Disc Reviews by Gino Sassani on June 20th, 2005
Ten years ago Chuck Norris took his movie tough guy routine to television. It is there that he has enjoyed far greater success than in his films. For nine years Norris brought us the ultimate Texas Ranger in a formula cops and robbers show. The show often became a parody of itself, but maintained a solid viewership throughout. Hell, Norris even sings the theme song. Truthfully, what started as a one man show had become a good working ensemble that probably kept the train going for so long.
Walker (Norris) is a tough guy Texas Ranger. He is partnered with Sydney Cooke (Peebles) and Jimmy Trivetti (Gilyard) who’s an ex-jock with a brain. Together they fight the evils that come to the high plains of Texas armed with their fists, six-shooters, and Stetsons.
Posted in: Disc Reviews by Gino Sassani on June 16th, 2005
I will be honest and admit that Insurrection is one of my least favorite Trek films. I rank it down there with the first film due to its many flaws. While it has always been Star Trek’s style to engage in open social commentary, I don’t believe it usually needs to hit you over the head so blatantly. The social message here is too cut and dry. There is not the necessary moral middle-ground to create honest conflict. This is also Brent Spiner’s worst performance. The inside jokes are too cute and forced to appeal to any but the most dedicated fans, and I believe even they might feel insulted. The Picard/Data duet while two shuttles engage in a dogfight is just too much for my gag reflex to handle. Jonathan Frakes, after turning in such an impressive directorial display on First Contact, plays it safe for the entire film. I’ve heard fellow Trek fans say this would have been a better series episode. I disagree. This would have been a poor episode as well. Rich Berman puts one more bullet in the gun that killed Star Trek.
Synopsis
Posted in: Disc Reviews by Archive Authors on June 14th, 2005
The Godfather Part II is, quite simply, one of the best films of all time. Personally, I would actually place it above it's predecessor, the original Godfather film, though both won Academy Awards for Best Picture. Part II, however, gave us not only Al Pacino in a genre-defining role, but also the young days of the original Godfather, played brilliantly by Robert De Niro, who impressively treads the line between believability and farce that is so fine with an actor like Marlin Brando.
In fact, i... is not only Al Pacino's acting that defines the gangster genre, but just about everything about this film, from the cinematography to the dialog. After the original film was released, every classic period piece for the next 35 years had to have that same golden look. The acting, the romantic storylines, and the cinematography re all first-rate. This is a classic film that deserves to be on every film fan's top 5 list and DVD shelf.
