Posted in: Disc Reviews by Gino Sassani on March 10th, 2003
Star Trek: The Motion Picture is considered a failure not because it was a bad film, but because it just didn’t feel at all like Star Trek. Star Trek IV is perhaps the most Star Trek of all the films. A mixture of saving planet Earth with a social message, humor, and a strong character chemistry has always been Roddenberry’s dream at its very best. There’s no question that of all the Trek films this is the most enjoyable even if you’re not really a fan.
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Posted in: Disc Reviews by Gino Sassani on March 8th, 2003
I’ve got a confession. I just don’t get it. The Real World lays claim to being one of the first “reality” shows, dating back almost ten years. If you get off on watching a group of 7 twenty-somethings pretending to be spontaneous while basically either making out or grossing out, then this DVD is for you. This particular version is a season that was deemed too “hot” for broadcast TV so never appeared on MTV.
Audio
Posted in: Disc Reviews by Archive Authors on February 28th, 2003
posted by Marc Atonna
Film
Posted in: Disc Reviews by Gino Sassani on February 23rd, 2003
Like most folks, I grew up on the Charlie Brown TV specials. What kid hasn’t looked forward to seeing “The Great Pumpkin”? Be My Valentine, Charlie Brown was made more recently then the more notable Christmas, Thanksgiving, and Halloween episodes. The whole Peanuts gang is there and so is most of the charm. The idea just isn’t as compelling; it comes off rather forced. Still, it’s always fun to visit the world of Charles Schultz.
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Posted in: Disc Reviews by Gino Sassani on February 9th, 2003
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Posted in: Disc Reviews by David Annandale on February 6th, 2003
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Posted in: Disc Reviews by Gino Sassani on January 16th, 2003
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Posted in: Disc Reviews by Gino Sassani on December 21st, 2002
Al Pacino started his career with The Godfather, but Serpico went a long way to introducing filmgoers to the raw talent he still possesses. Based on the true story of an officer’s lone fight against corruption in the New York City PD, Serpico is gritty and almost documentary-like in style. Sydney Lumet’s stylized direction would create a template that countless future cop films continue to emulate. A credit to Lumet’s ability to spot talent rests in the fact that this was considered largely a cast of unknowns. Many of the players went on to become household names: Judd Hirsch, Emmett Walsh, F. Murray Abraham, not to mention Pacino himself.
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