Posted in: Disc Reviews by David Annandale on December 4th, 2002
Synopsis
Posted in: Disc Reviews by Gino Sassani on October 30th, 2002
In an interview with producer Harve Bennett he tells us that Star Trek II was so successful that he was given the green light for Star Trek III three days after its predecessor’s release. The Search For Spock is not the best of the franchise, but it is certainly the most underrated. Trek lore states that even numbered films are great and odd numbered films bite. This is certainly an exception. Christopher Lloyd is surprising as the main villain, the Klingon Kruge. Shatner actually provides one of his best scenes with Mark Lenard as Spock’s father. Deforest Kelly steals the film with the charm and wit that makes McCoy such an endearing figure and the actor’s death such a loss to Star Trek. There are many moving scenes to be found here: The death of Kirk’s son, Spock’s reunion with his friends, but perhaps the most startling is the destruction of the good ship Enterprise.
Synopsis
Posted in: Disc Reviews by David Annandale on October 15th, 2002
Jason is resurrected by an unfortunate accident involving a boat anchor and a power cable.He climbs aboard a ship carrying a graduating class to New York City, and proceeds to do his stuff. While those of us who caught this on its original theatrical run were disappointed that we had to wait a full hour before Jason reached NYC (or, more accurately, Vancouver), a return trip reveals this as one of the better made entries in the franchise. The characters, though thin, make are a bit more coherent than in Part VII, the action is competently staged, and once Jason hits Manhattan, much is made of the fact that he can chase and slaughter in full public view, and no one wants to get involved.
Audio
Posted in: Disc Reviews by Gino Sassani on October 14th, 2002
Synopsis
Posted in: Disc Reviews by David Annandale on October 14th, 2002
Plot? What plot? Oh right: traumatized telekinetic teen accidentally raises Jason from the bottom of the lake. Jason kills folks. That’s about it. But you don’t watch these for the plot --you watch them for the killings. These are, sad to say, relatively restrained, and some of Jason’s tool acquisitions are silly (where did he get that electric hedge trimmer from?). The characters (I use the word loosely) are even more interchangeable than ever, and the continuity goes all to #%&@ in the latter part of the film.i Who’s running where and why? Who knows? There’s some nostalgic pleasure to be had here, but not much more than that.
Audio
Posted in: Disc Reviews by Gino Sassani on October 14th, 2002
Synopsis
