Shout Factory

Courtesy of the website of the same name (check it out at http://trailersfromhell.com/index.php) comes this collection of trailers of horror, SF and exploitation films. The collection is eclectic, following no particular theme (though there are several Hammer films present), and the era covered ranges from 1941 (The Invisible Ghost with Bela Lugosi) to 1998 (Trauma’s Terror Firmer). Present are the likes of The Devil-Ship Pirates, Gorgo, Donovan’s Brain, Deep Red, Flesh Gordon, and so on. Twenty altogether.

Normally, commentaries would be dealt with below, but this case is an exception. Not only does the disc default to playing the introductions and commentaries, but these are the primary attraction of the release. The commentators are a high-powered lot: Roger Corman, Guillermo del Toro (who discusses Deep Red in both English and Spanish), John Landis, Joe Dante, Lloyd Kaufman, Jack Hill, and more. There are a couple of weaker moments here – Mary Lambert’s musings on Mothra vs Godzilla are disappointingly inarticulate, and she talks about Godzilla as a nuclear metaphor as if this were news; John Landis has a rather supercilious approach to the excellent Gorgo – but these are more than offset by the strengths. Brian Trenchard-Smith, Del Toro and Dante essentially give entire film courses in two minutes – no mean feat. This is a great, informative collection.

There were a lot of changes in store for the Bunkers in the 9th and final season. The biggest change was the addition of Stephanie played by Danielle Brisebois. She was the daughter of one of Edith's cousins. The girl was originally left with the Bunkers for what was supposed to be a temporary situation. Of course, the couple gets stuck with the 9-year-old girl and have to raise her. The matter is made worse when Archie discovers she's Jewish. Mike and Gloria have moved out to California but are not completely out of Archie's life. Archie and Edith make a trip out to see them and their grandson in a three-part episode, only to discover they have split up. This would lead to yet another All In The Family spin-off called Gloria. The release includes the three-part All In The Family Retrospective hosted by Norman Lear.

The series was first released through Fox for three seasons. Sony took over the releases for the next three seasons. Finally Shout Factory has stepped up and has taken over the release chores for this classic comedy.

Sometimes I miss the days of my youth. Huddled in front of a thirteen inch color television set with the knobs you had to turn but not too quickly (or else you were forced to break out the pliers) to your desired channel. It seems like I watched so many sitcoms back then. Silver Spoons, Different Strokes, Facts of Life, etc. But I do seem to remember a show about a small child named Emmanuel Lewis who would play Webster. It was awfully cute back in the mid eighties, I wonder if it holds up today.

If you missed the first season of Webster, well all came to know Emmanuel Lewis as the little boy with a big heart that everybody loves. His original parents get killed in a car accident and then he is taken in by the Papadapolis’. The new parents are made up of George (played by Alex Karras), an ex-football player and Katherine (played by Susan Clark) who is just your average high maintenance socialite.

Dennis Mitchell always means well when he wants to help out his parents, or good ol' Mr. Wilson, but he also just wants to have a good time. ¼ helpful young lad but ¾ mischief, Dennis made the leap from the beloved comic strip by Hank Ketchum to the small screen for four seasons.

Compensating for when ABC took over Leave it to Beaver from CBS, Dennis the Menace was the attempt to grab some audience back for CBS. Jay North is the titular Dennis, and does well to carry the spark of this character's “menacing” namesake. Each episode sees Dennis with the best of intentions, but always managing to create more damage than his help is worth. Along for the ride are his best friends Tommy and Joey (the latter seeming to be a strange mute boy), his rival Margaret, his parents played by Herbert Anderson and Gloria (who could not look closer to the original characters) and Joseph Kearns as the ever-frustrated Mr. Wilson.

Roger Corman has never let an exploitable opportunity slip by. A case in point is what we have here. In the wake of the first two Godfather films came this rise-and-fall tale. And because the Godfather movies were handsome, expensive and classy, then this Corman-produced effort is also a nice-looking piece of cinema, even if the budget-conscious element shows through with the use of leftover footage from The St. Valentine's Day Massacre.

Ben Gazzara plays Al Capone, moving up from street-smart hood to mob kingpin through cunning and violence. His mentor is Johnn Torrio (Harry Guardino), who works to unite the various ethnic Chicago gangs, but lacks the bloodthirstiness necessary to impose his will. Capone has the right ruthlessness, and betrays Torrio, taking his place. But Capone has his own right-hand man with high ambitions: Frank Nitti (Sylvester Stallone).

In this day and age, we take computer animation for granted. Pixar, Futuarama? We have seen it a million times. What about if I told you that over 15 years ago, there was a cartoon that was the first of its kind to be one hundred percent computer animation? Well, you might dismiss it or figure it was not much to look at. You would be wrong. Let us take a look at history boys n girls and discover the wonder that can only be known as Reboot.

Bob is a Guardian. He works for the Mainframe safeguarding the vital data and sprites (people and animals) that inhabit his sector. His two closest friends are Dot Matrix and Enzo Matrix. Dot runs a local diner called Dot’s Diner and is in on most of the action in the sector. She is also seen as a leader and tends to help out fellow sprites in need. Enzo is her younger brother and idolizes Bob. He also has a dog named Frisket.

This series from Comedy Central began as a low-budget film hosting show in a small television station in Minnesota. It was the brainchild of Joel Hodgson. It ended up running for 11 years and a feature film version.

Mystery Science Theatre is an acquired taste. For me, I’ve really got to be in that certain mood to watch it. That’s the beauty of these DVDs. You pop them in when you’re ready. The idea is pretty whacked. Depending on the season you’ve got, Joel or Mike is trapped in space on the “Satellite of Love”. Doomed to spend his life watching very bad films, our hero makes the best of a bad situation. He uses his resources to construct a couple of robot pals. There's Crow T. Robot (Beaulieu), Tom Servo (Murphy), and Gypsy (Mallon). Part of an experiment together, they watch the films from the front row, constantly ranting throughout. If you’re like me, you’ve invited a few friends over to watch a schlock festival. The movies weren’t as important as the banter you created while watching. That’s exactly what you see here. The silhouettes of our host and his robots dominate the lower portion of the screen, where they provide alternative dialog and sometimes witty commentary on the action. The two evil station owners/mad scientists send them a new bad film each week to observe their reactions to the bombs. The films are broken up by off-the-wall skits and fake commercials to alleviate the tedium. This DVD collection is better than some because it includes films from four different seasons to give you a good sample of the overall series.

George Papdapolis (Alex Karras) and Katherine Calder-Young (Susan Clark) meet on a Greek cruise, and, after a whirlwind romance, return to Chicago. They're a bit of an odd couple – she's a blue-blood, complete with male secretary, and he's an ex-football player. The cross-class romance is barely underway, however, when they suddenly find themselves the guardians of the unspeakably adorable seven-year-old Webster (played by twelve-year-old Emmanuel Lewis) after his parents die (George had agreed to be his godfather back in the day). All sorts of cute misunderstandings, cute heart-warming lessons and cute sentimentality then ensues.

There is no denying diabetic-shock-inducing cuteness of Lewis, though there is also something a little bit creepy about the way the camera presents him, shamelessly exploiting that cuteness for all its worth, offering up Lewis for the audience to cluck over as if he were some kind of ambulatory teddy bear. The humour, meanwhile, is typical of an 80s sitcom – banal jokes in tandem with a Serious Message. And some of the gags are, to put mildly, antediluvian. Oh, look! Katherine is a woman who can't cook! Hilarious! For those with fond memories of the show, however, none of this will matter. But those who have no such memories are probably better off not forming them.

Here is a second volume of episodes from the Marvel cartoon's first season, which is geared towards young children. The review for the first volume, written by the highly skilled and suspiciously well-dressed Michael Durr, can be found here: https://upcomingdiscs.com/2010/07/12/marvel-squad-vone/ . Dr. Doom is still using his many evil minions to obtain fractals of the shattered Infinity Sword before the Superhero Squad, a team of Marvel heroes assembled for their unique skills depending on the mission as led by Iron Man, can stop him.

As it has been for every episode in this first season, the humour ranges from quirky one-liners that only slightly older viewers may catch, to extremely low-brow bodily function gags, mostly pertaining to farts and burps; though the latter only arises whenever Mole Man or Hulk are involved. Not to say that this makes it uninteresting for viewers young or old but is more unifying. As well, each episode often features cameos by many characters from the Marvel universe, much of whom are rather obscure as only hardcore Marvel geeks might know (show me an 8-year-old who knew who Thanos was before this show and I'll eat my Thor shirt!). Perhaps the most amusing cameo is The Punisher, being voiced by Ray Stevenson who actually played the violent vigilante in an R-Rated adaptation of the comic Punisher: War Zone; only here, he uses a metaphor about brussel sprouts when speaking about crime...but still has many a gun go off at random in an especially amusing scene.

This series from Comedy Central began as a low-budget film hosting show in a small television station in Minnesota. It was the brainchild of Joel Hodgson. It ended up running for 11 years and a feature film version.

Mystery Science Theatre is an acquired taste. For me, I’ve really got to be in that certain mood to watch it. That’s the beauty of these DVDs. You pop them in when you’re ready. The idea is pretty whacked. Depending on the season you’ve got, Joel or Mike is trapped in space on the “Satellite of Love”. Doomed to spend his life watching very bad films, our hero makes the best of a bad situation. He uses his resources to construct a couple of robot pals. There's Crow T. Robot (Beaulieu), Tom Servo (Murphy), and Gypsy (Mallon). Part of an experiment together, they watch the films from the front row, constantly ranting throughout. If you’re like me, you’ve invited a few friends over to watch a schlock festival. The movies weren’t as important as the banter you created while watching. That’s exactly what you see here. The silhouettes of our host and his robots dominate the lower portion of the screen, where they provide alternative dialog and sometimes witty commentary on the action. The two evil station owners/mad scientists send them a new bad film each week to observe their reactions to the bombs. The films are broken up by off-the-wall skits and fake commercials to alleviate the tedium. This DVD collection is better than some because it includes films from four different seasons to give you a good sample of the overall series. This edition features an all Joel collection.