Sony Pictures

Honestly, I don’t know what the bigger tragedy is, the fact that John C. Reilly has been a funny performer for years, or the fact that it’s taken guys like Judd Apatow and Adam McKay a chance to show off his comedic talent. For those who don’t know, Reilly was in a hilarious ten-minute blooper reel in Boogie Nights which showed that he could improvise with the best of them. The guy also played Bigfoot in an episode of the Tenacious D show that aired on HBO in the mid ‘90s. But sure, put him in Chicago where he was nominated for an Oscar or in ensemble films directed by some of film’s greatest voices. His true love, that which gives him much joy and pleasure, appears to be when he’s goofing around, like he does in Walk Hard: The Dewey Cox Story.

ABC has made a killing from the bored housewife situation. It shouldn’t come as any surprise that films would attempt to put those kinds of situations into their plots. The film is billed as an erotic thriller; however it’s really two separate films. The first half works the erotic side of things. There’s plenty of nudity and sexual situations, starting with three chicks all over each other for a photo shoot. Here we meet Claire Dennison (Ford). She’s a successful businesswoman, perhaps selling porn to the Japanese.

Extreme sports, whether it be skateboarding, surfing or skiing have only come into popularity within the last decade or so. However, their roots often go back many more years. Take the case of extreme skiing. That kind of skiing is not usually found in the United States and forces patrons to go off to slopes like Chamonix in France. Origins of the sport suggest that we can go back almost 40 years to find a true source. The documentary Steep tells the tale of extreme skiing from the fathers of the sport and listens to the pioneers creating new and exciting challenges going forward.

There’s probably a reason why there’s a surprising and varied cast of characters in the independent film The Good Night, and that’s because a familiar last name is involved with the project. Jake Paltrow, son of Bruce and Blythe Danner, and sister of Gwyneth wrote and directed the piece which at first glance might be a pretentious and audacious film, but is a little more interesting than it seems.

Love and marriage, love and marriage, go together like a horse and carriage, this I tell your brother; you can't have without the other... Chances are if you know this song by heart, you have watched a lot of episodes of Married with Children (or you adore Frank Sinatra ). The Bundys are back for their eighth season of marital hijinx. Once it was just a random trivia question about one of the shows that was first on the little known Fox tv channel (Tracey Ullman and Garry Shandling are two others by the way). Later, it went on to be one of the network's greatest early hits and out lasted almost everything except the Simpsons. So would another twenty six episodes of crass sarcasm and dysfunctionality dilute the product or just keep the laughs coming?

Dance movies can be interesting especially when it involves hot sweaty bodies and bodacious moves along a club floor. Did I just say bodacious? "Pauly Shore is on line one, please pick up the white courtesy phone". I'll ignore that for now. Dirty Dancing or Footloose are great examples. Some should be drag into the street and shot. I knew that Feel the Noise looked bad the minute I looked at the cover. What was that clue on the cover you might ask? Produced by Jennifer Lopez would be a very good start.

I couldn’t find her name anywhere on the credits, but I simply cannot believe that Rosie O’Donnell didn’t have anything at all to do with the film Conspiracy. The film is a thinly veiled pot shot at the current administration, or at least Dick Cheney. Gary Cole plays a guy named Rhodes, who is really intended to represent Cheney. Rhodes controls a multibillion dollar corporation that has managed to set itself up in Iraq making millions from the war thanks to corrupt government officials.

If you are a regular reader here, you know how much I love Ray Harryhausen. Over the years I’ve had the chance to spend many casual hours with him and his wife. They are both extraordinary people, and I’m always amazed at how modest Ray always acts. After over a half century, he still acts surprised that so many people continue to be affected by his work. I was lucky enough to have been invited by Ray personally when he finally received his star on the Hollywood Walk Of Fame.

In 1973 Elton John had his best selling album to that time in the double release Goodbye Yellow Brick Road. From that album came one of the most radio-played non-singles of all time, Funeral For A Friend/Love Lies Bleeding. What does any of this have to do with the Christian Slater direct to video film? Nothing. It has about as much to do with the film as the title itself does.

The Nines truly is a film that defies description, albeit in not an entirely new and convincing manner. For instance, I could tell you that I just got done eating a chicken sandwich after consuming several mojitos and a beer, and at least with that statement, you could tell what it is that I’ve done, you know? But to be fair, The Nines decides to take on some daring filmmaking and storytelling, and does it in a way that you can’t help but want to watch it again, even a little.